51 pages 1-hour read

Breakfast on Pluto

Fiction | Novel | Adult | Published in 1998

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Chapters 29-41Chapter Summaries & Analyses

Chapter 29 Summary: “The Incident Behind the Creamery”

Braden comes across a 15-year-old girl named Martina Sheridan in an alley behind the creamery after she has had sex with an older man. He shakes her and tries to help her see the truth: These older men are using her, and none of them love her. Braden is afraid Martina will become pregnant and have a child that will not know love. Martina does not listen to Braden, calls him a queer, and yells for a man named Smigs, who Braden knows is a demented bully and criminal.


Braden is overwhelmed by feelings of unfairness and disgrace regarding the young girls and covetous older men who abuse them, as well as for the babies the girls have who will never feel proper love. That night he returns to the alley to seek traces of semen, hoping the man used a condom; he breaks down upon placing his hand in a pool of semen, upset that such a small amount of liquid could lead to such heartbreak. The world of his hometown is very different from the fantasy hometown about which he writes.

Chapter 30 Summary: “Chez Nous”

Braden writes of the sleepy, peaceful little town of Tyreelin, and a stone cottage built by the strong hands of Braden’s Daddy. In the cottage one evening, Braden’s Mammy reads the boy a story about love and familial support. The happy family falls blissfully asleep, the horrors of the real world non-existent, and the boy thanks God for his life and especially his Mammy.

Chapter 31 Summary: “Running Out on Louise”

Braden regrets sharing with Louise a story about his mother and how beautiful she was according to his hometown neighbors. While sitting on her lap during their role-play, Braden feels overwhelmed and whispers his innermost secret words of love for his mother. The next day, Louise comes in dressed as a version of Braden’s mother and impersonates her coming back into his life. This causes a break in Braden; he cannot bear the travesty, becoming “rudderless.” Louise asks him to stay for breakfast, and he runs out of the house. Braden tells this story to Terence, who supports him, and in his presence, Braden feels “rock solid.” Terence again encourages Braden to write about his life.

Chapter 32 Summary: “Visitations in the Night by P. Braden, Ward 7”

Braden writes of a young theology student, Bernard McIvor, who is a star football player at his seminary. He likes the exertion of sports because it keeps lustful thoughts at bay and helps him remain pure. However, he submits to the shadowy lure of the phantom visitation that causes him to sin. This leads to his raping the young woman who serves him breakfast many years later. At this point, Braden becomes very angry because he does not know how to forgive his father for creating him, and Terence warns Braden that his rage will destroy him.

Chapter 33 Summary: “A Long-Ago Night in November”

Braden writes of the pious Bergin family who are content in their religious bliss as their 16-year-old daughter Eily has a baby in the upstairs room. An obedient and smart girl who is a passionate lover of pop music and attends convent school, Eily cannot understand at first that Father Bernard is raping her. She lives with a sense of guilt as the baby grows inside of her. On a night in November, she carries the newborn in a box to Ma Braden’s house for fostering, then disappears from Tyreelin forever with the aid of Father Bernard. Her father goes mad after her disappearance, and her mother soon dies of a stroke.

Chapter 34 Summary: “The Life and Times of Pat Puss, Hooker”

After leaving Louise, Braden begins to live mostly as a woman and, while working as a prostitute, develops a clientele of men. The excitement of this life consumes Braden, and he barely registers Charlie’s depression over Irwin’s death. Discussing his life causes Terence to blush, and to provoke him, Braden jokes about also being a bomber.

Chapter 35 Summary: “Detention In The School Of Dr Vernon, Late October 1974”

Braden becomes involved with Dr. Vernon, who calls him Mandy. Dr. Vernon likes to role-play being the headmaster of Earls Court Academy with Mandy, his tardy pupil. He buys him expensive clothes and perfumes, and he decides to live with him. However, Braden soon gets bored, “a broody bitch!” (125), and leaves him.

Chapter 36 Summary: “Al Pacino Reveals All!”

After leaving Vernon, Braden (“Patrick-Puss”) dreams of settling with someone who is not boring and will love him. Braden reveals Terence believed Braden might have really been involved with the bombers.

Chapter 37 Summary: “Busy Men Prepare to Blow Up London and Get Pussy into Trouble”

Three Irish men, Big Joe Kiernan, Mayo Jack, and Faigs McKeever, prepare bombs on November 6, 1974, and then leave with them in a Mark 2 Ford Cortina.

Chapter 38 Summary: “Ooh, Bomber!”

Slightly drunk, Puss decides to go to a disco-pub. He knows there will be many soldiers present, and he hopes they will take him for a girl and fall in love with him. Just as Braden starts to dance with a soldier, a bomb detonates, killing the soldier and missing Braden by chance. In shock, he starts to laugh hysterically, and another bomb goes off, killing many more people in the disco-pub. The police who arrive believe Braden is the bomber, especially because he is Irish and dressed as a woman, which they take for a disguise, even though she tells them, “what I am is an ordinary transvestite prostitute, not the slightest bit interested in politics at all!” (134).


