You with the Sad Eyes: A Memoir

Christina Applegate

46 pages 1-hour read

Christina Applegate

You with the Sad Eyes: A Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2026

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Chapters 13-18Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, death, physical abuse, emotional abuse, child abuse, and addiction.

Chapter 13 Summary: “Kibitz Kismet”

When Applegate met Martyn LeNoble in 1994, she thought he embodied the ideal of the “punk rock god” she’d imagined as her perfect man since her adolescence (215). They first met in Amsterdam at the Kibitz Room and hit it off. They stayed friends but wouldn’t see each other for another year, when Applegate learned that LeNoble was struggling with addiction. She tried to help him but eventually backed away, realizing that she couldn’t save him.


In 1998, they ran into each other again, this time in West Hollywood. LeNoble was with his then-wife and child. Applegate was glad to see him, thrilled that he was alive. However, his wife didn’t want them spending time together, believing that there was too much history. Applegate was understanding.


In 2005, Applegate started dating Lee Grivas. She asserts that Grivas wasn’t a bad guy, but he was immature and lived with a drug addiction, too. She broke up with him, realizing that she couldn’t help him either.


In 2008, Applegate invited LeNoble to Hawaii with her. They’d recently reconnected at a Los Angeles children’s hospital, where they were both doing volunteer work. This reconnection felt fated to Applegate. Around this time, she still had some contact with Grivas, who would often call her to beg for help. One day, while she was in Hawaii, he called numerous times, leaving messages where he sounded unwell. Applegate called a friend to make him stop. A few days later, she learned that Grivas had died of an overdose, just hours after he’d called her. She still sometimes blames herself.


For a while, Grivas haunted Applegate. When she told him to leave her alone, his ghost went on to haunt other friends. Now, his ghost is friendly and stays with her in her room. Her acupuncturist notes his presence whenever she visits Applegate. Applegate now lets him stay.

Chapter 14 Summary: “Right Action for Women”

Applegate reflects on the many blessings and tragedies she’s experienced throughout her life. She has often felt that every good thing has been followed by something devastating. She sometimes becomes preoccupied, wondering if she has brought tragedy on herself. She has tried to keep herself from thinking this way.


Applegate recounts her experiences starring in Samantha Who? and Dead to Me. She describes the positive female relationships she built through these shows. Then, while filming Samantha Who?, Applegate was diagnosed with breast cancer. She was devastated by how the diagnosis impacted her work but is retrospectively thankful for the care she received. She ended up having a double mastectomy, which saved her life. She excerpts her journal entries from this time, which reflect on her recovery. However, Applegate also regrets how she handled her cancer experience in the media. She wishes she had been more forthcoming about what she actually went through so that she could have better supported other women like her. She later started Right Action for Women, a foundation that covers cancer expenses, to amend this mistake. 


Not long after Applegate’s surgery, she learned that Samantha Who? would be canceled. She describes her sorrow over the end of this show.

Chapter 15 Summary: “Pinch”

Applegate asserts that despite all the difficulties of this time period, she was blessed to have LeNoble by her side. In 2010, she discovered that she was pregnant and recounts different memories of that time. She muses on how wonderful her daughter, Sadie, is and how much meaning she has brought to her life. She also stresses the significance of her and LeNoble’s love. They married in February 2013 and have been together ever since.

Chapter 16 Summary: “Who Do I Think I Am?”

Applegate muses on her evolving regard for her father, Bob, over the years. She describes her positive relationship with Bob’s father, Paul, and his wife, Olive, throughout her life. However, Bob never knew his mother, and Applegate became curious to know her story, too. In 2013, she and Bob participated in Who Do You Think You Are?, “a genealogy-based TV show” (246). Through the show, she learned about her paternal grandmother, Lavina Shaw. She and Paul had a contentious, abusive relationship. Paul wouldn’t support Lavina after she got pregnant, convinced that Bob wasn’t his child. Lavina later died of tuberculosis and liver cirrhosis related to her alcohol addiction. Bob went to live with his father, who mistreated him throughout his life.


Applegate recalls conveying this information to Bob on the show and how much it hurt him. In retrospect, she realizes how much her father was a product of his difficult life, much like herself.

