Year One

Nora Roberts

66 pages 2-hour read

Nora Roberts

Year One

Fiction | Novel | Adult | Published in 2017

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Important Quotes

Content Warning: This section of the guide includes discussion of illness, death, suicidal ideation, and cursing.

“It starts with you, child of the ancients. […] So now between the birth and the death of time, power rises—both the dark and the light—from the long slumber. Now begins the blood-soaked battle between them. And with the lightning and a mother’s birth pangs comes The One who wields the sword. The graves are many, with yours the first. The war is long, with no ending writ.”


(
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, Page 4)

Mrs. Frazier’s ominous prophecy to Ross frames the events of Year One within a cosmic struggle, positioning him as both “patient zero” and the opening sacrifice in a larger war between dark and light forces. Her words foreshadow the inevitability of Ross’s death while establishing the idea that his loss will ignite a chain of events leading to Fallon Swift’s birth.

“A door opened inside you, Lana. I saw it in your eyes, just as I saw the potential for it in your eyes the first time we met. Even before I loved you, I saw it. But if you want it to stay between us, it does.”


(
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, Page 26)

Max’s words to Lana acknowledge her growing magickal power while honoring the intimacy of their loving bond. By equating her transformation to the metaphorical opening of a door, he indicates that her gift is both inevitable and deeply personal: a force within her that has merely been waiting for permission to break free and develop. His promise to keep her secret reflects his respect for her autonomy and stands as a sharp contrast to the coercion and exploitation that others in the novel exhibit. This early moment foreshadows the fact that Lana and Max will continue to love and trust one another as they stand together against the coming darkness.

“By the end of the first week of January, the reported death count topped a million.”


(
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, Page 38)

The unadorned wording of this stark statement emphasizes the speed and scale of the Doom’s devastation. Faced with the grim normalization of the rising death toll, individual humans are faced with a harsh world in which their lives are reduced to mere statistics in a collapsing world. Because such a milestone has been reached within a single week, it is clear that the fragile human systems are struggling to endure in the face of unchecked catastrophe. The line sets a tone of dread, illustrating that survival is not guaranteed and that the characters must now face an unprecedented global crisis.

“Together, she thought. Live or die. Closing her eyes, she pushed harder.”


(
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, Page 67)

This moment highlights Lana’s commitment to solidarity and Resilience in the Face of Grief and Instability. At this point, she is still a novice with her powers, but she consciously pushes herself into a new register of magickal use to lower the bridge, fully aware that her failure will condemn both her and Max to death. Her determination indicates that she has the necessary courage to embrace risks in a desperate bid to survive this collapsing world.

“You saw life in my babies, and in me. You saw life. I know what you are. You’re my personal miracle.”


(
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, Page 82)

With the tone of wonderment and earnestness in her repetition of the phrase “You saw life,” Rachel affirms her bond with Jonah and praises him for the hope and strength that he has brought to her and her children. She also obliquely references his earlier crisis when he nearly succumbed to despair and ended his own life. Most importantly, by calling him her “personal miracle,” Rachel reframes his painful magickal gift of seeing death as a source of salvation and life rather than sorrow. This moment emphasizes the fact that mutual reliance allows the characters to endure even in a shattered world.

“You get up in the morning and do what you have to do. […] Everybody thinks their loss is the worst that can happen to them. And this, this fucking scourge, it’s taken from everybody. We all had the worst that can happen.”


(
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, Pages 96-97)

When Arlys interviews “Ben” early in the narrative, he explains to her listeners how he manages to endure the devastation of the pandemic. His words illustrate resilience in the face of grief and instability, for although he acknowledges the universality of loss, he still chooses to move forward each day. By framing grief as a shared human burden rather than an individual tragedy, Ben encourages others to find strength in solidarity.

“I don’t believe in demons. That isn’t a lie. But I have seen what was once the unbelievable. I’ve seen the beauty and the wonder of it. I believe what we’ve termed the Uncanny—there is light and dark in them, as there is light and dark in all of us—will also be swept up and detained and tested. And, I fear, that what H5N1-X leaves us, all of us, will not destroy us, but the fear and violence it breeds in those of us who give in to it—the forced restrictions on freedom—could.”


(
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, Page 110)

Arlys’s last broadcast holds deep significance for all the characters and demonstrates her own inner growth in the midst of the crisis. At first, she concealed the truth of the pandemic’s scope because she feared the implications of inciting widespread panic and defying those who would try to keep the realities of the crisis under wraps. However, in this scene, she openly acknowledges the dangers of fear, violence, and authoritarian control. By recognizing the potential for both light and dark within the Uncanny and within humanity itself, Arlys shows her newfound courage to confront reality rather than hiding from it.

“‘[S]top wasting your energy on tears. Get up, get moving.’ ‘For what? To what?’ ‘For your life, for the world. To your destiny.’ ‘There is no world.’ […] ‘Am I here? Are you? One person can make a world, and we’re two. There are more. You have power in you.’ ‘I don’t want it!’ ‘It doesn’t matter what you want, but what is. You hold the key, Lana Bingham. Get up, go north. Follow the signs. Trust them. Trust what you have and are.’”