During questioning, Braden finds it difficult to focus and giggles at importune moments. He even jokes that he planted hundreds of bombs because he does not believe the police will take her seriously.

Chapter 39 Summary: “‘It’s Bombing Night and I Haven’t Got a Thing to Wear’”

On a quiet weekday evening in London, Paddy Pussy, the “undisputed leader” of the IRA unit, decides which restaurant to bomb. As she tries on her gowns, she changes her mind about doing the job herself, but her fellow terrorists beg her to do it.

“An Out-of-Body Experience Perhaps?” Summary

Terence asks Braden if he was having an out-of-body experience in jail because the way he talks about it is as if he never spent much time there. Braden recalls his lack of focus and laughter drove the investigators mad with frustration.

Chapter 40 Summary: “A Lot of People Losing It!”

Braden’s irrational behavior after four days in jail drives Detective Inspector Peter Routledge to his own sense of lunacy, and he begins to suspect that perhaps the young man dressed as a woman is telling the truth about being a “drifting transvestite prostitute from the backwoods of Ireland” (139).

Chapter 41 Summary: “Hello, Mrs Braden!”

In jail, Braden imagines his mother returning to Tyreelin when he was young to save him. She is glamorous like Sophia Loren and understanding of Braden. Together they will traverse the universe.

Chapters 29-41 Analysis

The incident behind the creamery reinforces Braden’s obsession with the way small-town, narrow-minded, and dedicatedly religious societies treat young women and unwanted children. Although Braden tries to warn Martina Chambers about the dangers of her relations, internalized patriarchy and a traditional upbringing prevent Martina from understanding him. Braden’s actions and presence mark him as an outsider, but so do his more enlightened perspectives on the abusive dynamic between men and women. As mentioned before, events such as his exchange with Martina provoke Braden’s rage because he is a product of rape and because of his own sexual trauma. Due to his hard life and generalized unhappiness, Braden is so self-involved that he is unable to avoid experiencing everything as if it relates directly to his destiny. While Braden’s reasoning may be self-involved, his reaction is, if unintentionally, empathetic. He tries to protect Martina and her potential unborn children from a fate such as his own.


McCabe further explores Braden’s self-involvement through his writing, which Terence encourages Braden to pursue. Here the fantasy life Braden wishes he had replaces the harsh reality he is forced to accept in order to maintain his sanity. However, even in parts of Braden’s writing, the anger he feels emerges; this is especially evident when Braden writes about the lives of his parents and their origins. Even though Braden ostensibly aims all his anger towards Father Bernard, it is implicit that he also blames his mother for abandoning her baby and disappearing forever. McCabe never explicitly allows Braden to find fault with his mother, but the fixation Braden develops for finding her does contain elements of anger and a strong desire to correct the wrong. When Braden imagines “Mrs Braden” sweeping into Tyreelin to collect her child so they can experience life together, he implicates her responsibility in his unhappiness as a result of her inaction.


It is also worth noting that, while Braden accepts the proposition to role-play Louise’s dead child, he becomes very agitated once Louise attempts to portray his mother. Louise’s (potentially accurate) portrayal disturbs Braden deeply because it clashes with his wistful fantasy of the glamorous Eily. Once Braden develops the idea of Eily into a fantasy mother, coming into contact with his mother in reality would destroy the ideal projection he has created. As long as Eily remains a beautiful and distant invention, Braden can pour into it whatever psychological material he desires or needs. Additionally, the mention of the word “breakfast” produces an involuntary reaction because, in Braden’s mind at least, this meal occasions the rape that created him. Through these sequences, McCabe shows the reader that Braden is very much a slave to his fantasies, and although some of them serve as a source of comfort, he must abandon these projections in order to function normally in the real world.


Yet Braden is unable to feel contentment in any situation resembling normalcy. Dr. Vernon, for example, offers Braden some sense of stability, but he finds him boring, and that boredom is cloying. Braden’s return to prostitution represents another refusal to face reality and the demands of a normal life. Braden craves normalcy, constructing a traditional childhood for himself in his fantasies, but because of the trauma he experienced, he instead pursues a life of chaos. These contradictory desires continue to render Braden in two, exacerbating the duality of his experience of gender and life in general.


This conflict of fantasy and reality, normalcy and chaos, reaches a crescendo with the events surrounding the bombing of the disco-pub. Braden’s time in jail causes one of the final rifts in his personality, as the fantasy life begins to fully overtake Braden’s mind (something Terence identifies as an out-of-body experience). This final trauma—not only witnessing a bombing and the ensuing carnage, but then experiencing the prejudice of a police department that assumes his guilt based on his transgenderism—Braden finally succumbs to fantasy by letting go of his grip on reality. Not only does Braden’s loss of sanity protect him from further personal trauma, but it also insulates him from the political turmoil that continues to impact him and his community, first killing his best friend and now a whole crowd of people around him at the disco-pub. Losing coherent consciousness is a defense mechanism for Braden, but it is also representative of the communal numbness necessary for a community to withstand a national trauma. 

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