Chapter 17 Summary: “Dead to Me”

Applegate reflects on her acting experiences over the years. She describes her favorite jobs and how they made her feel about herself, including her experiences with the sitcom Friends, a benefit reading of Shakespeare’s Twelfth Night, and the 2016 comedy film Bad Moms.


Dead to Me has been one of her favorite projects. She describes the relationships she made on set and her enthusiasm for the show itself. While working on the show, however, Applegate started to struggle with filming. She couldn’t understand why. After seeing numerous specialists, she learned from a neurologist that she had MS. When Applegate informed the Dead to Me producers, they wanted to pause filming, but Applegate refused. Soon, however, she couldn’t manage her condition while working, and they had to end the show.


Applegate reflects on how losing this work and getting sick has changed her. Sometimes, while recalling the toxic expectation of modesty that she learned in childhood, she worries that she’s too proud of herself for all she has accomplished. Other times, she recognizes the value of her achievements.

Chapter 18 Summary: “The Lady in the Bathtub From The Shining”

Applegate reveals that her Hawaiian name is Kiki. Kiki feels like the true her now. While Christina Applegate represents her old self, Kiki is a more empowered, capable version of her.


Applegate reflects on her life and all that she has experienced and overcome. She describes her continued struggles with MS and simultaneous refusal to give up. In 2022, Applegate received what, for her, is the ultimate honor: a star on the Hollywood Walk of Fame. 


Applegate also muses on her relationship with her daughter, Sadie, whom Applegate values her more than anything in the world. She often lies in bed with Applegate. As she writes this now, Sadie is curled up next to her.

Chapters 13-18 Analysis

In the final chapters of the memoir, Applegate explores the exchange between her blessings and trials to further her theme of The Impact of Chronic Illness on Identity. Throughout the memoir, she evidences her negative capability—a term coined by the British Romantic poet John Keats to describe embracing uncertainty and contradiction—by pairing detailed descriptions of her pain and sorrow with those of her joy and triumphs. Eschewing the false positivity that has served as a shield for her throughout her career, she confronts a life shaped by both positive and negative experiences. 


Applegate’s honest, vulnerable, and forthcoming authorial tone humanizes her to her reader as she processes her experiences on the page. When reflecting on her breast cancer and MS diagnoses, Applegate admits that she often believed that she had brought these trials on herself:


I have never thought I deserved anything good in any case […] Because the universe doesn’t know your intention—it only knows where your attention is. And where has my attention always been? The negative. […] Have I created all of this? Have I been walking around expecting the worst all the time only to be proven right over and over again because the universe answered my energy? (226).


Applegate’s use of questions in this passage enacts her desperation to make sense of her chronic illnesses. In blaming herself, she seeks a neat resolution to the unanswerable question of why she got sick. If she is guilty of being too negative and causing the illnesses, her diagnoses feel more manageable and within her control. At the same time, Applegate pairs her frustration and questioning on the page with her reflective state of mind in the present. She now understands that she will never get easy answers for why she got sick with cancer or MS and thus must reconcile with where she is now.


Applegate’s experience of cancer parallels her experience of MS, yet she uses the latter experience to embrace a new way of being. When she was diagnosed with breast cancer, Applegate admits that she couldn’t help feeling as if she were cursed: “It’s a feeling I’ve had my entire life. Something good happens and then: boom” (223). Her cancer diagnosis happened amid the growing success of Samantha Who? and her deepening relationship with Martyn LeNoble. Her double mastectomy further estranged her from her body, and her illness led to the end of the show. Looking back on this experience, she worries that she bowed to public pressure to portray her cancer experience in an optimistic, triumphant light. In representing her experience with MS in You With the Sad Eyes, she is determined to tell the whole truth, describing her fears and struggles as well as how the illness has helped her grow.


Indeed, the final chapters of the memoir evidence a tonal shift. Applegate has excavated and made peace with her many harrowing experiences and is now ready to embody the truest version of herself, which she represents via the Hawaiian name Kiki. Hawaii is a symbol of renewal, healing, and authenticity throughout the memoir. By adopting her Hawaiian name here, Applegate identifies with what she sees as the deeper self beneath her famous persona. Whereas the Christina Applegate the world knows is a persona shaped by market pressures, Kiki is “simple, sweet, sharp, [and] smart-mouthed” (273). By sharing this name in Chapter 18, Applegate allows the reader to see the real her while conveying how her illness has transformed her into a stronger, more assured person.

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