67 pages 2-hour read

Cannibalism: A Perfectly Natural History

Nonfiction | Book | Adult | Published in 2017

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Media Sensationalism as a Problem

Cannibalism is a difficult subject to discuss, Schutt argues, at least with any degree of seriousness or scientific rigor. He establishes this in the introduction to Cannibalism, in which he begins his book with a discussion on exactly why the media is so fascinated by lurid tales of cannibals. The popularity of characters such as Hannibal Lecter and Norman Bates reveal the extent to which the general public is fascinated by stories of people who eat people, yet any serious discussion of such an act is typically expressed either through scary movies or sensationalized headlines (which often actively draw on popular culture portrayals). This, Schutt believes, is a problem. His book is an attempt to address this problem and to take “a hard line on sensationalism” (xviii). His discussions of cannibalism tread the line between academic seriousness and media sensationalism, creating a space in the public consciousness for an actual discussion on a subject which Schutt believes to be very interesting. By blending his scientific training with cultural critique, Schutt reframes cannibalism not as horror fodder, but as a subject worthy of biological and anthropological inquiry. This sets the foundation for Schutt’s argument that only by rejecting sensationalism can we engage in honest inquiry.


Schutt is aware of the way in which media sensationalism makes his intended task much more difficult. The problem with “sensationalized headlines” (68), he notes, is that they draw all the attention regarding cannibalism in the public consciousness and leave little room for more serious subjects to be discussed. Schutt is a zoologist, someone who has studied the natural world for his entire academic life. He is familiar with the world of academic thanks to his career, yet he is more than aware of the way in which media sensationalism has influenced his own understanding of cannibalism. Schutt begins with media portrayals because—even as a scientist—he admits that these shaped his initial perceptions. Schutt aligns himself with the audience, creating sympathy for his perspective and his goals by showing that he suffers from a similar issue. He knows about Hannibal Lecter and Norman Bates, but he is always aware that, “because of incomplete reporting by the media, though, and a tendency to stress sensationalism over detail, the result has been a cannibalism-themed fiasco” (66). Media portrayals of cannibalism have affected the public’s understanding of cannibalism, Schutt suggests, so he wants to work with this audience to create a more balanced, more scientific understanding of the perfectly natural history of the subject. By aligning himself with the media-affected public, Schutt models the process of unlearning and re-education he hopes readers will undergo.


Schutt’s self-awareness leads him to an impasse in his dissection of media sensationalism. His book reviews the academic literature on cannibalism in almost all its forms, yet he makes a deliberate attempt to steer clear of “criminal cannibalism” (239). Many of the criminals who have engaged in cannibalism are still alive, he notes, as are the families of their victims. He chooses not to discuss their acts of cannibalism so as to not give them any acclaim or attention that these criminal cannibals might desire. Schutt is addressing the media sensationalism by actively and deliberately refusing to discuss the cases which are most sensationalized and which, he explains, inform the media’s understanding of the subject. By avoiding discussions of criminal cannibals, Schutt seeks to separate the discussion of the subject into a more academic realm. He will not engage in the sensationalism that colors every media portrayal of cannibalism, not only out of respect for the victims, but out of respect for the subject itself. Schutt does not want to get bogged down in the same lurid descriptions which result from the media’s portrayal of people who eat people. Though Schutt occasionally references those who have committed acts of violence or cannibalism, his antagonism toward sensationalism allows him to present the subject in a more balanced, academic manner. This deliberate omission reclaims the narrative and repositions cannibalism as a subject deserving of dignity, not exploitation.

The Interplay Between Cannibalism and Colonialism

Cannibalism is an important area to study, Schutt asserts, because of the way in which it has been historically used to justify acts of violence. In Chapter 9, Schutt delvers into the history of the first European expeditions to the Americas by Christopher Columbus. Across these voyages, Columbus’s experiences with the Indigenous peoples—and particularly with the Carib people—were documented by men such as Diego Álvarez Chanca. In these documented accounts, the Carib people were portrayed as violent cannibals. They were not Christian and, importantly, they were presented as “primitive” (246) due to their apparent tendency to consume human flesh. The writing of people like Chanca became an important foundation for European justifications for the violent colonialism which followed. The “greatest act of genocide in recorded history” (107), Schutt suggests, is inextricably linked to the way in which the people suffering from the genocide were presented as cannibals. This accusation became the permission needed for the colonizing forces to do whatever they wanted to the Carib people and others. As such, Schutt suggests that discussions of cannibalism are inextricably linked to discussions of colonializing because of this apparently permissive moral effect which was deliberately fostered by the colonizing powers. This linkage reveals how the image of the cannibal was not merely descriptive but instrumental—a rhetorical tool wielded in service of empire.


Schutt is particularly vehement in his assertion because, as he points out, so many of the accusations against peoples such as the Carib were built on shaky evidence. Chanca’s famous description of a “cannibal hut” (109), for example, is secondhand knowledge. Chanca was not a part of the expedition party which found the infamous hut; his secondhand account was taken out of context and blown out of proportion so as to justify terrible acts of violence against the Carib people. Schutt refers to Arens, who asserts that “colonial groups had been guilty of making false accusations of cannibalism against native populations across the globe and throughout history” (118). Evidence of the proliferation of such colonialist claims can be found in story books, for example. Schutt references Marina Warner, who says that such lurid “stories served to reinforce the idea, for readers of all ages, that cannibalism was the stuff of nightmares and naughty children” (188), illustrating how fears of a cannibalistic ‘other’ were used to discipline children. A distinction was created between white Christian colonizers and the so-called primitive Indigenous people. Cannibalism was a clear moral outrage among the European colonizers, Schutt suggests, which helped to “otherize” the Carib people and others, making it permissible to commit violence and exploitation. Cannibalism became a weapon in the hand of the European colonizers, functioning as a propaganda tool to justify any and all violence. In this way, cannibalism becomes both a metaphor and mechanism of control, reinforcing narratives of Western superiority.


