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Content Warning: This section of the guide includes discussion of bullying, substance use, addiction, illness, mental illness, and sexual content.
Audre Mercy-Moore is the junior class president and debate team captain at Cheshire Prep, an elite school in Brooklyn, New York. Audre plans to become a famous psychologist, and she practices by providing unofficial therapy sessions for her classmates. On the afternoon of the last day of school, the junior class gathers for a party at one of the most affluent junior’s homes. While her classmates vape, drink, and kiss, Audre listens to a girl named Sparrow describe her relationship troubles. Sparrow has a crush on Bash Henry, a Black student who’s a senior at Hillcrest Prep, Cheshire’s rival school. Bash has only been in Brooklyn since February, but rumors about him breaking hearts and having wild exploits have already spread. Audre tries to listen to Sparrow, but she’s distracted by her eagerness for her annual trip to her father and stepmother’s beachside cottage in Malibu.
When Sparrow asks if she should change her appearance to attract Bash’s attention, Audre replies, “Sparrow, there’s someone out there dying to love you. Don’t ‘fix’ yourself before they get a chance to fall for the real you” (6). Sparrow marvels at her classmate’s wisdom, and Audre hopes that Stanford, which has the nation’s top psychology program, will be similarly impressed with her. She plans to write a self-help book for teenagers to set herself apart from the other exceptional students applying to the university, but she is struggling to begin the project.
The party’s hostess is Audre’s best friend, Reshma Wells. She was born in India, adopted by British pop stars, and moved to New York when she was in fourth grade. Reshma interrupts Audre’s session with Sparrow to reveal that Bash is suspected of being involved in the pregnancy scare their classmate had earlier that year. This saddens Sparrow, who decides to go home. Reshma invites Audre to an after-party at Bash’s house. As Audre navigates the uninhibited crowd of classmates in her best friend’s home, she feels disconcertingly out of place.
Audre receives a text message from someone named Ellison: “pls answer. we deleted the video. pls don’t tell anyone what happened. no one saw the vid. ok?” (13). She tells Reshma that she’ll talk to her later and hurries outside, where she experiences a panic attack.
The chapter ends with the working title of Audre’s self-help book, 1, 2, 3, 4…THRIVE! A Teen’s Rules for Flourishing on This Dying Planet. The first rule is, “Always know when to leave a party” (14).
Audre deletes Ellison’s text even though she knows that this will not resolve her problems. She walks back to her apartment. She no longer feels at home there because her mother, Eva, and her stepfather, Shane, converted half of her bedroom into a nursery for her one-year-old sister, Alice. The teenager now sleeps on the couch in the living room.
Audre secretly thinks of the baby as The Goblin and feels that her life began to fall apart when Alice was born. Eva has severe migraines, and Shane is recovering from alcohol addiction. Eva and Shane were high school sweethearts who reunited after Audre’s parents divorced. The teenager is fond of Shane, but she finds his and Eva’s infatuation with one another nauseating. Eva and Shane are planning a wedding and renovating the apartment on top of caring for a baby and managing busy careers as acclaimed authors.
Eva asks Audre to help her record a video announcing her latest book, Back to Belle Fleur, which tells the stories of Eva’s mother, grandmother, and great-grandmother. In the video, Audre recites their family motto, “Mercy girls do what can’t be done” (21). Eva apologizes for missing the awards ceremony earlier that day, and Audre tries to conceal how much it hurt that her mother wasn’t there. Right before the ceremony, Audre received a text from Ellison, who was her prom date two months ago. The message triggered a panic attack, but she still went onstage and delivered her speech.
When Audre tells Eva and Shane about her plans to write a self-help book, her mother cautions her against growing up too quickly, like she did. Audre retorts, “Glad you have a chance for a do-over with Baby Alice. You know, the three of you sit there like the stars in your own movie while I’m off on the sidelines” (26). She storms off to the fire escape for some privacy. Audre’s father calls her and tells her that she won’t be able to stay with him that summer because he and his wife, Athena, are expecting a baby, and Athena’s mother is staying in Audre’s room.
The narrative shifts to Bash. He used to live with his father in California and was on track to become an Olympic sprinter. However, he had to move in with his mother in Brooklyn because his father disowned him. He doesn’t feel like he belongs in New York or with his mother, who hasn’t been a part of his life since he was an infant. Bash’s mother, Jennifer, is an independently wealthy white woman who travels the country volunteering with underprivileged Black youth. She speaks of the importance of working with abandoned children without acknowledging that she has been mostly absent from her son’s life.
