46 pages • 1-hour read
Christina ApplegateA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of physical abuse, emotional abuse, and addiction.
Repeated references to and descriptions of dance pervade the memoir and act as a motif for emotional expression. Christina Applegate’s mother, Nancy Priddy, was the first person to introduce her to the transformative power of dance: “Having escaped her own addictions, my mom wanted me to have a positive addiction, which was to dance, wanted me to have somewhere I could go to express myself, something positive to become obsessed with” (60). Per her mother’s hopes, dance offered her a refuge and a healthy catharsis. With dance, Applegate didn’t have to vacate her experience as she did in acting, but rather had to inhabit her body more fully. “Dance became the thing that saved me,” Applegate asserts, “and has saved me ever since. Dance, even more than acting, was my whole life” (60). Via her experiences with The Pussycat Dolls and on the Broadway show Sweet Charity, Applegate was able to present an alternate version of herself to the world.
Beyond these public and stage performances, dance was a practice that Applegate cultivated in her personal life. For the majority of her adult life, she has “had a dance studio in [her] house, no matter where [she is],” because, Applegate explains, dance “calms [her], inspires [her], moves [her], brings [her] fully into [her] body, expresses all the hurt and anger and sorrow [she’s] felt over the years” (60). While Applegate could retreat from her life and body in her acting roles, dance gave her a more concrete way to process her experiences via movement and art.
Applegate’s diaries and journaling practice are a motif for self-evolution. In the Prologue, she claims that she has kept a regular journal since she was a teenager. The practice has thus been a key aspect of Applegate’s life since she was a child, and through writing, she has learned how to chronicle her experiences and process her feelings.
In the context of You With the Sad Eyes, Applegate incorporates excerpts from her journals over the years to present a more authentic version of herself to the world: “In my closet there is a locked box of all my journals […] Lucky you—the box is open. I’m going to extensively quote from those journals. I’ve kept meticulous records, all too aware that those pages were the only place I could share the unfiltered truth” (10). By interspersing her retrospective adult perspective with the youthful perspective found in these journal entries, Applegate underscores how much she has changed over the years. Further, these diary excerpts invite the reader into the intimate details of Applegate’s past. She does not gloss over her difficult experiences or neatly package them in retrospect. Rather, the journals are a direct gateway into her personal history. Paired with her present-day point of view, the journal entries underscore how much Applegate has learned and changed over the course of her life.
Applegate’s grandmother’s home in South Bend, Indiana, is a symbol of innocence and peace. For years, Applegate valued her regular visits to South Bend to see her grandmother and spend time with her mother’s side of the family. South Bend was completely different from Laurel Canyon, and Applegate often found herself marveling at how normal this midwestern world was compared to her chaotic upbringing in California. “Being in Indiana,” Applegate explains in Chapter 3, “brought me such a beautiful feeling of family that I didn’t otherwise have” (62). While there, Applegate could connect with a more settled version of reality she otherwise couldn’t access in Laurel Canyon.
When Applegate brought her boyfriend to South Bend, she unintentionally disrupted the peace of this place for herself. The boyfriend making a scene over the family movies and attacking Applegate in her grandmother’s spare bedroom casted a violent, threatening mood over the once idyllic domestic sphere.
For Applegate, Hawaii is a symbol of escape and transformation. When she first discovered the beauty of Hawaii, she was in a fragile emotional place: “After the terrible years with that abusive guy, I yearned for sanctuary, a place I could escape to, a place to heal” (172). Hawaii became this place for her. While this does reflect the neocolonial trope of tourists seeking restoration in places where the Indigenous population is marginalized, Applegate has always felt comforted, at peace, and capable of being a stronger, more centered version of herself in Hawaii. This is why Applegate identifies more strongly with her Hawaiian name, Kiki. For Applegate, the name Kiki has come to represent an alternate identity rooted in hope: “who I could have been, and who I really am” (273).



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