52 pages • 1-hour read
Megan MirandaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains depictions of death, violence, harassment, and bullying.
Beckett is the main character and the protagonist. The entire book is in her voice. She narrates the present (when she’s 41) and the past (when she’s 21). While she keeps secrets and withholds details from the other characters, she’s transparent in her narration. Any unreliability in the story arises from her limited perspective, something the author makes clear in the many red herrings and wrong leads that she falls victim to. She doesn’t know the full story; based on the information she has at the time, she selects suspects including Adalyn, Cliff, Trevor, and Mayhew as the source of conflict in the story.
Beckett characterizes herself as a “committed” person, and her dedication to identifying Delilah’s bully turns her into a detective. There are multiple crimes and mysteries: Someone torments Delilah, and someone (perhaps the same person) killed Adalyn. The persistent Beckett speaks to a range of people, which leads her to Bryce and eventually Violet. She not only exposes them, but she takes responsibility for her own crime two decades ago and accepts her jail sentence. This ending represents her personal journey from trying to escape her past to finally embracing it and the consequences that come with it. While she is a sympathetic character throughout the narrative, only through accepting the judgement of the legal system can her arc find resolution.
Within the story overall, Beckett qualifies as an antihero. While she eventually comes clean, she kept her role hidden for almost 20 years—so for two decades, she’s misled people. More so, what compels her to solve the crimes isn’t a sacrificial sense of justice but Delilah. She wants to protect her loved one, and to do so, she continues to use subterfuge; when she finds Delilah’s phone, she hides it. Beckett’s antihero traits are why Mayhew continually suspects her. He doesn’t have a bias or a grudge; he sees that Beckett has a record of distorting or repressing the truth. Beckett’s honesty in her narration about her failings highlights her vulnerability and growing self-awareness, both of which are the traits that lead her to sacrifice herself to expose Violet’s antagonism.
Adalyn is Beckett’s college roommate, best friend, foil, and alleged antagonist. Beckett’s parents present Beckett as “a total wild child” (16), but the label corresponds more accurately to Adalyn. Beckett is adventurous yet cautious; she’s not reckless or excessively dramatic like Adalyn. Beckett explains, “I was drawn to the very thing that made my mother wary—Adalyn was exciting. Someone who raised the stakes in any room” (186). What pulls Beckett to Adalyn is Adalyn’s contrasting traits.
Adalyn’s daring creates the central incident that propels the plot: She challenges Charlie and Micah to the game of darts, she vandalizes Charlie’s truck, she wants to trap them in the tunnels, she sets the old president’s house on fire, she vanishes, and she returns. Adalyn isn’t the main character, yet she propels the series of calamities that alter Beckett’s life. Adalyn never faces legal consequences but loses her privileged, carefree life. Beckett says, “Delilah must’ve been such a stark reminder of what she’d missed out on, what she’d lost. The freedom she’d traded” (502). Beckett believes that Adalyn bullies Delilah and harasses her via the FordGroup as a way to punish Beckett for retaining her upper-middle-class life.
In reality, Adalyn isn’t Beckett and Delilah’s antagonist; she’s not a villain. Instead, Adalyn redeems herself by saving Delilah. When she realizes that Bryce (and possibly Violet) are harassing Delilah, Adalyn assumes the role of Delilah’s watchdog. As Beckett puts it, “Maybe she noticed Bryce following my daughter. Maybe she wasn’t after Delilah herself. Maybe she was trying to find out who this kid was. Maybe she was trying to protect Delilah. Maybe she felt she owed me something after all” (512). Like Beckett, Adalyn embraces selflessness. She, however accidentally, sacrifices her life to save Delilah and demonstrates her allegiance to Beckett. Doc once deems Adalyn a “dangerous narcissist,” but Adalyn’s defense of Delilah calls her motivations into question. Like Beckett, she remains a morally gray character.
Delilah Bowery is Beckett’s 18-year-old daughter. Delilah isn’t a static or flat character; Miranda gives her nuances. She’s a “theater kid” who wants independence from her mother, whom she feels is babying her. Proving her self-reliance, Delilah gets lost in the woods and makes it back on her own. She also tries to handle the bullying on her own before Beckett gets involved. Her desire to make independent decisions free from Beckett’s influence allows for uncertainty in her storyline, unexplained events or absences that increase the sense of mystery in the narrative and make Beckett suspect that Delilah herself could have something to do with the unrest at the college.
Nonetheless, Delilah remains unformed, and her presence is mostly a plot device. Due to Delilah, Beckett returns to Wyatt College and faces her secrets. Bryce harasses Delilah not because of any character traits specific to her but because she’s Beckett’s daughter. Delilah’s disquieting first two months at college aren’t due to anything she did: It’s what Beckett did. Delilah exists in Beckett’s shadow and suffers from Beckett’s secretive history, so her character acts as the primary vehicle for the theme of Confronting Truths Versus Perpetuating Secrets.
Violet and Beckett attended the same high school when Violet was a senior and Beckett was a freshman. Unaware of Violet’s history, Beckett doesn’t suspect her, and Violet doesn’t give Beckett cause to be suspicious. Violet is cooperative and supportive. She video calls Bryce to ask him about the night that Delilah got lost, and she embraces Beckett when she realizes Delilah is back and safe. As Violet turns out to be Beckett and Delilah’s antagonist, she’s deceitful. She hides her deadly ambitions, and she presents her murderous plan as righteous, telling Beckett, “I’ve learned that justice sometimes takes time” (537). In other words, Beckett helped kill her romantic partner and Bryce’s father, so Violet has the right to kill her, a belief that touches on The Subjective Nature of Justice.
Bryce is Violet’s 19-year-old son, and Beckett immediately suspects Bryce since she spots him coming out of the woods. As with Delilah, Bryce’s character lacks development. He, too, is a product of his mother’s history. Unlike Delilah, Bryce isn’t passive. The lack of justice gives his family a grudge, which he keeps by harassing Delilah and, presumably, “pranking” Delilah at the quarry. Instead, Adalyn appears and “accidentally” falls. Whether Adalyn’s death is truthfully an accident or not, Violet helps Bryce move the body, so Bryce and Violet both become antagonists. Their dual sense of injury and vengeance supports the theory that they worked together to bully Delilah, so they’re the characters behind the FordGroup.
Beckett met Trevor while she was abroad; he’s her former romantic partner and the father of Delilah. Trevor is educated and cultured. He has a master’s degree in art history and a powerful position at a museum in Washington, DC, where he lives. Beckett presents Trevor as a good father. She calls him “even-tempered, possibly to a fault” (245). He’s not directly involved in Beckett and Delilah’s life, however, as he expressed he wasn’t ready to be a father when Beckett fell pregnant in college. His sincere reaction to Beckett’s pregnancy repelled Beckett, and she realizes in the narrative present that she probably overreacted.
Despite Trevor’s reliable and practical characterization, Beckett suspects Trevor might be a part of the mystery. Trevor emphatically denies the accusation, but Trevor isn’t completely upright. To protect Delilah, he gets rid of her phone, as he worries about how that evidence might implicate his daughter in the current criminal activity occurring at the college. In this moment, he, too, chooses secrets over truth; however, his actions end up not being indicative of villainous activity. Instead, the return to a recurring motif within the story, which is that of parents going to drastic ends to protect their children.



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