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Zadig travels by night to Memphis, Egypt. The stars awe him, making him realize the earth’s insignificance. He envisions people as “insects devouring one another on a tiny fragment of mud” (99). When this contemplation ends, however, his and Astarte’s predicaments return to mind, eclipsing the universe.
On the outskirts of Memphis, Zadig witnesses a man he judges a jealous lover beating a woman he judges unfaithful. When Zadig sees the woman’s beauty and resemblance to Astarte, his feelings change to horror at the man and compassion for the woman. He intervenes by beseeching the man to stop after the woman cries for help. Incensed, the man attacks Zadig, and they duel. The enraged man is stronger, but the composed Zadig is more tactical, and he eventually disarms the man and offers him mercy. At this, the man stabs Zadig who, enraged by the breach of etiquette, kills the man.
The woman is furious. She wishes that instead Zadig was dead and that her lover was still alive to beat her. Zadig is stunned by her reaction, responding that, given how ferociously the man was beating her, she has a strange conception of “lover.” As Zadig departs, four Babylonian horsemen identify the woman as matching a description and abduct her. As they ride off, the woman cries to Zadig for help but he ignores her, declaring, “You won’t catch me again” (105). Zadig enters the village looking for medical attention and wondering why the Babylonians arrested the Egyptian woman.
In Memphis, the villagers accuse Zadig of absconding with the beaten woman, Missouf, and killing her lover. Zadig explains himself and because the Egyptians are just and humane, they believe him and treat his wound. Then they question him and his servant, confirming Zadig’s story. Under the law, the villagers sentence Zadig to slavery for spilling blood.
An Arabian merchant named Setoc buys Zadig and his manservant. The manservant fetches a higher price because of his strength. Now chained together, Zadig laments to his former servant how other people’s actions have determined his fate: Moabdar ordered him killed over his jealousy and now he is enslaved because a man beat his lover. Zadig rationalizes his enslavement to himself on the grounds of equality: “[W]hy should not I be [a slave] as much as another, since I am as much a man as another?” (110). However, all this time his true preoccupation is Astarte’s fate.
Setoc leads his slaves to his tribe’s home near the desert of Horeb. Setoc ranks Zadig’s manservant higher than Zadig because he knows more about loading camels. However, Setoc’s opinion of Zadig changes after a camel dies. The load is distributed across the slaves, prompting Setoc to laugh until Zadig explains the reason with the law of equilibrium. Zadig continues to impress Setoc with the scope of his knowledge and soon gains the reputation of a sage, surpassing his former manservant (111).
Once home, Setoc struggles to recoup 500 ounces of silver he lent a Jew because both of the witnesses to the transaction died. Zadig questions Setoc about the location of the transaction and the Jew’s personality before offering to plead the case before the judge. Zadig offers to have the stone upon which the silver was counted brought as a “witness” and the judge agrees. By the end of the day, the judge asks where the stone is; the Jew blurts that the stone is too large and too distant to be brought in one day. Having tricked the Jew into revealing his lie by playing to his desire to appear smart, Zadig secures repayment for his master Setoc. Thereafter, Zadig is esteemed in Arabia (114).
Setoc befriends Zadig, who becomes to his master what he was to Moabdar. Zadig is relieved Setoc is honest and sensible, and that he does not have a wife. Setoc’s traditional Arabic worship of the sun, moon, and stars displeases Zadig, who challenges his master’s beliefs. Setoc explains that the distant celestial bodies are responsible for everything beneficial; Zadig counters that the Red Sea, on which Setoc ships his merchandise to the Indies, provides him much more benefit. He continues that if Setoc worships what is remote, he should also worship the Gangarides’ land on the other side of the world. Setoc responds he cannot help but worship the stars for their brilliance.
In the dinner tent, Zadig lights hundreds of candles. When Setoc arrives, Zadig prostrates himself in front of the candles and prays to them, ignoring Setoc. He responds to Setoc’s question about what he is doing by explaining that he is doing what Setoc does: “I am worshipping these candles, and I am taking no notice of their master and mine” (117). Setoc sees the lesson and abandons the celestial bodies for God.
Zadig learns of an ancient custom called the Pyre of Widowhood, according to which widows gain respect for themselves and their tribe by self-immolating on their husband’s funeral pyre. Zadig is horrified to learn that a widow from Setoc’s tribe, Almona, is going to sacrifice herself soon. He appeals to Setoc, arguing that the custom is counterproductive because it deprives the tribe of both current and future mothers. Setoc replies that no one dares challenge an ancient law, asking, “Is there anything more respectable than an ancient abuse?” (119). Zadig asserts that reason is older than tradition and begs Setoc to appeal to the tribal leaders while he talks to Almona.
Zadig ingratiates himself with Almona and discovers that she is not planning to self-immolate out of devotion to her husband—who was jealous and brutal—but because of the social pressure to preserve her reputation. Zadig talks to her at length, making her see the value in living and kindling in her some romantic feelings for him. He asks what she would do if she did not kill herself; she responds she would ask him to propose. Despite Almona’s beauty, Zadig is uninterested in her because he still loves Astarte.
Zadig tells the tribal leaders of his visit and asks them to enact a law requiring widows to talk privately with a young man for an hour before their sacrifice (121). They enact it and no widow sacrifices herself again, establishing Zadig as a hero of Arabia.
Setoc brings Zadig to the Great Fair of Balsora, a gathering of merchants from around the world. Zadig delights in seeing so many people from different countries because it gives him a sense of global community. On the second day, Setoc and Zadig eat with a varied group of merchants: an Egyptian, an Indian, a man from Cathay (ancient China), a Greek, and a Celt. The Egyptian despises the country of Balsora because, unlike in Egypt, no one will loan him 1,000 ounces of gold with the collateral of his beautifully mummified aunt.
