51 pages 1-hour read

Breakfast on Pluto

Fiction | Novel | Adult | Published in 1998

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Chapter 15-“Understand”Chapter Summaries & Analyses

Chapter 15 Summary: “Elephants To England”

On the ferry to Liverpool, England, Braden meets Elephants, a boxer with a “scalded prawn” face. Elephants recently finished a prison sentence, and he has sex with Braden but then cries. Braden steals money from Elephants’ pocket once he falls asleep and goes to the deck to observe the lights of Liverpool.

“Suddenly—An Expert!” Summary

Braden indicates that Irwin will be murdered later in the story. He shares that Terence wondered why Braden did not feel more empathy for Father Bernard and his suffering because Braden’s callousness was evident in his dirty letters and the scandal he caused in his small town.

Chapter 16 Summary: “In a Pig’s Ear, Sweety-Pie!”

All Braden ever wanted from Father Bernard was for the man to acknowledge him, and he confesses he has never bothered to think about the shame the priest might feel. Braden learns from his foster-sister Caroline (who always tried to be kind to him) that the priest provided additional money to their foster mother for his upkeep, and in a rage, Braden runs to Whiskers’ house to berate her for “cheating him” out of his inheritance. He wrecks the kitchen in front of Caroline’s new boyfriend, Frank, and even shouts at the neighbor O’Hare through the open window. He leaves Whiskers in tears, hugs Caroline, and takes 20 pounds from Frank, telling him he is a lucky man.

Chapter 17 Summary: “I Work Here”

Still lightheaded from the argument, Braden goes to the church and into the confessional, expecting Father Bernard. When he realizes an unknown young priest is hearing confessions, he saunters out of the building, looking askance at the figure of Jesus on the cross.

Chapter 18 Summary: “‘Look! She’s Lost Again!’”

After arriving in London, Braden becomes lost many times until he finds Piccadilly Circus, where he begins prostituting.

Chapter 19 Summary: “Theme from ‘A Summer Place’”

One of Braden’s first customers is Silky String, a suave elderly man who is clean and polite, as opposed to his other clients. He drives the car to a disused lot and, after Braden takes his clothes off, the man pulls out a ligature and attempts to strangle Braden while masturbating. Nearly losing consciousness, Braden manages to bite Silky String’s ear and scratch his face before running away. For months afterward, he suffers from trauma and fears other men. Despite his trepidation and frequent police raids, Braden continues to ply his trade. He can barely survive, and he notices he smells while sitting in an all-night café.

Chapter 20 Summary: “Where the Fuck Is My Mammy?”

Braden obsesses over finding his birth mother in London and mistakes many women for her, trying to guess what she might look like 18 years later. In one of the cafes, he meets Bertie Wooster.

Chapter 21 Summary: “Welcome Home!”

Bertie Wooster wears yellow clothes and performs music every Sunday morning at the Wheatsheaf Hotel. Braden believes he is not completely sane, but he likes Bertie anyway. He invites Braden to live with him: “Please say you will—Louise won’t mind!” (73). Without knowing who Louise is, Braden agrees, having tired of his life as an escort.

“Some Information about Charlie and Irwin, Gleaned From Charlie’s Letters” Summary

In Ireland, Charlie fights with Irwin about his involvement with the IRA, which he negates. However, after a man “came sailing down the river roped to a mattress with a six-inch nail hammered into his head” (75), two men recruit Irwin to go and kill two men in retaliation. A police officer soon unearths Irwin’s role in the plot and threatens him by targeting Charlie. Irwin finds himself stuck between the need to protect Charlie and the understanding that the IRA will kill him if he betrays them.

Chapter 22 Summary: “At Last I Get to Paint Them!”

Charlie enters the National College of Art and Design and informs Braden over the phone.

Chapter 23 Summary: “Up West!”

A cockney voice narrates an evening out in a restaurant: People who waited all week to go out are enjoying their meals and drinks, but when an Irish bomb explodes, they are left wounded or dead. 

Chapter 24 Summary: “A Big Dead Flower”

Braden joins Bertie at the Wheatsheaf Hotel, performing in women’s clothes and singing songs by Dusty Springfield, The Supremes, and Lulu. The crowd goes crazy, and Braden enjoys the moments in the spotlight. After the gigs, Bertie and Braden drink and have sex.

Chapter 25 Summary: “A Little Curling Whisper: Why?”

Louise, it turns out, is Bertie’s landlady, a woman whose young son was hit by a bus and died. Soon after Braden starts living with Bertie, Louise persuades Braden to wear the boy’s clothes, sit on her knee, and pretend to be her son. Braden agrees because she buys him cosmetics and does his hair, but also because he misses his own mother and likes to envision her in Louise.


One day, Bertie catches them in their role-play and is very hurt, exclaiming, “He’s not a schoolboy! He’s my girl and you have no right to be doing this to him!” (85). He leaves the house, and Braden never sees him again. Braden continues to role-play with Louise, but a tiny voice asks him why he would do that when his mother is more special.

