64 pages • 2-hour read
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Content Warning: This section of the guide includes descriptions of physical and emotional abuse, mental illness, suicidal ideation, self-harm, and an apparent death by suicide.
March: Eight Months Before Bonfire Night
A disgruntled Margot prepares to leave for a midnight march that she has been coerced into joining. Liv is organizing the event in honor of her late sister. On her way to the event, Margot discovers the Frankie is still awake and is on the phone. Margot is livid to discover that Frankie is talking to someone that Liv introduced them to. (Frankie recently confided in Liv that Margot doesn’t understand or support their nonbinary identity.)
At the event, Margot confronts Liv about talking to Frankie. Liv, recognizing that Margot will not respond well to the truth, refrains from providing the full details of her difficult conversation with Frankie, in which Frankie was in tears over Margot’s behavior. Instead, Liv praises Margot and Nicu for raising a “really perceptive, self-aware kid” (96). Liv also reveals that the person Frankie is talking to is the child of a celebrity whom Liv has befriended. This information pacifies Margot.
Margot is annoyed when she finds her garden has been infiltrated by Liv’s cat yet again. When Margot goes to fetch something from the garage, the cat slips in, and Margot leaves it locked in the garage to teach it a lesson. She looks for a bottle of red wine, frustrated by how many things seem to be going missing in her house lately.
Liv heads to her studio early in the morning, reminiscing about how she and Brandon first made the money to open it. After the twins were born and money was tight, Brandon himself suggested that they make more videos on OnlyFans, this time featuring him as well. Their earnings shot up again, but it still wasn’t enough, and Liv decided to do whatever she had to in order to make their dream of a wellness studio a reality.
Three days later, Margot realizes that she forgot to let Liv’s cat out of the garage. When she goes down to check on to, however, she only finds its collar and tag. Margot assumes that the cat must have eaten some poisoned bait left for the mice, and that Nicu probably found the body and disposed of it.
April: Seven Months Before Bonfire Night
Margot is stuck inside her house because Anna has come over to use her Wi-Fi to do her tax returns, there being some issue with her own. Liv arrives with a parcel of clothes for Margot, who is horrified to realize that the clothes she just won in an eBay auction belonged to Liv. Margot lies and claims that she bought the clothes for a charity rather than for herself.
Having forgotten her keys at Margot’s, Anna heads back there and overhears a conversation between Margot and her agent, Geri. In this conversation, Margot claims that no one from the band every contacted her, even as Geri insists that they did, but Margot turned them down. Margot begs to be included somehow, but Geri tells her that the band is certain there is no room for her anymore; they believe that Margot’s exclusion will ensure a less “toxic” environment. Margot threatens to expose the band’s past secrets in retaliation.
One morning, Liv messages on the three neighbors’ group text, announcing that her cat has returned with its collar and tag intact, but it is missing an old scar. (Margot, who felt guilty that Liv’s children were so devastated over their supposedly dead cat that she adopted an identical cat and set it free in Liv’s garden; however, she had not noticed the original cat’s scar. To Margot’s consternation, Liv follows up with a message saying that their original cat, sans collar and tag, has also just wandered into the house.
After a long time of staying silenced in her killer’s mind, the voice of Jenny finally convinces the person to kill again so that she can escape their mind. At the inquest into Jenny’s death, her killer learns that Jenny was 10 weeks pregnant when she died; this prickled the killer’s conscience, allowing the perceived voice of Jenny to gain strength in their mind.
Before Jenny’s death, her killer asked if Warren was the one who pulled the trigger. Jenny’s voice reminisces about the first time she encountered the killer years earlier, when her killer was then only a helpless child hiding under the bed and cowering as their parents were shot dead in the next room.
Jenny’s killer, now driving behind Warren’s car, smashes into him and causes him to crash. While he is still conscious in the car, Jenny’s killer sets his car on fire, and the voice of Jenny feels herself left behind as Warren’s voice takes her place in the killer’s mind.
May: Six Months Before Bonfire Night
After speaking to Sylvia Chamberlain (the celebrity whose child is also nonbinary), Margot relayed the conversation to Anna and was struck with an idea for Frankie.
