63 pages 2-hour read

A Little Life

Fiction | Novel | Adult | Published in 2015

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Part 3, Chapters 1-2Chapter Summaries & Analyses

Part 3: “Vanities”

Part 3, Chapter 1 Summary

Part 3 finds Jude and Willem in their mid-thirties. Willem is now a successful film actor and has finally moved out of the Lispenard Street apartment (but continues to spend most of his time with Jude when he is not elsewhere shooting a movie). Jude also has achieved professional success as a lawyer, but his legs have worsened, causing him to use a wheelchair for long stretches of time.


As Willem becomes more famous, he feels ambivalent about the treatment he receives. On film sets, he struggles to acclimate to the special treatment that stars like him receive, finding the infantilization ridiculous. Most of all, however, he worries about Jude, who seemed to be in good mental health for a period after the adoption but then gradually fell back into his old pattern of cutting. Willem’s girlfriend of four years, Philippa, ends the relationship, with one of her primary reasons being Willem’s closeness to Jude; with Jude in the picture, she never feels that she is Willem’s foremost priority. Willem does not feel particularly upset about the breakup and believes his lifestyle of devoting himself to his friends to be a worthy one.

Part 3, Chapter 2 Summary

At age 36, Jude takes a job for a prestigious corporate law firm, much to Harold’s dismay; Harold believes his good heart will be a waste at the new firm, which mostly protects the interests of the super-wealthy. Although he does not verbalize it to Harold, Jude wants the job because he worries about his future medical expenses as his health continues to deteriorate.


Shortly after taking the new job, one of Jude’s friends, Richard, explains that he inherited a building from his father and wants to sell a spacious loft that takes up one of the building’s five floors. (Richard also lives in the building.) Jude is attracted to the offer, particularly because he recently had the harrowing experience of needing to climb up Lispenard Street’s five floors, hauling his wheelchair behind him, when the elevator was out of service. Willem found him convulsing on the floor when he arrived later. Combined with the great price Richard offers, these unreliable conditions at Lispenard Street convince Jude to buy the property.


Jude hires Malcolm, now an internationally recognized architect who co-owns a firm with his girlfriend, Sophie, to design and oversee the renovations. Malcolm completes his designs carefully with ADA-compliant accessible accommodations in mind, even though Jude resists thinking of himself as a person with a disability and therefore fights for minor compromises to these designs.

Part 3, Chapters 1-2 Analysis

Willem’s reaction to his burgeoning acting career underlines why he is so compatible with Jude. Despite gaining the kind of fame that often makes people self-centered, Willem remains humble, believing that actors do not deserve the extreme special treatment they are given. This personality aligns perfectly with Jude’s own humble outlook. While Jude’s humility goes too far, into self-hatred, he and Willem share an essential gentleness rooted in lack of ego.


Although the end of Willem’s relationship with Philippa may not seem like a major moment in the book—the reader barely gets to know Philippa at all—it does provide the occasion for one of the novel’s major themes to emerge: the validity of friendship as a life-defining relationship. Willem refuses to see romantic love as more important than the love he has for his friends, especially Jude. As the book proceeds, readers can see that deep friendships can even be forms of romance themselves, even if those romances do not involve a sexual component. A Little Life’s main characters share the belief that adults with spouses and children are not more adult than other people and that a life built around friendship is every bit as meaningful as a life built around a husband, wife, or child.


In Chapter 2, Jude’s concern about his future serves as a valuable reminder of the hurdles that people with disabilities must consider in a society constructed without plentiful accommodations for them. Jude’s career choices are dictated by his need to ensure that he will have enough financial stability to afford a possibly expensive future as he grows more and more immobile. Harold’s inability to realize that these calculations must figure into Jude’s planning involves the limitations of Harold’s perspective as an able-bodied person, but it also involves Jude’s own silence on the issue. Because Jude does not want to think of himself as a person with a disability, he frequently downplays his pain rather than asking for help.


Even as Chapter 2 demonstrates the different calculations that come into play for people with disabilities who must navigate a world largely constructed for people without disabilities, it also demonstrates how wildly easier these struggles are for the wealthy. Because Jude travels exclusively in wealthy social circles as an adult, solutions present themselves to him that the average person would have no ability to access. One of his best friends, Richard, just happens to have inherited an entire building filled with luxurious lofts, and his friendship with Jude means he is willing to sell for less than market price. Most people do not have friends with spacious New York City lofts to spare and could not afford to buy them even if they did, reduced price or no. Though Jude’s young life was marked by deprivation, his adult life is marked with abundance.

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