46 pages • 1-hour read
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Call It What You Want is a product of modern dating culture, exploring the phenomenon of the “situationship,” a term for a romantic or sexual relationship that lacks clear definitions or commitment. This dynamic has become increasingly common among young adults, with a 2022 Tinder report noting that young singles are embracing situationships as a valid relationship status (“Tinder’s Year in SWIPE: Situationships, Shared Values and Social Issues Were the Top Green Flags for a New Generation of Daters That Are Done Wasting Their Time,” Tinder, 28 Nov. 2022). Such arrangements are characterized by ambiguity and a lack of formal labels, often leaving participants in a state of emotional uncertainty. The novel directly taps into this social context from its opening pages, where protagonist Sloane Hart defines her painful connection with Ethan not as an “ex-boyfriend” but as an “ex-almost” (2). Their entire two-year dynamic is an extended situationship, marked by Sloane’s anxiety over their undefined status and feelings of inadequacy when Ethan refuses to commit.
This social reality is mirrored in the novel’s genre. As a work of New Adult fiction, which focuses on characters navigating post-college life, the book employs the popular “almost relationship” trope. This literary device allows the author to explore the emotional turmoil inherent in situationships. Sloane’s struggle captures the core conflict of this trope when she confronts Ethan, asking, “So I’m good enough to hang out with…but I’m not good enough to date?” (63). By grounding its narrative in the contemporary experience of the situationship, the novel validates a widespread yet hard-to-define form of heartbreak.
Alissa DeRogatis wrote Call It What You Want from a place of personal experience, intending to validate the often-dismissed pain of undefined romantic connections. In the book’s author Q&A, she reveals, “My dating life has been a string of ‘almost relationships.’ For so long, I was embarrassed and insecure about it because I never felt good enough for commitment” (277). This history directly inspired the novel’s central conflict. DeRogatis’s mission was to create the book she needed in her youth, a motivation reflected in the dedication, “For a younger version of myself” (v). This authorial context frames the novel not just as a fictional story but as a targeted act of empathy. The narrative is crafted to give voice to those who have felt the sting of a relationship that never officially began but still ended in heartbreak.
The protagonist Sloane’s emotional journey mirrors the author’s stated insecurities. Sloane repeatedly questions her own worth, wondering if she is the reason for Ethan’s inability to commit, culminating in her tearful question, “Am I not enough?” (85). This parallels DeRogatis’s desire to write for her younger self and others who have felt similarly inadequate. The “Open Letter to the Guy Who Didn’t Want to Date Me” included in the novel functions as the ultimate expression of this goal, articulating a specific type of grief and offering a sense of closure. Understanding the author’s personal motivation enriches the reading experience, highlighting the book’s role as a cathartic narrative for a common, modern form of emotional distress.



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