While a crowd of affluent students parties in his mother’s luxury apartment, Bash sits outside and wishes that they would leave. He’s aware that his peers spread exaggerated rumors about him, but he prefers to hide his true self. The only person in New York who knew him before he moved to the East Coast is Clio Rhodes, a freshman at Cornell. She encourages Bash to call his father, Milton, so he can find closure and regain his former drive. Bash is high on marijuana and doesn’t want to talk about his past. He suggests that they go for a jog in Prospect Park instead.
The narrative returns to Audre. She is devastated because she feels that both her mother and father have replaced her by having babies. She wanders to Prospect Park and sits beneath a tree. Audre is distracted from ruminating on her ruined summer plans when she sees a handsome young man jogging gracefully in pink Crocs. She watches as a young woman shouts Bash’s name and pushes a cell phone in his face. Audre assumes that they’re dating and that he cheated on her. Bash notices Audre and approaches her to ask, “Not to be rude, but are you staring at me?” (42).
The chapter ends with the second rule in Audre’s self-help book, which advises the reader not to make direct eye contact with “tall, curly-haired boys” because they have “special powers that turn smart girls stupid” (43).
Bash has heard of Audre because of her work as Cheshire Prep’s unofficial therapist. He is baffled when Audre says that a girl cried over him earlier that day because he isn’t dating anyone and strives not to hurt people: “Meanness is too easy. People think being mean makes them seem edgy or unique. Kindness is more radical” (47). Audre notices the tattoo sleeve on his arm, and he explains that he designed and inked it himself. When Bash offers to design a tattoo for her, she rejects the idea because she can’t imagine making such a permanent commitment.
Audre is usually able to understand people’s behavior quickly, but she finds herself unable to decipher if Bash’s nonchalant, agreeable demeanor is sincere or a calculated lure. Audre’s compounded negative feelings from the day lead her to lash out at Bash, and she accuses him of being careless with girls’ hearts. Bash retorts that she should be enjoying the start of her summer vacation instead of making judgments about him. As she walks away, Bash calls out to her and tells her that he’s able to commit to his tattoos because he accepts that everything changes: “They’re like reminders of things I loved once. Even just for a day” (53). His words strike a chord with her because she wishes that her life wouldn’t change. She runs away on the verge of tears. The chapter ends with the third rule in Audre’s self-help book, which cautions readers to be wary of attractive joggers who drop inopportune pearls of wisdom.
On Saturday, Audre watches Baby Alice while her parents attend book signings. She reflects on her conversation with Bash and regrets her harsh words. When Alice cries, Audre protests that the baby has no problems: “No homework. No acting a fool in front of a popular guy who’s done nothing to you. No divorced parents who are sick of raising you” (56). Reshma comes over to Audre’s apartment and tries to console her about missing out on her annual visit to Malibu.
When Audre mentions that she’s struggling to write her self-help book, her best friend suggests that this is because all her advice comes from books rather than personal experience. Reshma missed prom, and she asks Audre how it went. Audre explains that Ellison became intoxicated and wanted to have sex with her during the after-party. She pushed him off her and had a panic attack. When she asked him to get help, he laughed at her and came back with three other teenage boys. One of them filmed her. Although Ellison promises the video was deleted, Audre still experiences panic attacks and worries that others will see the video.
Audre wishes aloud that she felt less fear and anxiety, and Reshma spontaneously writes a list of five daring activities for Audre to complete that summer. These Experience Challenges include buying a sex toy, staying at a party after her usual bedtime, and kissing someone she has “*ACTUAL* chemistry with” (64). Reshma’s advice about experiencing life reminds Audre of Bash, and she tells her friend about her encounter with the boy. Because Reshma plans to spend her summer in Argentina, she proposes that Audre find someone who will keep her accountable so she completes the challenges. The girls realize that Bash Henry would make the perfect partner for this endeavor.
