72 pages • 2-hour read
Ken FollettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death, graphic violence, and sexual content.
The Monument, the novel’s name for the structure that will eventually become known as Stonehenge, is the most significant symbol in Circle of Days, embodying The Power of Pursuing a Common Task. The Monument passes through several phases, beginning as a wooden structure that is then burned down and replaced by a more enduring stone structure.
As well as an impressive physical undertaking, the Monument itself is a symbol of neolithic knowledge. Since the people of the Great Plain lack a formal writing system, the Monument becomes a testimony to their intellect, talent, and belief system, providing a means of tracking the days, months, and years in a complex and nuanced manner. The Monument is thus both a spiritual and a secular symbol, a demonstration of how the people of the era blend both the spiritual and secular together as a single expression of knowledge.
The finished Monument is a reflection of Joia’s ability to rally her people, of Seft’s ability to solve problems, and of the community’s willingness to work together on a task, forming an important contrast to the violent, competitive, and hierarchical order Troon has tried to impose. The collective effort of the people of the Great Plain is evident in the finished Monument, which is why it attracts attention from far and wide. People travel from across the sea and from unknown places just to witness the achievement of the people of the Great Plain. This is a tacit illustration of the symbolic significance of the Monument, a demonstration of how it has become a symbolic tribute to the vast potential of humanity to achieve the impossible when they work together.
The regular Rites that take place near the Monument are often accompanied by a ritual known as the Revel, which becomes a motif reflecting the importance of cross-cultural exchange and peaceful co-existence. The attendees partner up and have sex with one another to prevent inbreeding. Early in the novel, the narrative notes the extent to which the herders are aware of the need to diversify bloodlines among their stock. This need for diversity among cattle is reflected in the need for diversity among the bloodlines of the small community, so that people from farmer, herder, and even woodlander communities interbreed. While the Neolithic people may lack an understanding of genetics on a scientific level, the awareness of the need to avoid inbreeding shows that they are not ignorant.
While the Revel has a ritual side and a practical side, there is also an element of pure pleasure for those involved. For the youngsters, the Revel is often the first chance to express sexuality and explore sexual identity. At the same time, many people look forward to it simply because it is enjoyable. The opportunistic Revels that take place during the mission to bring the stone to the Monument shows how the people use the Revel as an immediate and opportunistic expression of physical pleasure. They are all together, so they indulge their desires.
At the same time, these improvised Revels also show how ritual and routine can develop organically. Joia is trying to turn the missions into a regular event. She wants to ensure that people return each year to bring more stones. She is happy to see the participants embark on an opportunistic Revel as she hopes that this will become part of a pleasurable routine. These unplanned Revels represent the way in which cross-culture exchange can be nurtured and encouraged as a practical response to environmental and communal needs.
The Break symbolizes The Formation of Competing Cultures. At the beginning of the novel, the Break is a geographic feature that represents the co-existence between farmers and herders. While the two communities differ greatly in their attitude to work (and to each other), the Break—a natural corridor between farmland and forests that allows the herders’ cattle to reach the river—is a physical demonstration of how these communities live alongside one another. The Break has always been there, representing the time that the communities have lived alongside one another in (relative) harmony.
The enduring nature of the Break also adds significance to Troon’s first major transgression. While the farmer women are visiting the Monument, he plows up the Break and disrupts the status quo. He destroys the symbol of co-existence, a metaphorical precursor to the destructive influence that he will have on the peaceful lives of the people of the Great Plain. Troon cares only about the farmers; he seizes land unilaterally and breaks a long- held accord between the communities for his own gain.
Without the Break, the herders’ cattle cannot access the river as they once did. This causes a stampede, resulting in the destruction of crops and nearly causing a fight between farmers and herders. Troon refuses to accept responsibility for this, yet the need for a solution is evident. Rather than go to war with Troon, the herders attempt to make a new Break. This new Break is a symbol of the herders’ preference for compromise over conflict. They negotiate with the woodlanders and make a plan, only for the impatient Scagga to burn down the entire West Wood with tragic consequences for the woodlanders who live there. Troon, meanwhile, seizes on the opportunity and plows up the burned wood, adding more land to the farmers’ domain. The failure of the new Break thus speaks to the fragility and difficulty of trying to reestablish co-existence and trust once they are broken.



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