Chapter 26 Summary: “‘My Name’s Not Eily Bergin!’”

Braden begins to roam the streets, thinking every woman in a housecoat or a headscarf is his mother, Eily Bergin. He cannot help his obsession.

“If Terence Were to See Me Now!” Summary

Terence is Braden’s psychiatrist in a mental hospital. Braden misses him and his insights—for example, when he suggested Braden wants to become his mother because then she would always be around. When Terence left the hospital, Braden never connected with any of the other doctors.

Chapter 27 Summary: “Terence in a Sheepskin”

Braden tells a story which may or may not be true (“You don’t believe me? Well, I’m sorry about that!” (89-90)): Terence visits him for a week one Christmas, and they “loved one another like any man and woman should.” A song by Laurel and Hardy disturbs Braden, who remembers it from his time in foster care.

Chapter 28 Summary: “Dancing on a Saturday Night”

On a warm night in Belfast, soldiers go out to a bar and meet a couple of local girls. They become inebriated, and the girls offer to continue drinking at a private party. In someone’s living room, four men kill the trapped soldiers and dump their bodies in a waste ground.

“Thinking Far Too Much” Summary

Terence used to tell Braden that he overthinks things. Yet Braden cannot help but ponder the unfairness of creating life, then not remaining to offer love and support. He misses his mother terribly and cannot find a way to fully exist without her.

“Understand” Summary

Braden is back in Ireland in 1975 and wears a dress without regard to reactions. He has not been feeling well, but he claims he is not crazy. Braden is worried about Charlie, who is in a deep depression after Irwin’s death. She has left college, and she drinks vodka and never sleeps, so Braden takes care of her. Two men murdered Irwin after “everybody decided he had given enough information” (95). Braden mentions a girl named Martina and an incident.

Chapter 15-“Understand” Analysis

A character known only as Terence is Braden’s psychiatrist during his apparent stay in a psychiatric hospital. Although Terence does not appear as an active character in the narrative, except through Braden’s memories, Braden quickly establishes him as an archetype of a wise man who acts as Braden’s external conscience and offers insight into Braden’s psyche. Because of the way McCabe positions the character, it remains unclear whether Terence really exists and, if he does, to what extent he played a real part in Braden’s life. Nevertheless, even if taken as Braden’s manifest conscience instead of a real character, Terence gives the readers prescient commentary that illuminates Braden’s motivations.


Terence introduces the question of Braden’s empathy or lack thereof, especially concerning Father Bernard, his father. Braden is deeply unhappy and unstable, so he becomes profoundly self-involved and therefore uncompassionate with regard to others. This is, in part, a necessary defense mechanism that keeps Braden sane, especially after his traumatic experience at the hands of Silky String. It is also a tool of self-sufficiency that Braden develops in order to survive, even though he craves a strong, supportive male presence to ease the burden of self-reliance. As a result, Braden feels incapable of understanding Father Bernard, and a strong desire for revenge consumes him.


That his father is a priest additionally complicates his attitude toward religion, already a topic fraught with tension in Ireland. The depiction of Father Bernard is a symbolic criticism of a religion that forbids birth control and abortion, yet turns a blind eye at the “indiscretions” of married men and priests. It is only toward the future unwanted children of unwed, teenage mothers that Braden expresses any sense of empathy. Even Braden’s empathy, however, is the result of his own experience, developing naturally from his self-identification with all unwanted, unplanned children like himself.


As Braden arrives in London, readers might imagine he will be able to live a more unhampered life. However, Braden’s only recourse (or at least the only one he can envision) is to become a prostitute, which quickly leads him into trouble. Apart from the trauma of nearly becoming a murder victim, Braden enters a relationship with the unstable Bertie. McCabe utilizes this sequence to depict how fragile Braden’s sense of identity is as he becomes not only Bertie’s “girl” but the landlady’s “little boy,” all while simultaneously attempting to live his own truth. This causes even further confusion in Braden’s understanding of himself and helps the reader to understand the precariousness of his psyche. This is further evidenced by Braden’s growing obsession with finding his birth mother—or, as Terence implies, Braden’s desire to become his mother so she would never leave him again. If we approach this piece of information from a contemporary position on transgenderism, we recognize the danger of oversimplifying the complex issue of identity by reducing Braden’s gender fluidity to a consequence of a motherless upbringing (we will address this further in the Themes section).


Another significant feature of the narrative is Braden’s habit of previewing important pieces of information before actually sharing the story that depicts the events surrounding that information. These “jump cuts” bring the readers deeper into Braden’s world and align their thought process to Braden’s without turning the narrative into a stream of consciousness. (Stream of consciousness, a narrative technique that utilizes uninterrupted internal monologue to immerse the reader in the messiness of the human perspective, was popularized by another Irish writer, James Joyce, in his 1922 novel, Ulysses.) By deploying these prescient details, as opposed to the more immersive stream of consciousness, McCabe maintains a straightforward and approachable storyline while shaking the readers from their potential inertia or complacency. (We previously mentioned the similar impact of defamiliarization.)

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