72 pages • 2-hour read
Ken FollettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of graphic violence, child abuse, and physical abuse.
Joia wakes before dawn, aware that she has promised to bring the stone to the Monument in four days. She oversees final preparations, including carving the roasted pig for the volunteers. As daylight spreads, people gather in large numbers, and Joia recognizes that her hopes have been met.
Familiar faces appear among the volunteers, including her friends, herders, miners, and several farmers such as Duff. The mood is festive and energetic, with priestesses distributing pork and excitement spreading through the crowd. As sunrise approaches, Joia leads the ceremony and then calls the volunteers to depart. Scagga attempts to block them, shouting that “too many” (433) are going. Joia confidently insists they are within the limit he set, knowing he cannot count the crowd. The volunteers ignore him, laughing and pushing past. Dee openly confronts Scagga, humiliating him in front of everyone and forcing him to retreat. Joia is shaken but relieved, while also newly aware of her growing attraction to Dee.
The march begins along Seft’s prepared track. Villagers come out to cheer and the volunteers treat the journey as an extension of the festival, singing marching songs and bawdy verses. The group stops to rest at Upriver, where people swim, eat, and socialize. Joia learns that several of Troon’s Young Dogs, including Narod, have joined the expedition, likely to “undermine” (435) the mission. She quietly resolves to remain vigilant. As the march continues north and into the hills, the terrain becomes more difficult, but Seft’s route avoids steep slopes and keeps the pace manageable.
By late afternoon, the volunteers reach Stony Valley, where they are stunned by the enormous size of the selected stone. Seft reveals the massive wooden sled, astonishing the crowd with its craftsmanship and promise. Joia establishes strict rules for sanitation and rest, then urges everyone to eat and prepare for the work ahead.
That evening, as the volunteers settle in and a revel begins, Joia spends time with Dee, explaining the priestesses’ system of counting days. Dee’s quick understanding and curiosity delight Joia. As night falls, Joia lies down to sleep, comforted by the success of the day and quietly acknowledging her growing affection for Dee, while knowing that the true test will come with the labor of moving the stone.
Joia wakes anxious, knowing that despite the successful march, nothing meaningful has yet been achieved. The stone still lies untouched, and today they must do what has never been done before. She worries about Narod and the Young Dogs, suspecting sabotage, but lacks authority to expel them. Work begins at dawn. Seft outlines his plan clearly, explaining that the thicker end of the stone will become the base. Volunteers “energetically” (443) dig a deep hole beneath that end while others loosen the stone from the surrounding earth.
Using levers, teams of volunteers gradually lift the thin end of the stone, inserting logs underneath to hold each gain. Progress is slow and exhausting but steady. Joia encourages the workers constantly, keeping morale high. When the stone reaches a quarter of its height, the effort falters. Levers become ineffective and an attempt to rope the stone and weight its base nearly ends in disaster when the stone slides sideways, almost crushing the priestess Duna. Joia is shaken by her own role in the near-accident.
At midday, Joia halts the work for lunch, buying time for Seft and Tem to rethink the problem. During the break, they construct a tall wooden frame, a four-legged “giant” (448) with sharpened feet designed to act like a pulley, lifting the rope above the stone’s highest point. When work resumes, volunteers pull the rope over this frame, allowing the stone to be lifted upward rather than dragged sideways. The stone rises steadily. Earth is packed into the hole around the base and, when the tension is released, the stone stands upright. Joia announces their success and the valley erupts in celebration.
There is no pause for rest. To stay on schedule, Seft immediately organizes the next phase, mounting the stone onto the sled. Logs are stacked to form a temporary support higher than the sled’s platform. The stone is carefully lowered onto these logs, then eased onto the sled, transferring the weight gradually to avoid collapse. The sled holds.
By evening, the stone is secured with ropes and ready to move. Exhausted but triumphant, Joia recognizes that the day’s success has turned doubt into belief. The expedition is “on schedule” (452) and what once seemed impossible has become real.
Joia wakes before dawn under a full moon and shares a quiet, intimate conversation with Dee, learning more about her strength, independence, and lack of romantic attachment to men. Their exchange deepens Joia’s affection and sense of connection.
As morning breaks, preparations begin. The stone and sled are encased in a rope harness, with long grab lines laid out for the volunteers. Seft secures the wooden giant to the stone so it can later be used to raise the stone at the Monument. More than 200 volunteers take hold of the ropes. Despite their numbers, the stone does not move at first. Seft proposes rocking the sled forward and backward to break its resistance. Joia relays the plan and, after repeated coordinated efforts, the sled finally jerks forward. Momentum builds and the stone begins its journey with a “painful slowness” (458). The volunteers cheer and Joia walks backward at the front, guiding the movement and shouting encouragement.