All the men except Zadig and Setoc then get into an argument about their respective countries’ traditions and religions. The Indian warns the Egyptian against eating fowl because it could contain his aunt’s soul, to which the Egyptian replies that his people both worship and eat bulls. In turn, each man argues that his country’s god is the right god and that their traditions date farther back than everyone else’s. The man from Cathay is the exception. Instead of worshiping an animal god, Cathayans worship higher things: “Li, the light of nature, or reason; and Tien, the sky [... or] God” (404). The Cathayan does not make a claim about Cathay’s age, reasoning it is better to be happy than old.
After more men speak, the argument threatens to become physical. Zadig mediates, assuring each man of the value of his beliefs (except the Cathayan, whom Zadig thinks was the most reasonable). Zadig then states that, in fact, everyone is in agreement. The men protest. Zadig asks each man whether he worships his icon or its creator. For example, he asks the Celt whether he worships the mistletoe and oak he carries with him or their creator. Each man responds he worships the creator, realizing they agree. They embrace Zadig. Upon returning to Setoc’s tribe, Zadig learns he has been condemned in absentia to burn slowly at the stake.
In Zadig’s absence, the Priests of the Stars sought revenge for depriving them of the jewelry they took from widows before they burned. The priests accuse Zadig of heresy against the Celestial Host. Zadig’s alleged blasphemies make the judges very angry, so angry that “they were ready to rend their clothes, and they would undoubtedly have done so if Zadig had been able to pay for them” (132-33). Setoc tries in vain to have Zadig’s sentence commuted.
Almona, the young widow Zadig convinced to live, resolves to save Zadig with her wiles. She dresses seductively and requests an audience with each of the four Priests of the Stars in turn. To each she expresses misgivings about reneging on her sacrifice, declaring how little the mortal body she saved is worth. She bares her arms and bosom to each priest to provide evidence of her supposed ugliness and lack of worth. They are all seduced by her beauty: “That bosom, those large black eyes, softly shining with tender fire, cheeks glowing like beautiful carnations and fresh cream, a nose quite unlike the tower upon Mount Lebanon, lips like twin rows of coral framing the most lovely pearls” (135).
The priests agree to pardon Zadig in exchange for an assignation with Almona. She tells each to meet her in her chamber when the star Sheat rises. Just before the appointed hour, Almona summons the judges to her chamber and shows them the sheet each priest signed pardoning Zadig, telling them the price of each signature. When the priests arrive, they are shamed and Zadig is freed. He throws himself at Almona’s feet in thanks. Setoc is so impressed with Almona’s cunning that he marries her.
Zadig decides to leave for Syria. He and Setoc exchange a heartfelt goodbye, promising that whoever makes their fortune first will share it with the other. Once alone on the road, Zadig thinks of Astarte and of how fate seems to be taunting him at each turn. He laments how often he has had to escape death after being persecuted for doing the right thing.
Through irony, contradiction, and satire, Voltaire complicates his picture of humanity—personified in Zadig—trying to navigate a world that continually defies understanding. As Zadig flees Babylon, he revels in the vastness of the universe because it renders his problems insignificant. Inevitably, his mind returns to earth, where his problems regain their stature. Voltaire juxtaposes these contradictory certainties—that humans are both cosmically insignificant and essential to each other—for comic effect.
In Memphis, Zadig is enslaved for defending himself, a surprisingly cruel punishment after the Egyptians dressed his wounds and gave him due process of law. That the Egyptians are humane until the time for sentencing, when they refer to the law, suggests that ancient traditions and laws harboring cruelty can override people’s natural inclination to be kind. This pernicious power is what Voltaire termed “the loathsome thing” in his famous Enlightenment saying écrasez l’infâme, “crush the loathsome thing.” The way the Egyptians apply the law uncritically stands in contrast to the dynamic way Zadig did as the grand vizier of Babylon. In adjudicating, Zadig used good judgment to factor in aspects of a case in the fairest way possible. He judged according to the spirit of the law; he did not make himself a slave to it as the Egyptians do.
Zadig remains oblivious to several lessons about fate. After descending below the level of his servant, who ranks above him in the informal hierarchy of slaves, Zadig gradually reclaims his higher social status and reputation by using his theoretical knowledge to ingratiate himself with his master. He takes charge of reversing his fortune after his enslavement. This tactic of ingratiation reveals an inconsistency in Zadig’s character. When it was a question of a boy’s education, Zadig chose the suitor who promised to teach him justice and character over the one who promised to teach him technical theories. Now, to reclaim his social status, Zadig gladly deploys his theoretical knowledge to regain respect for his intelligence. Not only does Zadig hold other people to a higher standard than himself, but that ethics is unavoidably compromised by the complexity of the world. By convincing Almona not to kill herself, Zadig does her a favor that she later repays by orchestrating his release—another lesson about the human role in fate. By saving her, Zadig banks a credit in the web of favors done and repaid.
Another force in this web of fate is vindictiveness. The Priests of the Stars persecute Zadig for depriving them of widows’ jewelry. The combination of the greedy, vindictive priests and the greedy, incompetent judges forms a picture of abuse of power. Voltaire satirizes the judges’ self-righteous indignation and greediness: “This frightful blasphemy made the judges tremble; they were ready to rend their clothes, and they would undoubtedly have done so if Zadig had been able to pay for them” (132-33). In contrast to the Christian precept of turning the other cheek, Almona and Zadig use devious tactics to combat injustice. Both decline to take the moral high road, opting for a tactical approach suited to securing their desired outcomes.



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