As such, Schutt feels an added weight of responsibility to create a sincere, credible, and accurate discussion of cannibalism throughout history. The extended discussion of the interplay between colonialism and cannibalism is a vital part of the novel because is illustrates the ramifications of disingenuous framing of the topic. Cannibalism is a real and a serious subject matter; the colonizing powers took the subject to be serious, but deployed it in a self-serving, insincere way, spreading rumors by word of mouth which metastasized into malicious libels and fueled brutal violence. But, Schutt suggests, this tendency to treat cannibalism as a moral point of no return is both hypocritical and still in use. Later in the book, Schutt describes how many Europeans (from the colonial era and beyond) engaged in practices which may be considered cannibalistic. Furthermore, the “otherization” of non-white people continued into the modern era. Schutt describes modern Western attitudes toward Chinese medicine and 20th-century anthropology as examples of the way in which non-Western cultures are “otherized,” often through the lens of cannibalism. By tracing the rhetorical use of cannibalism from colonial propaganda to modern cultural biases, Schutt invites readers to confront the moral inconsistencies of Western narratives—and examine whose stories get told and why. Schutt’s broader project is not just to study cannibalism, but to expose the systems that have manipulated it for power.

Breaking the Social Taboo of Cannibalism

Cannibalism is, Schutt suggests, the “ultimate of taboos” (118). A taboo is a social or cultural prohibition against certain actions, behaviors, or topics that are considered unacceptable or forbidden by a particular group or society. These prohibitions are often rooted in moral, religious, or social norms and can vary widely across different cultures and historical periods. Schutt explains the way in which the word was spread into the English language by Captain James Cook, who was killed while on a colonial voyage, thus linking the spread of the word with colonial violence and cannibalism. As such, cannibalism remains one of the strongest taboos in Western societies. Yet Schutt believes that this taboo is limiting. In a social sense, the idea of cannibalism as taboo is fundamental to discussions of Western social attitudes toward the subject, as well as being inextricably linked to the violence of the past. To Schutt, however, this same sense of taboo has a tendency to sensationalize and inhibit discussions of taboo in an academic or even social sense. People are so enraptured by the taboo that they cannot engage with the subject itself. This becomes the book’s premise, illustrating why discussions of cannibalism are perfectly natural. By breaking the silence around cannibalism, Schutt seeks to break open larger questions about why certain subjects remain off-limits.


Schutt draws on his experience as a zoologist to pick apart at the taboo surrounding cannibalism. The book is structured in such a way as to forefront examples of cannibalism in the natural world before moving onto examples of human cannibalism. The opening chapters survey the many examples of cannibalism in the animal world, as well as providing the audience with an insight into the scientific understanding behind these acts. Cannibalism in the animal world exists as a product of environment, necessity, and survival. It is, in effect, perfectly natural, even if it might not be particularly pleasant. This helps to unravel the taboo surrounding cannibalism, by elevating discussion of the subject to detached and objective scientific observations about facts. By opening with discussions of the natural world before moving onto human examples, Schut is able to introduce the audience to a discussion of the subject which is freer from the social complexities of the taboo. He wants to investigate whether “taboo would have a biological foundation” (xviii), for example, only to show that the taboo is a social construct. The taboo against cannibalism, particularly in its modern incarnation, is built together from a series of conflicting and hypocritical social values which limit academic discussion of something which occurs in nature and throughout human history. Schutt’s gradual approach builds trust, allowing readers to confront discomfort while staying rooted in empirical reality.


Schutt’s intentions with Cannibalism are not to make cannibalism permissible, but to break the taboo surrounding the subject. Schutt does not encourage cannibalism; he encourages conversation about cannibalism. This subtle difference is only made possible by disabusing the audience of the sensationalized understanding of the subject which bolsters the taboo. By showing the audience examples from history and the natural world, as well as by showing them the way in which the taboo was established and then weaponized for violent purposes, Schutt hopes to show the audience why discussions such as these are important. Cannibalism is a fact of life, he suggests, even when it is not particularly pleasant. His ultimate act of breaking the taboo is shown when he meets with Claire Rembis, the owner of a company which helps to facilitate the consumption of placentas. To all intents and purposes, Schutt points out, this meets the definitional standards of cannibalism. He eats placenta, consuming human meat, and breaks the supposed taboo in a pleasant domestic setting. By deliberately transgressing the taboo in a controlled, respectful context, Schutt transforms theory into lived experience—modeling the very open-mindedness he hopes to inspire in his readers. Schutt becomes a cannibal himself in an attempt to show the audience why such an act should not be treated so seriously. His act, he hopes, will lead to a more serious discussion in the future. In doing so, he asserts that confronting taboos is a necessary first step toward deeper, more ethical conversations about human behavior.

blurred text
blurred text
blurred text

Unlock every key theme and why it matters

Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.

  • Explore how themes develop throughout the text
  • Connect themes to characters, events, and symbols
  • Support essays and discussions with thematic evidence