Progress is uneven. Uphill sections exhaust the pullers and an early halt on a slope proves nearly disastrous when restarting becomes extremely difficult. Joia orders rest, food, and water, then successfully leads another rocking effort to crest the rise. She learns that future stops must be planned on downhill sections. As they pass a small hilltop village, residents greet them with amazement, offering water, food, and even joining the pull. The spectacle attracts attention, reinforcing the sense that something unprecedented is underway.
By midday, the expedition emerges onto the Great Plain, where cattle and food await. Seft works atop the stone, smoothing its surface, while volunteers rest, eat, and bathe in a stream. Joia and Dee share another quiet conversation, revealing they are the same age and both struggling with the physical demands. Joia notices her feelings for Dee growing stronger and more complicated.
In the afternoon they follow the East River south, eventually reaching Upriver, where they stop for the night. Exhausted, the volunteers eat roast beef and sleep almost immediately. Joia reflects on the successes and challenges of the “hard day” (462), aware that despite remarkable progress, the hardest work still lies ahead.
Joia wakes convinced that this final day must succeed. Delivering the stone within four days will prove her promise true and will be a “rebirth” (463) for the people of the Great Plain. She reflects on what success will mean: renewed attendance at the Rites, expanded trade, and the long-term rebuilding of the Monument stone by stone at future midsummers. Dee wakes beside her, sore and weary, and their quiet intimacy continues in small gestures, including Joia rubbing grease into both their “aching muscles” (464) before work begins.
The volunteers set off at sunrise along the riverbank. The terrain is easier and the stone moves steadily. At midday Joia notices Narod and the other Young Dogs slipping away toward the Monument, which gives her an “uneasy feeling” (465). Her fear proves justified when the expedition encounters deliberate sabotage: The track has been torn apart, branches scattered and thrown into the river. The volunteers stop in dismay and Joia breaks down in tears, realizing they cannot reach the Monument by nightfall.
Seft steadies her and insists they repair the track and continue, even if they arrive late. Joia rallies the volunteers, framing the repair as rest from pulling, and leads by example, kneeling to rebuild the path herself. She explains to Dee that Troon fears the Monument’s rebirth because it threatens his ambition of “being Big Man of the entire Great Plain” (466).
Despite hard work, daylight fades before they can reach the Monument. Joia sends the quick runner Boli ahead to reassure Ani. Exhausted, the volunteers sleep where they stop. At dawn they resume, hungry and sore but determined. As they crest the final rise, they see the Monument ahead and hear cheering. A huge crowd has gathered to welcome them. Welcomers seize the ropes and help pull as the stone is brought through the Monument entrance amid celebration of the “heroes” (473).
Before the crowd disperses, Joia insists on erecting the stone at once. Using the same methods learned earlier, the volunteers slide the stone into the pit and pull it upright. The crowd is awed by its height. Joia then delivers a powerful speech praising the volunteers and declaring that the Sun God now demands nine more stones next year. The crowd erupts in approval, committing themselves to return. Overwhelmed, Joia faints and is caught by Dee. In the aftermath, Joia navigates tensions with Sary and reflects on her bond with Dee.
The next morning, as Dee prepares to leave, they kiss “gently and tenderly” (482), promising to meet again at the next midsummer.
At Farmplace, news of the stone’s arrival spreads quickly. The Young Dogs return first, claiming they sabotaged the track so thoroughly that success should have been impossible. Their story collapses when Shen arrives and reports the truth: The volunteers repaired the damage, arrived a day late, and were celebrated anyway. Troon reacts with fury, publicly humiliating Narod for his “pathetic” (483) failure to stop the mission.
When Shen adds that Joia intends to bring nine stones next midsummer, Troon panics. He recognizes that a stone Monument will reestablish the herders’ dominance and reduce the farmers to insignificance. Declaring Joia a rival for power over the entire Great Plain, he vows to stop her and begins planning for the year ahead.
At Riverbend, Ani meets Scagga, who presents what he believes is a fatal flaw in Joia’s plan. One stone took five days to move, he argues, so nine stones would require 45 days of labor, keeping herders from their work for half the summer. Ani realizes the concern is serious and immediately goes to warn Joia. Together, Joia and Ani examine the problem beside the newly erected stone. Joia rejects Scagga’s assumption that one team would move stones sequentially. She proposes multiple teams working in parallel, estimating that six teams could move nine stones in 10 days. Though the scale is daunting, Ani agrees it might be acceptable to the elders.
Seft confronts Joia angrily, upset that she announced the plan without consulting him. Joia calmly draws him into practical reasoning, outlining a detailed timetable using staggered teams and rest days. Though skeptical, Seft gradually accepts that the plan may be feasible. They decide the key is winning Keff’s support before the elders meet. Joia appeals to Keff by reframing the issue as one of “enthusiasm” (490) and legacy. If the work drags on for generations, enthusiasm will die. Only a bold plan can sustain commitment.
