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Content Warning: This section of the guide contains depictions of death, violence, harassment, and bullying.
Beckett quickly arrives at Wyatt College but sees no signs of “chaos.” She notes a nearby blue-light emergency phone and runs into Lenny, who mentions power surges and lets her into the dorms. The blue-and-white striped “D” on Delilah’s door is gone, and Delilah’s side of the room looks unused. Hanna claims Delilah doesn’t stay in her room, and Raven reproaches Beckett for violating Delilah’s space.
In high school, Delilah’s friends were mostly theater kids like her, and they shared their secrets; now, Beckett wonders if Delilah has a secret. Beckett spots an out-of-breath Bryce coming from the woods, so she enters the woods to investigate.
During their senior year in high school, Beckett, using the skeleton key she got from her father, explores the steam tunnels with Maggie and Cliff. Cliff playfully scares Beckett as she led them up a stone staircase that brought them to the barn by the president’s old house. The school once used the tunnels to move items from the president’s home to the main campus.
As Beckett enters the woods, she notices a path. The path, along with the cameras and blue-light emergency phones, didn’t exist 20 years ago when Beckett was a student. Beckett winds up near the Low Bar, where Adalyn used to make money by playing darts with locals. She’d then give the bartender the money in the form of a tip, or she’d offer the money to locals in return for items she didn’t want, like rhinestone sunglasses.
Beckett doesn’t think Bryce was coming back from the bar, so she goes to Cryer’s Quarry. A mining company first dug it for granite or limestone, but Beckett and her friends hung out there while she was in high school, and she remembers floating in the shallow water. The area currently features “do not enter” signs from JW Enterprises (Joseph Wharton’s company). The last time Beckett was here, she looked for Adalyn. She hopes Delilah didn’t hurt herself here. She notices a red mask, an item used in the howling, which confirms that the students still practice it.
The cash-only deli is where Carly Mathers works with her sister, Sierra. Beckett orders a coffee, and Sierra reveals that Violet lives in the Estates. The neighborhood requires a “solid drive” up the mountain roads, so Bryce couldn’t have been coming from there; as the deli was closed earlier, he had to be at the quarry.
Beckett wants to “regroup” at her parents’ house, but the spare key is missing. Before she left, she forgot to lock a window in her father’s office, so she enters through that window. Inside, there’s food and a cup, so she assumes Delilah stays here. In her old bedroom, she sees familiar quotes and frightening new quotes such as “I can still see you” and “Did you think you could hide?” (170-71).
Beckett believes someone else has been in her room and is targeting Delilah to punish her. Beckett believes Delilah is frightened, which accounts for her lack of communication and social media use. Her last Instagram post was a month ago. It was a picture of the mountain ridge; the caption read “here.”
Beckett texts Trevor about Delilah, which prompts Beckett to remember when Delilah would tell her about Trevor’s romantic partners—mainly, a preschool teacher and a kindergarten teacher that he almost married. Over the phone, Beckett tells Trevor about the dropped call, and Trevor reveals that he sent Delilah money. Trevor plans to come to Wyatt Valley.
Beckett notices the attic door is open. The attic contains valuable objects and boxes from her youth. Beckett remembers how Adalyn admired Doc and called her a “genius,” but Doc and Hal were wary, with Doc labeling Adalyn a harmful narcissist. Beckett appreciated Adalyn’s exciting personality. Hearing noises below that don’t sound like Delilah, Beckett leaves the attic and sees an open gate and Cliff.
To make it to the old president’s house for the howling, Beckett had a penlight and took Adalyn on an indirect route. There was a flash of light from the trees, and someone—Cliff—screamed “boo” and grabbed Beckett. Adalyn got to the old house by herself, and when Beckett arrived, Adalyn, thinking Beckett was caught, promised not to tell that she was cheating. Beckett informed Adalyn that Cliff “didn’t count.”
Beckett labels Cliff a “chameleon” due to his different jobs. Cliff also has a cat and a son who’s five or six. Beckett accuses him of entering her parents’ house, which he denies. He’s been outside, cleaning up the trash of the burnt-down house, as his house is right next to it. Cliff drops his cigarette, and the ember reminds her of the match in the dumpster from Chapter 2. Cliff has noticed a light on in Beckett’s parents’ home. Beckett asks why Cliff was in the bell tower. He says the automated system broke, so he had to ring it manually.