In Audre & Bash Are Just Friends, Williams creates a romance that uses humor to navigate sensitive topics. The young adult romantic comedy establishes its contemporary setting and distinctive combination of playfulness and drama through the rumors that swirl around the characters and scenes like the opening party in “one of the bougiest brownstones in one of Brooklyn’s bougiest neighborhoods” (1). Audre and Bash’s first meeting in Chapter 6 helps to establish the genre and signal their eventual relationship through classic romantic comedy conventions, such as the protagonist’s instantaneous attraction to her love interest and her efforts to conceal her feelings: “Distracted, Audre tore her eyes away from his arms and peered up at his face. Also distracting” (46). Although many romantic comedies exhibit a lighthearted tone, this novel tackles serious subjects, including divorce, family struggles, mental illness, and substance use disorders. Williams uses humor as a means of addressing difficult topics, as demonstrated by the dark comedy of Audre’s bleak working title for her self-help book: 1, 2, 3, 4…THRIVE! A Teen’s Rules for Flourishing on This Dying Planet. Williams’s romantic comedy utilizes generic conventions while crafting a voice that speaks to contemporary concerns.
Williams subverts the ‘opposites attract’ convention often found in romance fiction. These early chapters contain outlandish rumors that depict Bash as a carefree rule-breaker while the overachieving Audre is “the unofficial therapist of Cheshire Prep” (3). The divide between Audre and Bash’s reputations and their inner realities has a direct impact on the plot and the characters’ relationships. Bash’s inaccurate reputation as a “player” leads Audre to decide that she shouldn’t pursue a romantic relationship with him, but it also prompts her to hire him as her fun consultant. Despite these perceived differences, the teenagers have much more in common than their peers or Audre yet realize. Both have complicated relationships with their parents and hide their emotions: “He always tried to maintain an agreeable, friendly attitude—no matter how he was feeling on the inside” (30). At the start of the novel, the supposed disparities in Audre and Bash’s lived experiences create distance between the characters, yet they also present opportunities for them to discover their similarities and grow closer.
Through her efforts to write a self-help book, Audre starts Learning to Embrace Authentic Experience. These early chapters use Reshma’s party to establish the protagonist’s tendency to carefully curate her life and her discomfort with spontaneity: “[O]ut here, surrounded by unselfconscious people giving in to Having a Good Time just for the sake of having a good time? She felt like an alien” (12). Audre possesses the maturity and self-awareness to recognize that she is “[a]lways watching, assessing, observing—rarely joining in” (39), and her decision to take on the Experience Challenges so that she can write a more informed self-help book represents a conscious effort to push herself beyond her comfort zone. Although her book serves as a motif representing learning to embrace authentic experience, Audre’s initial vision for the project isn’t fully authentic. The list of Experience Challenges is composed by Reshma rather than Audre. In addition, the overall goal for the book is to secure external validation in the form of acceptance from Stanford’s admission board, which falls into Audre’s broader pattern of seeking to excel in order to please others. Audre’s idea of writing a self-help book is a key step for her growth, but she still has more to learn before she can embrace authentic experience.
Williams uses the family motto, “Mercy girls do what can’t be done” (21), to develop the theme of Navigating the Pressure of Family Expectations (21). Audre references the motto when talking about her mother and grandmother’s professional successes, and the saying contributes to her perfectionism by reminding her that she has “a lot to live up to” (24). Although Audre is expected to achieve academic excellence, her efforts don’t receive the recognition she hopes for from her mother, as evidenced by Eva missing the awards ceremony. While these early chapters focus on the stress the protagonist feels, her mother is also under pressure to live up to the motto that “Mercy girls do what can’t be done” (21). Eva’s chronic illness compounds the strain that she is under, and her efforts to hide her migraines from her fans parallel her daughter’s efforts to hide her mental health condition: “No one would know she was in pain” (20). To heal the rift between them, Audre and Eva must both abandon their invulnerable facade. The strain of familial expectations has a damaging effect on the mother-daughter relationship at the start of the novel.
Williams builds intrigue around the two main characters’ pasts through her use of foreshadowing. For example, Clio and Bash’s conversation in Chapter 4 raises questions about why Bash’s father disowned him, what the teenager’s connection to Clio is, and why she’s so adamant that Bash should reach out to his estranged father. In this first section, much of the foreshadowing revolves around Ellison. Audre’s panic attacks and the ominous narration, such as the observation that prom was “the worst day of her life” (25), hint that her prom date did something reprehensible to her, which is later revealed to be recording her first panic attack. As the story continues, Audre’s relationship with Bash helps her to confront the trauma she experienced on prom night and to find healing.



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