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Roughly an hour before the town is overrun in fire and death, Chris and Billy return to The Cavalier, unaware of the extent of the destruction they have unleashed. Billy tears off Chris’s shirt; she retaliates by punching him, but this does not deter him. He beats her up with the intention of raping her, and they descend “into a red, thrashing unconsciousness” (267). Over the music of the bar and their own exclamations, neither hears the explosions and sirens outside.
They later awaken to one of Billy’s friends, who alerts them to Carrie’s destruction of the town. Chris is worried that someone will connect their prank with the destruction, but Billy allays her fear, suggesting that they could run away to California (though he has no intention of taking her). When they leave the bar, Billy experiences the projection of Carrie’s presence in his mind and sees her standing nearby. Billy tries to run Carrie down in his car as her presence fills both his and Chris’s minds, but Carrie redirects the car into The Cavalier: Billy and Chris die on impact, and their bodies burn in the resulting fire. Carrie collapses soon after, the extraordinary use of power having worn out her heart, wanting to turn and look at the stars before she dies.
As Sue stands amidst the destruction at the town’s center, she has a sudden series of insights that she can’t explain. She knows Tommy is dead, that Carrie is responsible, and that Carrie’s mother is dead after having stabbed Carrie. She can feel Carrie’s presence in her mind, but there “were no pictures in her head, no great white flashes of revelation, only prosaic knowledge” (276). Driven by an urge she can’t name, Sue makes her way to The Cavalier, realizing that Carrie’s last act was for her mother: “Momma wanted her to be the Angel’s Fiery Sword (279).
An excerpt from the White Commission interrupts the narrative, offering a transcript of their interview with Sue. Sue is on the defensive, believing the Commission to be looking for a scapegoat. They hint at Sue’s culpability, noting that she was the only one drawn to Carrie. Sue denies that Carrie was focused on calling her, but she cannot be certain.
The narrative resumes with Sue closing in on The Cavalier and coming across a dying Carrie, whose crumpled body reminds her of roadkill. Carrie’s presence in her mind fades in and out as Carrie’s consciousness wavers, but as Sue approaches, the “essence of Carrie” becomes clearer (289). Sue recognizes Carrie’s wish to look at the stars and gently turns her to face the sky. When Carrie wakes, she speaks to Sue telepathically, and Sue finds she is able to respond in kind, this conjoining of minds causing Sue to experience a deep “compassion for Carrie” that “broke through the dullness of shock” (287). Carrie’s mind is exhausted—all she can think of is that she was tricked—and Sue witnesses all of the tricks that have been played on Carrie throughout her life. Sue reels at the relentless bullying, but she gains vital communion with Carrie, and they share “the awful totality of perfect knowledge” as Carrie’s tortured life plays out before both of their minds (287). Carrie then accuses Sue of trying to trick her, but Sue allows Carrie access to her memories, and Carrie learns that Sue never intended to cause Carrie harm. Carrie dies, her final thoughts projected into Sue’s mind and Sue fleeing the “frequency of the physical nerve endings” in terror (290). When she is far enough away from Carrie’s “frequency,” she feels “the slow course of dark menstrual blood down her thighs” (291).
As she dies, the human/animal dichotomy that characterized Carrie’s separation flips again. Sue, seeing Carrie on the ground, is “reminded of dead animals […] that had been crushed by speeding trucks and station wagons” (285). The comparison implies pity for a helpless and unwitting victim of human society. This implies that Carrie is essentially different from other humans and that her brief experience of shared humanity at prom was not her true nature. Carrie, like an animal caught unaware by human initiative, will remain eternally isolated.
Carrie’s projection into the thoughts of Billy, Chris, and the townspeople are significant not in what they explain, but in what is held back. For the most part, the projection is simply Carrie’s name over and over, as though she can imagine no more than her own presence. Even in Chris and Billy’s minds, where one might imagine she would let loose her hate and anger, Carrie does no more than state her name. This causes the survivors to recognize her presence and her culpability in the devastation, but it does little to explain her motivations. The torment Carrie has faced has brought her to the point of rampage, and she views her name as so synonymous with the bullying that she assumes one will stand for the other. However, she cannot locate any compassion in those to whom she projects her thoughts, and therefore no one understands her actions. The causes are sought out afterwards by those who are similarly unable to comprehend the meaning of Carrie White.
However, Carrie’s final act is not one of death and destruction but of communion. Sue is not alone in experiencing Carrie’s mental projections, but she is unique in the empathy that they inspire within her. Sue’s ability to understand and speak with Carrie mentally speaks to the empathy Sue has fostered since admitting her guilt to Tommy and leads to the moral heart of the novel. Rather than simply practicing passive sympathy for Carrie, Sue practices an active empathy, telling Tommy that no one understands “what it is like to be Carrie White” before trying to understand this herself (103). Conceiving of the lived experiences of another is the root of compassion, and it is what flowers in the final scene between Carrie and Sue. Sue, upon realizing her mental communion with Carrie, finds that “compassion for Carrie [breaks] through the dullness of her shock” (287); immediately afterward she sees a dizzying array of the torment that Carrie has experienced her entire life. By bearing witness to Carrie’s tortured existence, Sue alleviates Carrie’s essential loneliness—her otherness—giving Carrie what she has sought her whole life: a compassionate recognition of her human experience.



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