Beckett tells Cliff that Delilah is missing. She wants Cliff to get security footage and talk to Delilah’s friends, roommate, and RA. Cliff doesn’t want to violate protocols but agrees to review the card scans. Delilah entered Beckett Hall, an academic and administrative building, just before midnight last night. Cliff confirms that Delilah requested to move dorms. Beckett wants Cliff to give her Violet’s address, but Cliff doesn’t want to provoke Violet’s powerful husband. Cliff vows to “liaise” with campus security, and Beckett mocks Cliff for saying “liaise.”
Delilah’s disappearance furthers the mystery. Beckett tries to reassure herself that Delilah is fine and just “being a college kid” (151). However, Beckett knows from experience that horrible incidents occur at Wyatt College, so Beckett ultimately fails to comfort herself and treats Delilah’s absence like a crime to solve. Taking on the role of detective, Beckett suspects Bryce. She doesn’t explicitly label him a suspect, but she meticulously retraces his steps and finds out where he lives to rule out the possibility that he was walking from home. The emphasis on Bryce foreshadows his connection to Delilah; however, in Chapters 8-12, the link isn’t overtly harmful. He could be protecting Delilah or her covert romantic partner. More so, Beckett has other suspects, including Cliff, whose “chameleon” characterization suggests that he’s capable of deceit or harm.
Neither Cliff nor Bryce are overtly villainous in this section, though. The terror comes from the new, menacing notes in Beckett’s childhood bedroom and the sounds in the house. The noises in the story symbolize a threatening unknown. In the attic, Beckett hears a “sound from somewhere below. A creaking door. The thud of it latching shut” (188). She hears footsteps, but she knows “by heart” how Delilah moves, and the person in the house moves differently. This could be true, or Beckett could be overestimating her ability to interpret Delilah’s movements, as she’s been implied to be an unreliable narrator. Unable to identify the sounds, they turn into a source of danger. As the mysterious noises enter the home, Beckett isn’t safe in her parents’ house, somewhere that should represent security and protection. Like Delilah, she’s vulnerable anywhere in Wyatt Valley.
The howling continues to symbolize a relentless menace. The mask in the quarry tells Beckett that “the tradition, banned or not, was still here” (153). After the deaths of Charlie of Micah, the school outlawed it, yet it hasn’t vanished. It still represents a baleful influence in Beckett’s life, and its presence now represents how her past is both literally and figuratively catching up with her despite her attempts to avoid it. Twenty years ago, it hurt her and forever changed the trajectory of her life; 20 years later, the game destabilizes and possibly harms Delilah.
Deliah’s disappearance brings to the fore History’s Impact on the Present and the struggle between Confronting Truths Versus Perpetuating Secrets. Beckett can’t share the full truth about her role in the deaths, and she can’t figure out where Delilah is or what has happened to her. The implication is that secrets generate secrets, and Beckett can’t outmaneuver her past, so it remains a part of her present. The new notes in her childhood bedroom demonstrate the entwinement: “Hey there, Delilah[.] I can still see you[.] Did you think you could hide?” (173). Implicatively, Delilah is hiding because Beckett conceals what she did. The students who died 20 years ago, Charlie and Micah, never received justice, and Delilah is merely collateral damage in the quest to hold Beckett responsible. If the person or persons hurt Delilah, Beckett will know what it feels like to lose a loved one, so whoever is acting on behalf of the killed students gains a semblance of justice.
It remains unclear at this point in the narrative, though, how subjective the narration is. Beckett can’t find her daughter, but there’s been no confirmation that Delilah has actually been harmed thus far. A call was dropped in an area with notoriously bad reception, and a college student isn’t communicating often with their parent, causing anxiety. Neither of these are uncommon occurrences. While there are some genuine concerns about Delilah’s whereabouts, part of the tension—and the unreliability of Beckett’s character—arises from the mystery of how much Beckett may or may not be projecting her paranoia onto current-day events. Though Beckett is meant to be a sympathetic character, given that she’s the protagonist, the fact that she assumes she is the target of a harassment campaign now affecting her daughter insinuates there may actually be something of which she is guilty.



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