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Content Warning: This section of the guide includes discussion of death.
Eleven-year-old Fortitude “Fort” Jones is attending the funeral of his mother’s close friend, Aunt Netta. Aunt Netta understood Fort in a way others did not; she was kind to him when he struggled to sit still in church and would let him help her in the church kitchen. Overwhelmed by his sadness and the sadness around him, Fort dashes from the church in tears. Not watching where he is going, he crashes into a man who seemingly appears out of nowhere, pushing a wheelbarrow full of items, some of which fall out.
The elderly, kind man introduces himself as Gary the Griot. Fort looks at the fallen items and sees a massive jar with a crack on the bottom. Gary the Griot becomes distraught when he sees that it is broken and that everything inside it is gone. Fort apologizes, and the man forgives him, but when Fort’s mother sees what is going on, she reacts with anger. She tells Fort that he will have to help the man to mend his mistake, and Gary the Griot suggests that Fort come with him to refill the jar. He gives Fort a bubble blower and a butterfly net.
Before Fort’s eyes, the man creates a door that leads to a realm he calls the “In Between.” It is a place between worlds and looks like space. Fort reluctantly steps through the door after Gary the Griot and finds himself surrounded by planets and comets. Fort follows Gary the Griot, who sprinkles stardust as he goes along. Soon, Fort sees a small planet and, on it, a boy with a list. Gary the Griot instructs Fort to blow bubbles at the planet, and as Fort does so, the bubbles engulf the planet, soaking up smiles, laughter, and celebrations. Gary the Griot collects the mass of bubbly joy and puts it in the jar. He explains that each world has a story of joy and that it will be his and Fort’s job to refill the jar with this joy.
Cornell and his friends at school have weekly debates over who the best superhero is and why they would win in any fight. Each week, Cornell loses the debate, and Cornell is determined to win the debate on the final week of school. The debaters are forbidden from using Batman in the debate, and many other superheroes have already been used, so Cornell has to get creative. He enlists his family’s help to come up with the perfect superhero team.
Cornell asks his brother first, who is entertaining a girlfriend and reacts with irritation to Cornell’s presence. Cornell’s brother tells him to make sure that his team has a wide variety of skills, and his girlfriend suggests that Cornell think about using female superheroes. Cornell then asks his father, who tells Cornell about Ka’Zaam, a character from a 1997 movie starring Shaquil O’Neal. Cornell’s father grew up admiring Black movie actors because his parents taught him that they were important. Cornell finds the idea of a basketball-playing genie strange, but he adds the name to his list anyway. Cornell then goes to his grandfather’s room, which reeks of cologne. Cornell’s grandfather tells him that in the 1970s, Black producers started putting Black actors in movies, but these roles were often replacements for characters that already existed.
Cornell’s mother creates her own stories and encourages Cornell to create his own superhero. Cornell makes a new superhero called Fan Girl, based on a girl he likes. The next day, he shows the girl his drawing, sharing the lesson he learned about the power of creating heroes.
After Jamal’s grandfather Big Mac dies, Jamal and his cousin Dre are driven separately to a mansion in the middle of the countryside. Nobody in the family knew that Big Mac owned the mansion until he died. His will stated that it should go to one of his two grandsons, Jamal or Dre. Jamal’s and Dre’s parents do not get along, and the cousins have drifted apart in recent years.
Jamal and Dre go into the house alone and see a large model of the solar system on the ceiling. They are greeted by a robot called a Key Droid. The droid explains that whoever can go through a golden door will inherit the house. Dre and Jamal engage in a series of competitions in search of a physical key. They go through a long hallway filled with drawings of people whom Big Mac called the “caretakers of the universe” and enter an anti-gravity room to search for a floating key.
Next, they enter the lair of a creature called a “breathworm,” which attacks Dre. Remembering Big Mac’s advice, Jamal begins singing Motown songs to soothe the breathworm, and the boys escape together. They find themselves at the golden door again. Their key does not work, and it occurs to Jamal that perhaps the keys are his and Dre’s own hands. When they touch the handle together, the door opens. Behind it, they hear Big Mac’s voice, which urges the boys to stick together. The voice announces that one of the boys will get the house, while the other will get Big Mac’s spaceship.
Twelve-year-old Jevon Lawrence is watching one of his favorite YouTube bakers, Connie, for recipe ideas. He is one of the final four in a baking competition, and he has to create something amazing in order to win. As Connie adds a touch of chili powder to her peanut butter cookies, Jevon thinks about how nervous he is about the competition. One of the other contestants in the final four is a boy named Noah, whom Jevon has a crush on and who might like Jevon in return. Noah held Jevon’s hand when the final four contestants were announced, and during the competition, he reminded Jevon to add a missing ingredient to his recipe.