(
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, Page 115)

When Lana feels consumed by despair, she is visited in her dreams by a luminous, gray-eyed woman—a manifestation of her unborn daughter, Fallon, who is later revealed as the series’ true protagonist. This encounter marks Fallon’s first ethereal appearance in the narrative, and she is already acting as a motive force within the plot by urging her mother to rise above grief, embrace her power, and continue north. By reminding Lana that a mere two people can create a world, Fallon reinforces the themes of prophecy and destiny that shape the series.

“The center can’t hold, Lana. It’s already breaking down.”


(
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, Page 129)

Max’s comment to Lana is an allusion to William Butler Yeats’s poem “The Second Coming,” which warns of chaos and collapse when order disintegrates. By echoing Yeats’s line “Things fall apart; the centre cannot hold” (Line 3), Max frames the Doom not only as a global pandemic but also as a cultural and societal unraveling. The reference deepens the characters’ sense of inevitability, linking their personal struggle for survival to a larger, apocalyptic vision.

“I called them. I didn’t know I could, but I did. They came to help.”


(
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, Page 144)

Much of the novel explores how the characters react to the sudden emergence of new, supernatural abilities in the face of danger. Here, Fred discovers that she can summon faeries to aid her, a power that she had not known she possessed until her desperation revealed it. This moment reflects the theme of resilience in the face of grief and instability, as hidden strengths emerge when survival demands them. The presence of the faeries also provides a sense of hope, showing that even in chaos, unexpected allies can appear to help carry the characters forward.

“Not just safety in numbers, she thought. Strength in them.”


(
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, Page 183)

Arlys’s reflection highlights the shift from mere survival to empowerment through community. In the wake of the Doom, isolation brings vulnerability, but unity offers resilience. Her realization illustrates the theme of Found Family as a Survival Mechanism, given that true strength is drawn from trust, cooperation, and shared purpose.

“Light the candles white and bright, and their flames will turn this right. Spark the crystals, clean and pure, and their power will endure. Call to the north, the south, the east, the west, unite and from evil power we wrest […] Here is light against the dark. […] Take one. […] You’re a child of humanity. You’re of the light. Light burns through the dark.”


(
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, Page 203)

Lana’s spell in the woods demonstrates her growing command of light magick while also affirming the role of ordinary humanity in the struggle against metaphorical darkness. When Eddie fears that his participation makes him a witch, Lana reassures him that being human is itself a form of light, and her words affirm that resilience and goodness are not limited to the magickally gifted. Significantly, the invocation itself blends ritual with symbolic language, framing light as both a literal and moral force that can counter evil.

“Arlys, you’re saying good-bye now. And what you did in New York gave comfort to we don’t know how many people. Being able to hear you and see you every day. And at the end? What you did? We don’t know how many people you might have saved. You saved me, […] Chuck, too. Katie and the babies, all of them. You saved some who could be saved. It matters.”


(
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, Page 211)

Fred’s words to Arlys highlight the theme of resilience in the face of grief and instability as she reminds Arlys that loss does not erase the impact of her actions. By affirming the value of Arlys’s broadcasts and choices, Fred reframes her grief as a legacy of hope and survival. This moment also highlights the theme of found family as a survival mechanism, given that Fred provides comfort and perspective when Arlys cannot find it for herself.

“What did she feel? Fear, yes, fear—so much death, so much violence, so much unknown. Doubt, too. Was she strong enough, capable enough? Shock, even though she’d known. And over it all, under it all, woven through it all, what did she feel? Joy. This, after all the misery, this was joy.”


(
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, Page 239)

Lana’s reaction to her pregnancy captures the tension between fear and hope that defines life after the Doom. Surrounded by death, violence, and uncertainty, she questions her own strength and ability to endure, yet the dominant emotion that remains is joy. The new life within her therefore becomes a beacon of hope against despair, and in her joy, she finds a powerful source of hope for personal renewal and the promise of a better future.

“When the terrible dream night ended, she walked with her broken heart weeping inside her. She walked, armed with a knife and a gun, a woman the one she’d been in New York wouldn’t recognize. She walked, a mile, two, then three, with only one purpose. She would protect the child inside her at all costs.”


(
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, Page 254)

This passage occurs after Max and Lana’s first argument with Eric and Allegra, marking a turning point in Lana’s character development. The dream proves prophetic, as she will eventually travel alone with the singular purpose of protecting Fallon. The contrast between the woman she once was in New York and the hardened survivor she is now becoming highlights the larger role of destiny in shaping her journey.

“Because I can! Because your rules don’t apply anymore. Because your time is over, and mine’s finally here. Because it fucking feels good!”


(
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, Page 269)

Eric’s defiant, erratic declaration embodies the corruption and moral collapse that follows the Doom, for in this moment, he consciously rejects society’s moral code and embraces the darkness of violent self-indulgence. His words highlight the nature of good and evil, showing that some people will always choose to embrace chaos and power for its own sake. Eric’s corruption reveals that the breakdown of order is now unleashing humanity’s darker impulses. This moment contrasts sharply with the resilience and unity of the protagonists, highlighting the stakes of resisting such destructive forces.

