54 pages • 1-hour read
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At the Yorkdale subway station, Duncan and Vinny wait for the mall employees to exit. They plan to tail Red and a second guard they call “Jumbo.” Duncan follows Jumbo.
On the train, Jumbo acts normal—but after he and Duncan exit, the former advances on a small woman. Duncan prepares to confront him, but the man hugs the woman from behind as she’s likely a girlfriend or his wife. Duncan waits for Vinny to call. After nearly an hour, he reports that Red has a wife and child.
Jacob makes Duncan unload a truck as punishment for missing work. On the radio, Duncan hears that a subway train hit and killed a 45-year-old woman the previous night (as she was pushed). Duncan can tell the news bothers Jacob. Jacob takes an early lunch, and Vinny calls. He says they should give their case to the police as it’s too dangerous to continue, but Duncan doesn’t want to let it go.
Jacob returns, slightly intoxicated. He tells Duncan that he chose this job because it’s quiet and predictable—and he wants Duncan to leave when his two months are done.
A man wearing thick glasses comes in. Jacob asks Duncan to find a book for him—he describes the journal and says the man lost it two weeks ago. Jacob then tells Duncan to leave, and he follows Roach.
At the subway station, Duncan watches Roach watch women like they’re food. He gets on a bus with him and then gets off at the same stop. He follows him to a house on Cedar Street, waiting until Roach leaves to get on another bus. Duncan finds a nearby store and asks if they have a pay phone.
Wayne arrives, and Duncan tells him about Roach. Wayne asks why he and Vinny excluded him but doesn’t take it to heart. It starts raining as Wayne knocks on the front door (so as to not startle any elderly potentially in the house).
Wayne picks the lock. It smells like ammonia inside, and there’s a padlocked door leading downstairs. There’s also an old woman seated in front of a TV. If Roach’s journal is true, this is the woman who imprisoned him. Duncan sees captions on the TV and thinks she’s deaf. Wayne wants to leave. He opens the padlock and goes outside to wait for Duncan.
Downstairs, there are jars of formaldehyde on a table, containing animal parts and corpses. There are also pictures of anorexic woman on the walls, rodent skulls on the window ledge, and a police scanner. Duncan spots a stack of papers with the same handwriting from the journal as well as photos of the same women. He sees another door with a small opening in it. He opens the door. There is nothing inside but an empty bucket.
Someone starts coming down the stairs. Duncan hides in the closet. Roach looks at the closet door, knife in hand. Duncan explodes out and Roach blocks his path. He hits Roach with the bar used to hold the closet door shut and escapes upstairs and out the door. Roach continues to chase him. Duncan fails to locate Wayne, falls, and twists his ankle. Roach catches up with him on a subway platform.
Roach knocks Duncan off the platform. He tries to get back up, but Roach kicks him. Duncan hides under the platform.
Chapter 31 is a newspaper article reading “SUBWAY ASSAULT ENDS IN DEATH” (192). It describes a man getting hit and killed by a train. It mentions two men fighting but does not specify which of them died.
Duncan survived, but has a concussion, a broken forearm, and multiple stitches. Roach—Scott Weber—was the one killed. During his interrogation by the police, Duncan acts confused, using his concussion as an excuse. As it turns out, witnesses saw Roach chase him. There was also a previous assault charge against Roach by a prostitute (who declined to testify). Duncan’s parents and Wayne visit the hospital; the latter explains that he took refuge from the rain in a nearby store on the day of and failed to see Roach return—but witnessed the chase.
Duncan falls asleep but wakes to a familiar smell: Kim. He tells her he misses her before falling asleep again. When he wakes again, her scent lingers.
Duncan returns to work two weeks later. The cops no longer pester him. At home, the family holds a big barbecue—and Duncan burns the journal to start the fire.
The final act sees Duncan in great danger, but also leads to the return of optimism. Once Duncan learns Roach’s identity, he reaches his most serious crossroads yet: He can reveal this information to the police or try to get proof on his own. He decides to do so himself out of an irrational loyalty to Maya and out of desperation to escape his own guilt.
The scene in which Duncan enlists Wayne’s help—despite the latter’s professed desire to give up crime—is pivotal to the theme of absolution: “Part of me hates myself for doing this; it’s like I’m waving a needle in front of an addict. Wayne’s always been the devil on my shoulder—now I’m the devil on his. But I’m desperate. I need him” (174). He enables Wayne’s illegal behavior, actively taking part in his acceleration toward a potentially darker future. The cycle is now inverted. Wayne introduced Duncan to crime; now, Duncan brings Wayne back to it.
Duncan’s ethical dilemma is short-lived, as Wayne’s help proves his suspicions. After Roach’s death, Duncan suffers physically. However, he also regains some emotional equilibrium. The prison of his own making is now open. When he returns to work, he no longer thinks of himself as a lifer. Jacob tells him that the morgue is an ideal workplace, “It’s quiet, nothing changes. The world could go up in smoke and we wouldn’t feel a thing” (165). Rather than go along with this (his own initial mindset comprising how useless and twisted people are), Duncan commits to spending his final two weeks at work helping Jacob see things differently.
Duncan’s final conversation with Kim strips away another of his illusions—that he is not worth loving or helping. Kim does not hate him, does not hold their shared past against him, and wishes nothing but peace for him. If Duncan’s still holding onto his role in their breakup, he does so unnecessarily; Kim neither expects nor wants that from him.
Throughout Acceleration, the closest Duncan gets to peace or personal happiness is relief. When he returns to the public pool after his (physical) recovery at the hospital, he expects to hear Maya, the screams, underwater. Instead, there is silence. Maya is gone, and the water no longer has the same unpleasant association as before. Duncan successfully “closed the distance” (126) as his swim coach put it. When he tells Vinny, “She’s not down there anymore” (210), he’s also describing the immense burden of his guilt. The novel concludes on an optimistic note, leaving Duncan in a better place—albeit with self-care and self-improvement to pursue.



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