46 pages • 1-hour read
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Mikkel, his cousin Brandon, and their church congregation are at the fifth funeral this month. Each time a young person dies at the hands of gun violence, the community sinks further into despair. Brandon is a skilled rapper, and Mikkel often writes lyrics for him. The pastor enlists Brandon’s help in writing a song that will help lift up the congregation and remind them of joy. Brandon takes the task very seriously and nearly crumbles under the pressure. Mikkel offers to help but finds that neither he nor Brandon can find the right words to express what they want to say.
One day, Brandon and Mikkel find their mothers dancing and grooving to Earth, Wind, and Fire in the living room. The feeling of joy is emanating from their smiles and their moves, and Brandon soon joins in. Mikkel stands on the sidelines and enjoys the moment with his family. The experience inspires Brandon and Mikkel to write a song about the emotions they felt in that moment of pure elation with their loved ones and how music has the power to bring this out in people. When the song is finished, Mikkel imagines Brandon singing it and moving the entire congregation with the words that they wrote together. Mikkel takes comfort in knowing that he and Brandon will always be there for one another.
Jay texts his best friend, Mia, asking her to help him find his mascot head, which has gone missing. She comes into the boy’s locker room before the basketball game and finds a panicked Jay. Moments later, a new student named Will comes in holding the mascot head. He introduces himself as Jay explains that his costume is supposed to be a pickle. Will and Mia seem to click instantly, and soon they are exchanging numbers. Jay feels blindsided and jealous, even though he always thought of Mia as just his friend. Jay and Mia have always done everything together, and now everything is changing.
Deciding to put his friend first, Jay encourages Will to ask Mia out, and Will does so. Jay ends up asking another girl, Jasmine, and has a great time with her. As Jay dances with Jasmine and Mia dances with Will, they look at each other, and Mia mouths the words, “I’d walk over hot coals for you” (262). Jay asks her to save him a dance, and that’s exactly what she does.
When Percival and his family move to the United States from Trinidad, Percival is followed by a Jab, or devil, who clings to him and goes with him everywhere. The Jab also complains often and is very needy, always wanting food or attention. It nags Percival about forgetting his home and becoming Americanized, and Percival tries to ignore it. When Percival goes to meet the principal of his new school, the Jab accompanies him and sneers as the principal asks Percival if he can do basic things like recite the alphabet or read.
One day while walking through the apartment complex, a woman named Miss Marabella notices Percival’s Jab. So far, nobody else has been able to see it, so Percival finds the woman intriguing. He goes into her home, where she feeds him lots of sweets and explains that she left Trinidad because she did not like her boss.
On the day of Percival’s sister’s third birthday, the Jab interferes with the party and puts all the adults under a spell. They start covering themselves and the room in all sorts of messes, and Percival has to intervene to stop it. He yells at the Jab to leave, but it just retreats into the closet instead. Later, Miss Marabella gives Percival a type of sweet called toolum, which she says he should feed to the Jab. Percival does this, and the Jab spends days consuming the toolum, getting thinner by the hour. Percival starts to feel bad for the Jab or like he is losing a part of himself. He wakes up in the night to Miss Marabella standing over him. She transforms into her true form, which is that of a fire demon called a soucouyant. She tries to attack Percival, but the Jab defends and saves him. The Jab spits out the toolum and fights Miss Marabella, and Percival calls on her boss, a head devil named Bazil. Bazil appears, and Percival tells him that Miss Marabella left Trinidad without his knowledge. Bazil sends Miss Marabella back to where she belongs and fixes the carnage in Percival’s room before he leaves.
Days later, Percival goes to the carnival with his parents. There, he meets a girl named Cheryl, who has a spirit creature called a Moko Jumbie with her. Cheryl then introduces Percival to several other children, each from a different country and each with their own spirit creature. She explains that they are a large group of friends who defend the city from monsters and asks Percival if he would like to join them.
In a short comic, Jerry Craft portrays the power and significance of Black boy joy. He expresses the importance of representing Black families in a positive light and explains that Black boys feel every emotion from anger to joy. He notes the importance of creating Black stories of one’s own and of sharing joy with loved ones. Craft also speaks to the power of overcoming stereotypes. The illustrations show a montage of smiling faces, each loving one another and standing strong together.
Fort and Gary the Griot have filled their jar of joy and enjoy the satisfaction of a job well done. Gary explains that he is planning to retire and wants to pass on the duty of collecting joy to Fort. Fort is honored and accepts the task, though he finds it daunting and somewhat scary. A door appears, and Fort steps through it with the jar, back into his world and in front of his church. He looks at his mother, who is about to give birth to Fort’s new sibling. Gary the Griot tells Fort that a newborn baby needs lots of joy and encourages him to use the jar for that purpose. Although Aunt Netta is gone, new life is just around the corner, and Fort is filled with a sense of responsibility to care for it.
In the final part of “The Griot of Grover Street,” Fort’s purpose is fully realized, and The Joys of Black Boyhood are collected in the jar. The jar of joy will be for Fort’s new baby sibling, who Gary the Griot notes will need help finding joy of their own. As Gary retires and passes his work on to Fort, Fort enters a new chapter of growth and responsibility in his life. He is going to be a big brother, and he is going to be responsible for ensuring that people around the world can always find joy when they need it. After Aunt Netta’s death, Fort found purpose in new life and in becoming the symbol of Black boy joy.
Craft’s comic, “Embracing My Black Boy Joy,” is brief and straightforward, summarizing and reiterating the themes and messages contained within the rest of the collection. The author includes montages of families holding one another and expressing affection, suggesting The Impact of Representation on Self-Esteem. Through illustrations of characters with smiles and expressions of warmth and togetherness, Craft suggests that Black boys should be portrayed as the loving and family-oriented people they are. Craft urges the reader to act with love, represent love, and always look for ways to collect and fill their jars with joy.
In “But Also, Jazz,” Mikkel and Brandon have a special bond, relying on one another to get through difficult times, and this relationship relates to the theme of The Pillars of Family and Friends. Mikkel feels like one of his pillars is slipping and steps in to support him, even as grief takes hold of the whole community. Mikkel and Brandon find their joy in music and in family, which they combine to help their community heal. Their pastor asks them to write a song that will be “something to remind our flock that joy will come in the morning” (226). The request comes after a series of shootings and youth deaths in the area leave the community feeling distraught and hopeless. Mikkel’s and Brandon’s mothers remind them of music’s power to lift people out of grief and sorrow and reignite joy. Brandon and Mikkel also find comfort in knowing that their congregation will be there to support them as Brandon performs their song and as the community fights for survival in an oppressive world, “a whole forest that loves him back” (237). The comparison between people and trees is similar to Dylan’s realization in “Coping” that he is surrounded by trees (people) that shelter and support him. The theme of friends and family is further reinforced in “Our Dill.” Despite his jealousy and hurt feelings when Mia accepts Will’s invitation to the dance, Jay puts his friendship with her first and doesn’t act out his unhappiness. This allows both Jay and Mia to come to terms with their feelings for each other and ultimately act on them.
In “Percival and the Jab,” Percival discovers that the joys of Black boyhood include honoring one’s heritage and culture. The Jab represents Percival’s home and the connection that his parents keep encouraging him to sever. He is told to lose his accent and loses touch with the aspects of his culture that were once part of his daily life. Percival learns that his heritage is nothing to be ashamed of but is instead a source of pride and even power. The author suggests that moving from one culture to another strengthens a person in a variety of ways. When Percival meets the other immigrant children, each with a spirit creature of their own, they reaffirm that his attachment to his past need not be a burden and can instead be a gift.



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