“Every one of us lost family, friends, neighbors. We’re all we have left, but people like the Mercers, like Kurt Rove, belittle and bad-talk those of us who, well, have something that might help get all of us through. Because they’re different.”


(
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, Page 279)

Katie’s words emphasize the importance of found family as a survival mechanism. She earnestly reminds others that in the wake of loss, the survivors must rely on one another, and her frustration with the prejudices of people like the Mercers and Kurt Rove emphasizes the dangers of division at a time when unity is essential. By pointing out that people’s differences can give others an excuse to express scorn and cause harm, Katie highlights the destructive power of fear and intolerance.

“We need a plan. We need structure. […] Rules, laws.”


(
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, Page 309)

This stark call to action reflects the survivors’ desperate need to rebuild order after the collapse of society. In the chaos left by the Doom, people crave stability, justice, and a sense of community. The survivors therefore aim to establish a framework that can safeguard them against both external threats and internal discord.

“You got us here safe. Everyone, almost a hundred people, who came here with us knows that, and looks to you for that. With you as part of this, they’ll feel part of this.”


(
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, Page 311)

Lana’s words affirm Max’s natural leadership, highlighting the idea that his courage and guidance have earned the trust of his companions. She also emphasizes the importance of having strong, steady figures who will help restore hope and order after the chaos. This moment illustrates Max’s character and celebrates the importance of found family, as shared trust and capable leadership are powerful factors in transforming a group of ragtag survivors into a functioning community.

“To make the Savior is your fate. Life out of death, light out of dark. To save the Savior is your fate. […] Power demands sacrifice to reach its terrible balance. It calls for blood and tears, and still it feeds on love and joy. You, son of the Tuatha de Danann, have lived before, will live again. You, sire of the Savior, sire of The One, embrace the moments and hold them dear, as moments are fleeting and finite. But life and light, the power of what will come, the legacy within, are infinite. […] She is. A heart beating, wings fluttering, light stirring. She is the sword shining, the bolt that strikes true. She is the answer to questions not yet asked.”


(
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, Page 337)

This lengthy prophecy reveals Lana’s destiny as the mother of Fallon, the Savior, while also foreshadowing the inevitability of Max’s sacrifice. The language stresses that power demands both blood and tears, and the wording of the prophecy hints that Max’s death will be part of the terrible balance that is required to bring Fallon into the world. The prophecy therefore illustrates The Interplay Between Prophecy and Free Will, linking Max’s loss to the larger hope of humanity’s survival.

“I was hurt, and they tended to me. I was hungry, and they gave me food. I wasn’t naked, but by God, I was ripe and ragged, and they clothed me. They gave me shelter. They gave me what every one of us has here today. Community.”


(
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, Page 347)

Lloyd’s reflection emphasizes that individual survival after the Doom depends on the compassion and generosity of others. By linking food, shelter, and clothing to the larger gift of “community,” he illustrates the importance of found family, celebrates the sense of solidarity that pervades the fledgling town of New Hope, and emphasizes the importance of codifying law and order.

“He took the full force of the hate, of the dark. The shock jolted through him into her as they flew together, fell together into the stalks. […] She knew he was gone.”


(
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, Page 368)

Max’s death fulfills the prophecy’s warning that power demands sacrifice, but it is nonetheless his own choice to take on the full force of the darkness in order to protect Lana and their unborn child. The description of the two falling together emphasizes their bond even as it highlights the shattering loss that Lana must now endure. This moment illustrates Lana’s resilience as she overcomes intense emotional pain amid her efforts to carry forth the hope that Max died to preserve.

“She looked up, eyes drenched, clutching the book, her love’s picture, to her heart. ‘My…my husband. Max. Max. Max.’”


(
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, Page 378)

Lana’s grief erupts when she discovers the title of a book that Max possessed and sees it as a tangible reminder of the life and love that she has lost. In this moment, she clings to memory as a way of keeping him present, even in death. This moment illustrates Lana’s resilience as she channels her sorrow into carrying forward his legacy while continuing to fight for their child and for the future that he sacrificed himself to protect.

“Out of me, into your hands, and into mine. She’s yours, too.”


(
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, Page 412)

Lana’s words to Simon establish his role as a guardian of Fallon. She also stresses the importance of found family, acknowledging that Fallon’s future depends on the collective protection of those who love her. This moment foreshadows Simon’s deep bond with Fallon, indicating that her survival and growth will be shaped not just by blood but also by her chosen family.

“The year’s ending, the terrible, miraculous, bitter, and joyful year. I want to start the next one with you. I want to look toward all the next ones with you. I want to be your family.”


(
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, Page 419)

Lana’s words to Simon mark a turning point from survival to rebuilding, as she chooses love and partnership after a year of loss and upheaval. By calling the year both “terrible” and “miraculous,” she acknowledges the coexistence of grief and hope in the strange new world that now reshapes their lives. Her desire to make Simon her family demonstrates that forging new bonds is the only sure way to guarantee the presence of strength and stability in the future.

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