Now, she throws an extravagant 13th birthday party for Frankie, complete with media and reporters. Nicu and Frankie are both especially touched and happy at Margot’s gesture; however, the event sours when Margot announces that the party is also a surprise “gender reveal” party. To Frankie’s dismay, she reveals Frankie’s nonbinary identity to everyone in attendance, including the media.
Frankie’s birthday fiasco drives Margot and Nicu even further apart than before. She reflects on their relationship, recalling that they first met when they were partners on a dance show. At the time, Nicu had a girlfriend named Ioana, with whom he had two very young children, but even so, Margot and Nicu found their chemistry to be irresistible, and they began a secret affair.
However, news of Margot and Nicu’s affair leaked just one week before their dance competition final, and the scandal sparked a media frenzy. Ioana went to the press, falsely claiming that Margot had betrayed her friendship and ruined upcoming wedding plans to Nicu. As damage control, Margot and Nicu got married, and later that same day, Ioana’s body was found impaled on the railings 15 floors below her apartment. The police found her young children locked in the bedroom, and a suicide note typed out on her laptop blamed Nick and Margot.
June: Five Months Before Bonfire Night
Liv paces nervously as she prepares for the opening of her wellness studio. She startles when she thinks she spots someone familiar among her guests, but she quickly calms down, telling herself that her conscience is playing tricks on her.
Brandon leaves with the exhausted twins, and Liv stays behind at the studio. She is horrified to discover that she is not alone. Harrison, the man whom she imagined seeing among the guests earlier, is in fact present. Harrison warns Liv never to contact him ever again and threatens to kill Liv’s family if she disobeys.
Warren’s voice narrates this chapter, explaining that after his death, his killer’s desire for revenge has receded somewhat. The next name on the killer’s list has been there for a long time and does not seem as urgent. However, matters shift one night when his killer has a conversation with Ioana. The killer’s rage grows in response to the nasty things that Ioana is saying. In a vulnerable moment, Warren’s voice takes control of his killer, who pushes Ioana so hard that she topples over the balcony to her death. Warren’s voice leaves his killer’s mind as Ioana takes his place.
July: Four Months Before Bonfire Night
To Margot’s shock, audiences love her performance in the reality show, and she agrees to become a series regular when the show offers her £20,000 per episode. When one of Margot’s cast mates, Tonya, learns that Margot knows Liv, Margot discovers the truth about how Liv made her money.
Anna comes over to collect Margot before they both head over to Liv’s house for coffee. Anna spots some of the hate mail that Margot has been receiving and grows visibly disturbed; she voices her sympathy for Margot, who finds herself unexpectedly touched.
At Liv’s house, Liv confides in the women, stating that someone has complained that the extension she and Brandon are building behind their house is 10 centimeters over the allowed limit. As a result, they have to tear it down and start again. Live has also received numerous one-star reviews on her studio, which has brought down the fledgling business’s overall ranking. Margot, who is secretly responsible for both catastrophes, feigns surprise and offers Liv her support.
Liv mentions having seen Margot outside a Turkish restaurant in town the previous night. Margot denies this and leaves to use the bathroom, and when she returns, she looks flustered.
When Liv steps away to take a phone call, Margot confides in Anna that she spotted a padded envelope in the bathroom garbage can and recognized it as being similar to the envelope style used by whoever is sending her hate mail.
As Margot waits for an unnamed companion to arrive at the Turkish restaurant, she remembers Nicu’s ex-girlfriend, Ioana. No one knows that Margot visited Ioana on the night she died. Margot had gone over to ask Ioana to let the children attend her and Nico’s wedding the next day; however, Ioana refused, vindictively hurling abuse at Ioana.
Now, Margot is pulled out of her reverie as her companion arrives; she sets an alarm so that she can get home in time without anyone realizing where she has been, or with whom.
