54 pages 1-hour read

You Bring the Distant Near

Fiction | Novel | YA | Published in 2017

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Prologue-Part 1, Chapter 3Chapter Summaries & Analyses

Part 1: “Strangers, 1973-74”

Prologue Summary: “Race at the British Club, 1965”

Content Warning: This section of the guide includes discussion of racism and colorism.


The Das family visits the British High Commission club in Accra, Ghana. Eight-year-old Sonia notes that she and her relatives are “the only dark-skinned people at the club who aren’t employees” (4), and none of the British women speak to her mother. Indeed, the Indian family is only permitted in the club due to her father’s employment in a British company. Sonia participates in a swimming race and is in the lead when her mother mistakenly believes the race is over and pulls her from the pool. Sonia’s older sister, Tara, explains the rules to their mother and says that Sonia could have won, but their mother answers that the race is only a game. Everyone gathered for the race watches as Sonia howls with rage, struggles against her mother’s grip, and hides in the coconut trees on the opposite side of the pool. Kwasi, a Ghanaian waiter, gives Sonia a thumbs-up. A sudden burst of rain sends everyone but Sonia hurrying inside the club. Alone, Sonia jumps back into the pool and finishes her lap.

Part 1, Chapter 1 Summary: “Sonia: Home Is Where the Stories Are”

The narrative moves forward seven years. The Das family moves from London to New York. On their flight across the Atlantic, the flight attendant asks Tara about her background, and she explains that she was born in Calcutta (Kolkata), India, and moved to London when she was nine. A young American soldier flirts with the beautiful 17-year-old Tara, whom Sonia calls Starry. While Baba would have made his daughter change seats, Ma doesn’t mind the attention Tara attracts provided that “he’s a ‘posh’ young man (read: educated) raised in a ‘good family’ (read: white or Bengali)” (13). Sonia recalls how her father took short-term engineering contracts in Singapore, Malaysia, Cameroon, and the Philippines while the rest of the family stayed in London. She and Tara saw their father infrequently, and the fighting between their parents grew worse due to their unstable financial situation. At Ma’s insistence, Baba found permanent work in America.


After Ma falls asleep on the plane, 15-year-old Sonia writes in her diary about her parents’ fighting, the fact that her mother had no say in their arranged marriage, and her hope that her new life in the United States will bring her more solitude and freedom. Sonia is proud of her dark skin even though her mother has tried to make her use bleaching cream for years. Starry evades the soldier’s attempts to gain her contact information and hug her goodbye because she knows that her parents would disapprove.


At the airport, Sonia and Starry hug their father, glad to have their family reunited. Baba drives them past the girls’ new school and a local library that Sonia can walk to from their apartment in Flushing. When Ma sees that the local children are Black, she tells her daughters that neither of them is permitted to leave home alone. Their apartment is small and sweltering, but Baba has gifts for each of them—a secondhand television for Starry, a new notebook for Sonia, and a new sewing machine for Ma. The next day, the girls obtain their mother’s permission to go to the library. On their way there, a Black boy around Sonia’s age named Gerald makes flirtatious comments about her curves and dark skin, much to her indignation. At the library, Sonia checks out some of her favorite books, including Little Women, The Voyage of the Dawn Treader, and Heidi. On the walk back to the apartment, she sees Gerald dancing with his little brother in the spray of a fire hydrant. Feeling something shift between them, she waves to the boy. Thinking of her diary and the books in her satchel, Sonia wonders, “Where am I from? Can the answer be stories and words, some of theirs, some of mine?” (35).

Part 1, Chapter 2 Summary: “Tara: Marcia Magic”

During her time in London, Tara imitated British celebrities, including Diana Rigg and Twiggy, because she didn’t want to become invisible the way that she saw other Bengali girls withdrawing into themselves. Although she loves acting, she never auditioned for school plays because the only careers her mother wants her to pursue are medicine and engineering. Tara worries that she, unlike her sister, is not intelligent enough for either of those professions and that she’ll be married off instead. Tara watches television to research potential new roles and decides on Marcia Brady because “[p]ower oozes from every American pore of her skin” (41). In the weeks leading up to the start of school, Tara practices Marcia’s accent and gestures in the mirror, but she sees a frightened, “flat-chested, big-lipped foreigner” (47) in her reflection. Ma sews new clothes for her daughters, including matching outfits based on Marcia’s costumes. Tara doesn’t feel that she embodies her role yet, so she asks Baba for platform shoes. The request triggers an argument between her parents about his salary and the money he sends to his mother in former Calcutta.


On the first day of classes, Baba surprises his daughters with platform sandals, and Ma dresses up in a green silk sari and an abundance of jewelry to accompany them to school. Tara envies how at ease her sister, whom she calls Sunny, seems in her own body. Some of the students snicker at the sisters, and Tara lets go of Sunny’s hand. The white receptionist asks Ma if she can speak English. Ma insists that Sunny take the entrance exam first. Tara waits for her turn, urgently hoping for “some Marcia Magic” (52) to see her through her first day at her new school.