At the elders’ meeting, Scagga reacts with open hostility and insults, accusing Keff of favoritism toward Ani. When Keff approves Joia’s plan, Scagga storms out, abandoning the council. After, Joia confides to Ani how deeply she misses Dee and admits she is in love. Ani reassures her that Dee’s feelings are real and enduring.
The drought has ended, the herds are growing, and the farmers have enjoyed their first good harvest in years. Joia presides over a thriving Spring Rite at the Monument. Attendance is larger than ever, the priestesses have doubled in number, and the presence of the giant stone has clearly restored confidence and wonder among the people of the Great Plain. Joia introduces refinements to ritual performance, including feathers in the priestesses’ hair and rhythmic rattles to improve coordination.
At the climax of the ceremony, she climbs a ladder leaning against the giant stone, raising her arms to the cheering crowd and publicly renewing her call for volunteers to bring nine more stones at the coming Midsummer Rite. Her authority and popularity are unmistakable; she is now “famous” (496).
In the days that follow, Joia travels to Stony Valley to inspect preparations. The track has settled well over winter, more houses have been built, additional sleds are under construction, and rope supplies are growing. She dines with Seft and Neen; she feels content but keenly aware of Dee’s absence, knowing she is somewhere nearby yet unreachable until midsummer. Joia’s confidence in the project remains strong.
At Farmplace, life appears calmer on the surface. Pia, Yana, Duff, and young Olin work their fields and goats, rebuilding stability after years of trauma. Pia loves Duff, but in a “different way” (498) to how she loved Han. Troon announces that all farmer men must arm themselves with bows and arrows, claiming defensive necessity. Pia and Duff suspect more sinister intentions, especially when Troon bans attendance at the herders’ Midsummer Rite. Duff and other young men plan to defy the ban.
Pia receives a covert warning from Katch, Troon’s woman, who begs her to prevent Duff from joining Joia’s next mission, hinting at an impending “massacre” (502). Alarmed, Pia, Duff, and Yana reason that Troon himself may be planning violence to sabotage the Monument and reassert farmer dominance. Unable to warn Joia directly, Pia attempts to slip out at night to alert Zad and Biddy at Old Oak, but she is intercepted by Troon’s guards, revealing that Farmplace is under surveillance.
The next morning Troon confronts Pia. He methodically exposes her attempted warning. To prevent further interference, he orders Pia, Duff, Yana, and Olin confined inside their house under armed guard until after Midsummer. Threatening Olin’s life to enforce obedience, Troon leaves them imprisoned.
As the plan to bring the stones to the Monument becomes a reality, the narrative changes shape, placing greater emphasis on The Power of Pursuing a Common Task. From a broad historical narrative that covers months and years, the narrative becomes much more intricate. The movement of the stone is a narrative in itself, a mission that not only has an end goal but also a time limit. Joia promises to move the stone in four days and her success is measured by her ability to deliver on this promise. The way hundreds of people come together to assist her in making the mission a success forms an important contrast to the domineering, violent individualism of Troon: While Troon represents a destructive urge to conquer and control for his own self-aggrandizement, the Monument mission represents the power of people working together in a peaceful, productive spirit of community and equality.
At the same time, however, Seft recognizes their actions have significance beyond their immediate situation. While Joia is preoccupied with her ability to deliver on her promises, Seft understands the journey in intellectual terms. For him, the stone is a giant problem to solve. Each setback becomes a learning opportunity, a small puzzle that will be instructive for future missions of the same kind. The creation of the giant, for example, is one such momentary setback that offers an opportunity for innovation. The scaffolding and pulley device that Seft and his team invent will be used again and again; they are building their knowledge in real time, relishing the challenge of the mission. In this way, the common task of retrieving and erecting the stone takes on not only cultural significance for the Great Plain, but ensures technological advancements that could benefit the development of the civilization as a whole.
Joia’s achievement in organizing the rebuilding of the Monument has an unexpected secondary consequence. She becomes a celebrity, earning the respect and adoration of the crowds through her ability to motivate them. Joia does not set out to be a figurehead of a movement; she is focused on the Monument and on helping as many people as she can. It is this selflessness that elevates her to such a position of fame and authority. By the time the stone is set at the Monument, Joia is able to inspire an even greater undertaking. She has become as much of a symbol as the stone itself, creating a situation in which she is a key element of the construction of the Monument.
Joia’s rising fame also introduces another problem. As she is so central to the success of the first mission to bring a stone to the Monument, people expect her to do the same in successive years. For the first time in her life, however, Joia is facing a personal crisis. She falls in love for the first time. For many years, no one inspired any sort of romantic feeling in her, leaving Joia free to focus on the priestesses and the rebuilding of the Monument. Faced with the prospect of being with Dee, however, Joia begins to wonder whether there could be a way of creating space for romance in her life as well, foreshadowing the beginning of their relationship in the final chapters and adding a new, more vulnerable dimension to Joia’s character arc.



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