Jevon recalls coming out to his father a couple of months ago. Jevon’s father became quiet and barely responded. Jevon took that as an indication that his father was unhappy about the news, and things have been awkward between them ever since. Jevon hopes that he can impress his father by winning the baking competition and help mend the bond between them.
Jevon’s grandmother G’Ma comes over to teach him how to make her famous peach cobbler, and Jevon’s father joins in. The three generations bake and laugh together as G’Ma instructs Jevon along each step of the process. She continually tells him how proud he is going to make the family. Jevon admires G’Ma because she is filled with zest despite her age and loves Jevon unconditionally. When Jevon mentions Noah and the other contestants, Jevon’s father seems quiet again, making Jevon feel ashamed. Distracted by this tension, Jevon accidentally adds chili powder to the recipe instead of cinnamon. He panics and starts to cry, admitting that he feels like he is failing his father. He fears that his father will reject him because he likes boys.
G’Ma surprises Jevon by telling him that she had a girlfriend in college and is bisexual. Jevon is relieved to know that someone in his family knows how he feels, and G’Ma assures Jevon that his father would never stop loving him. Jevon’s father admits that he was afraid of saying the wrong thing or making Jevon feel bad, so he closed himself off. Jevon and his father reach an understanding, and the peach cobbler finishes baking.
Jevon’s father is the first one to try it, and it turns out to be delicious. Without meaning to, Jevon created his own version of the famous family recipe. Now, he is confident that he has a chance of winning the competition. When the doorbell rings, Jevon knows it is Noah, who planned to come over and compare final creations. Jevon looks forward to introducing Noah to his family.
Black Boy Joy is a collection of short stories in a wide array of genres, styles, and formats that showcase The Joys of Black Boyhood through a variety of characters in diverse circumstances. Each story is written by a different author, each with their own idea of what makes Black boyhood joyful. The stories are framed by the story “The Griot of Grover Street” by Kwame Mbalia, which “looks in” on the rest. This story opens with a moment of overwhelming grief, subverting likely expectations for stories filled with happiness and laughter. However, the stories in the collection express grief, fear, anger, and sadness, which contrast with the stories’ joy. This juxtaposition emphasizes joy’s importance through its power to heal, transform, and shed light on important truths. Each world that Fort and Gary visit contains one of the stories in the collection, and Fort’s job, as the reader’s agent, is to collect the stories’ joy and redistribute them to those in need. Starting the collection this way sets the reader’s expectations, priming them to anticipate all types of stories as they read the collection.
Fort’s name is significant because “Fortitude” means strength and solidarity—the traits that Fort needs to be a successful joy collector. He must be willing to feel everything and experience sadness along with joy to fully understand where joy comes from: “The final delivery of joy must be collected if balance is to be found” (11). Long before meeting Gary the Griot, Fort is told that the world is a harsh place and that he must always look for joy amid darkness. Expressing this as a literal truth for Fort, the narrative suggests that it is a metaphorical truth for all Black boys.
The stories that follow each demonstrate The Pillars of Family and Friends and suggest that family and friends contribute to joy as Black boys grow up. Each Black boy in the collection admires someone in their family. These real-life heroes act as sources of inspiration and joy and demonstrate The Impact of Representation on Self-Esteem by showing how positive role models help the boys build self-esteem.
In “There’s Going to Be a Fight in the Cafeteria on Friday and You Better Not Bring Batman,” Cornell learns the importance of positive representation when he speaks to his family and discovers that each member has a different idea of a hero. For example, Cornell’s father believes that a hero is someone who positively represents the Black community, even if that means working within a Eurocentric framework. Cornell’s mother creates her own heroes and stories. Both perspectives help Cornell create his own heroes, looking to unlikely places for inspiration.
Like Fort, Jamal begins his story, “The McCoy Game,” with the loss of someone dear to him: his grandfather. Jamal also discovers the joy hidden within his pain because the experience also reunites him with his cousin. Jamal’s and Fort’s stories also share the motif of outer space and use tropes of the fantasy genre.
In “The Legendary Lawrence Cobbler,” Jevon also finds inspiration through his family: “For an older person, my grandma moves like lightning crackles under her skin” (64). G’Ma and Jevon’s father have unconditional love and pride for him, motivating him to do well and succeed in his passion. Jevon’s eagerness to impress his father and win back his respect (which he never actually lost) suggests that his hero is his father. Jevon mirrors his family’s unconditional love back to them, illustrated by his desire to be close with his father no matter how his father feels about him being gay. Jevon’s discovery that mistakes and accidents, like putting chili powder in the peach cobbler, can produce unexpectedly wonderful results is another example of juxtaposition between joy and unhappiness. This story’s message about the importance of family acceptance is reinforced later in “The Gender Reveal.”



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