Part 1, Chapter 3 Summary: “Sonia: The Queen of Bargaining”

Principal Daniels has the same confident bearing and handsome appearance as Mr. Brady, and Sonia thinks that this will make her sister feel more at ease. He welcomes Mrs. Das and Sonia to his school and tests Sonia in the areas of math, science, and reading. He asks her to read aloud from Little Women, and her voice brings the story to life so beautifully that he calls in several of his colleagues to listen. He praises Sonia’s academic ability and laments the fact that the gifted track is full. Mrs. Das regally insists, “Both of my daughters are talented, sir. And both must be placed in these gifted classes” (58). Principal Davis finds room for Sonia in the ninth-grade gifted program but doesn’t have a place for Tara in the 11th-grade gifted track. The principal is puzzled by how happily Ma accepts this information, but Sonia is familiar with her mother’s bargaining tactics. Sonia borrows some books from the principal and then leads Tara to the principal’s office so she can take the entrance exam. When Tara sees the principal and notes his resemblance to Mr. Brady, she completes her transformation into Marcia. As Tara confidently flips her long hair over her shoulders, Sonia almost sees “a glint of blond” (59).

Prologue-Part 1, Chapter 3 Analysis

The novel’s first section introduces the Das family and explores their complex dynamics and cultural identity as they start their new life in the United States. The prologue, which is set in Ghana in 1965, establishes two themes and one of the novel’s central conflicts. Apart from the employees, the Bengali Das family are the only people at the exclusive British club who are not white, and none of the British mothers speak to Mrs. Das. Perkins introduces the theme of Love and Understanding Across Differences through the character of Kwasi, a Ghanaian waiter. Kwasi is kind to Sonia, and the thumbs-up he gives her when she is upset shows a sense of support and understanding between them. The theme of Family Dynamics and Cultural Identity takes center stage when Ranee accidentally disrupts the race. Sonia’s mother doesn’t understand the rules, and it costs Sonia her victory. Instead of validating the eight-year-old’s hurt feelings, Ranee dismisses her daughter’s emotions: “It is only a game, Baby [...]. Be quiet” (6). In response to her mother’s attempts to quieten her, Sonia becomes all the louder until the white people gathered at the club can no longer ignore her: “The Das family is no longer invisible” (7). The incident at the British club hints at broader issues in the mother-daughter dynamic. The relationship between Ranee and Sonia remains tense for much of the novel and provides much of the story’s conflict.


Chapter 1 picks up in 1973 after the first of many time jumps in the novel. Perkins advances the theme of family dynamics by introducing Mr. Rajeev Das and portraying his relationship with his wife and two daughters. Both of the girls are close to their father, and Sonia is especially fond of him. Her affection shows when the 15-year-old and her Baba joyfully reunite at the airport after six months apart: “I barrel into the smell of pipe tobacco and the scratch of his tweed suit. ‘Mishti!’ he calls. It feels like forever since I’ve heard that nickname” (20). Baba has a strong, loving relationship with Tara as well. His nickname for the 17-year-old, “Starry,” suits her bright personality and radiant beauty. While the Das girls have a positive dynamic with their father, the relationship between their parents is troubled at the start of the novel. Indeed, one of Sonia’s biggest hopes regarding her new life in America is that “maybe Ma and Baba won’t fight as much” (15). Unfortunately, disputes between her parents over money soon sow seeds of discord in their new home in Flushing. Sonia’s tensions with her mother continue in this section as her mother’s prejudice against Black people leads her to impose restrictions on her daughters’ freedom. Ranee’s racial bias also shows in her desire for Tara to see only white or Bengali young men. In Chapter 1, Sonia bristles at her mother’s racist assumptions but mostly bears them in silence. Ranee’s racism drives a wedge between her and Sonia, and this divide grows in the rest of Part 1 and Part 2.


Both Sonia and Tara adjust to their new environment and cope with their limited freedom through creative outlets, which introduces the novel’s third major theme, Womanhood and Empowerment. Sonia’s preferred outlet is writing: “There’s something about putting words on a page in private that makes me feel powerful in public” (15). Words and stories offer the 15-year-old a home that cannot be shaken by her parents’ fights or lost in her family’s many moves between countries. She reads the same novels over and over again and finds power in recording her own thoughts and experiences in notebooks. Because of its importance to her freedom and self-expression, Sonia’s diary serves as a motif in the theme of womanhood and empowerment. Chapter 2 explores how acting empowers Tara in the way that writing empowers her sister. Imitating white celebrities gives her a sense of ease in her own body, and she chooses the “sweet-but-strong Marcia” (41) Brady for her next transformation specifically because the television character seems powerful. At the start of the novel, Sonia finds empowerment by writing down the feelings and thoughts that go unvoiced, while Tara’s acting helps her assume the poise and confidence of a star.


Chapter 3 expands on the theme of Family Dynamics and Cultural History by showcasing some of Ranee’s more positive attributes. The start of the novel casts her in a fairly negative light overall, but this is partly due to the fact that most of the early chapters follow Sonia’s perspective, and the younger Das daughter sees her mother as the source of the family’s strife. However, Chapter 3 shows that she cares deeply about her children. She places great importance on their education, which she demonstrates by dressing resplendently for their first day of school. As she tells Tara, “A woman must look her best for the important events in life” (49). The scene with the entrance exam shows off Ranee’s astute wit and shrewd bargaining tactics, and she uses these traits to ensure that Sonia is placed in the program that befits her academic prowess. In addition, Sonia contributes to the positive family dynamics in Chapter 3 by soothing Tara’s nerves. The section ends on an auspicious note as the women of the Das family look out for one another, and the sisters begin their first day at an American high school.

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