A detective arrives at Anna’s and addresses her as “Ms. Khan,” a name that she has not used in years. He explains that they first met when he was responding to an accusation that Anna had made. While no proof could be found to back up Anna’s accusation, the detective never stopped looking. He now asserts that out of the four people arrested “at the time” (185), three are now dead. He also produces a photograph, claiming that he was surprised to see it. Before the detective can say anything else, Drew appears out of nowhere and swings a hammer at the back of the detective’s head, killing him instantly.
Ioana’s voice states that she will not encourage her killer to kill anyone else, even though Ioana and the killer had shared a common enemy. Ioana’s voice expresses her desire to remain within her killer’s mind and refuses to be silenced. Ioana’s voice often dictates terms to her killer. She insists that her killer keep listening to her, stating, “Because there will be consequences if you aren’t, Anna” (188).
As the enigmatic interludes featuring the unnamed killer increase the narrative tension, Marrs zeroes in on Margot to show that she is at the center of a malicious plot. For example, Margot finds herself plagued by mysterious incidents such as missing household objects, Liv’s disappearing (and reappearing) cat, and the missed communication with her old band. This run of bad luck and unsolved mysteries suggests that someone is deliberately targeting Margot. When the mysterious interlude chapters finally reveal that Anna is the unnamed killer whose mind hosts a revolving door of victims’ voices, her overtly innocuous role in the three women’s dynamics takes on a much more sinister significance. As the two disparate narrative threads unfold, Marrs inserts increasing indications of just how closely the two plotlines are connected, especially when the interlude chapters reveal that Anna currently lives with the imagined voice of the now-deceased Ioana, the late ex-girlfriend of Margot’s husband. Because the narrative has already revealed that the real Ioana deeply hated Margot, this chain of incidents clearly establishes Margot’s position at the heart of the central mystery.
While Anna is the character who must successfully hides herself, Margot also serves as an avatar for The Tension between Appearances and Reality, for she remains one of the more image-conscious characters in the novel. This dynamic becomes apparent when she is initially annoyed with Liv for having counseled Frankie on the topic of nonbinary identity, then subsides upon learning that Liv has also introduced Frankie to the child of a celebrity. In Margot’s mind, the social status of Frankie’s new acquaintance mitigates any bigoted reservations that she might otherwise have about the fledgling friendship. Similarly, Margot actively attempts to cultivate and project a false persona of herself, using Frankie’s birthday party as a way to perform the role of someone who is understanding and open-minded—not to genuinely try to connect with her stepchild. Ironically, Margot’s botched attempt at performance exposes her for the insensitive, self-centered person that she truly is. Whereas Anna successfully cultivates a deceptive appearance, Margot constantly tries to do the same but fails miserably.
It is also important to note that Frankie’s disastrous birthday party complicates the already troubled relationship between Margot and Liv, highlighting The Fragility of Relationships. The dynamic between the two women is already deeply wrought with tension because Margot resents what she sees as Liv’s interference in her life. Striving to regain her social power, Margot begins to seek retribution in surreptitious but cruelly insidious ways, from trapping Liv’s cat and leaving anonymous complaints about Liv’s home renovations to posting negative reviews about her fledgling wellness studio. Failing to appreciate just how much energy she is wasting on getting petty revenge, Margot does not take responsibility for her own moral failings. Likewise, the equally manipulative Liv feels entirely justified in her mistreatment of Margot, and the women’s respective grievances and lack of self-awareness ensure that the tension between the two will continue to escalate.
The revelation that Anna is the previously unnamed killer emphasizes The Tension between Appearances and Reality, for although Marrs has already hinted at the existence of darker secrets in Anna’s past, her outwardly gentle temperament is designed to suggest that likelier suspects lie elsewhere. When the imaginary “voice” of Ioana finally names Anna as the killer, the brooding, vengeful tone also emphasizes Anna’s unstable psychological state. Not only is she hearing the disembodied voices of one murder victim after another, but she is also clearly motivated by a need to exact revenge upon those who have genuinely wronged her. The arrival of the detective supports this interpretation, providing concrete proof of the trauma in Anna’s past, and from this moment forward, her and Drew’s every action must be viewed through the lens of malicious intent.



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