Circle of Days

Ken Follett

72 pages 2-hour read

Ken Follett

Circle of Days

Fiction | Novel | Adult | Published in 2025

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Themes

Content Warning: This section of the guide includes discussion of death, graphic violence, and physical abuse.

The Power of Pursuing a Common Task

Circle of Days is structured around the building and rebuilding of the monument that would eventually become known as Stonehenge. For the Neolithic people of the Great Plain, the erection of this Monument—particularly when it is rebuilt in stone—is a colossal undertaking that requires hundreds of volunteers to complete, revealing the power of pursuing a common task.  


To survive in prehistory, the novel suggests, is an admirable accomplishment in its own right. This is particularly true during the drought that affects the characters for several years. During this time, social projects such as the Monument are deemed secondary to simply surviving. Nevertheless, to live through such a drought becomes a demonstration in collective organization: The dragging of many buckets of water from the river to the fields, for example, is a collective undertaking that mirrors the transporting of the stone from the quarry to the Monument. 


The rebuilding of the Monument is the most prominent project in the novel, and the one that draws the greatest number of people together. Joia actively frames the rebuilding of the Monument in stone as a great task that will bring together a community that has been rocked by tragedy. Following the burning of West Wood, the massacre of the woodlanders, and the revenge attack on the Rite, Joia senses that the community is being ripped apart. With Troon rising in power, his violent and domineering vision threatens society. Joia wishes to institute a different idea of how to live together. The moving of the stones from the quarry to the Monument is not only an opportunity to win the favor of the gods, it is also a chance to embark on a collective effort to achieve a grand goal. Thus, the rebuilding of the Monument in stone has a communal aspect. By driving the people so hard and by undertaking such an ambitious project, Joia is showing the people of the Great Plain the strength that they have when they work peacefully together. Her ambition is a positive inversion of Troon’s dark, hierarchical view of society with only himself at the head. 


To this end, every person who castigates Joia or doubts the viability of her project only adds to the unifying quality of the project when it is completed. When Joia has built the monument in stone, she has achieved the impossible. She has given the world a demonstration of the power of community, uniting people through the pursuit of a common task.

The Cyclical Nature of Violence

The novel takes place over several decades. During this time, violence echoes across generations, with those experiencing violence firsthand often feeling motivated to inflict violence on others. In this way, the novel explores the cyclical nature of violence and its devastating impacts.  


To Bez, cycles of violence are a natural framing of morality. Revenge and punishment are the only suitable responses to violence. Bez is not alone: Scagga, Ani suggests, joined the herders when his family were forced to flee a war in their homeland. This childhood experience of violence imbued Scagga with a fear of vulnerability. He fears that he will be the victim of violence again, so he becomes the loudest advocate for violence among the herders. Ani recognizes Scagga’s propensity for violence, and she decides that her role is to provide a more peaceful balance in the herder community. She preaches peace and diplomacy, hoping to bring a halt to the cycles of violence in spite of Scagga’s desire to fight. 


If Bez and Scagga’s attitude toward violence is reactive, Troon is often the willing and unprovoked aggressor. He believes in violence as a fundamental way of being, thinking that the strongest are—through their monopoly on violence—entitled to rule over the weak. Troon’s rule over the farmers is a demonstration of the way in which cycles of violence dominate the lives of those involved. As a violent man, Troon raises a violent son. When Sham is forced into Yana’s household, she welcomes him into her house with a threat of violence. When Pia runs away with Han, Sham uses violent murder to bring her back. He threatens her baby with more violence in order to keep her in line. 


In contrast to the characters who seem trapped by violence, Seft dedicates his life to escaping violence. His cruel father and brothers traumatized him during childhood, but Seft swears that he will not do the same to his children. Instead, he lives his life in a way that frees his children from the cycle that threatened to trap him. Seft is not immune to violence: He hurts his brother and fights against Troon, but he is against violence as a first, instinctive response, using it only in moments of the utmost necessity for self-defense. 


As Seft discovers, escaping such cycles of violence proves very difficult. His father and Troon both die, but his brothers continue to return. Only when they have robbed his family one final time does Neen force Seft to forsake them. Seft agrees to cut them out of his life, understanding that they will never be able to break free from their father’s violence as he has done. While Seft achieves freedom from violence, his brothers cannot do the same.

The Formation of Competing Cultures

A key aspect of Circle of Days is the depiction of the formation of competing cultures across the Great Plain. While the people of the Great Plain live in the same geographic space, there is a vast difference between the cultures of the farmers, the herders, and the woodlanders, which sometimes brings them opportunities for cooperation, and at other times sets them against one another. 


Even smaller communities such as the miners have their own traditions and beliefs that are not shared by the entire community. They have their own private expertise of how to locate and dig a mine. When the mine is finished, they have rituals and prayers to offer thanks to the gods. Then, they take their flints to the gatherings, showing how this smaller community fits into the larger economic matrix of interlocking, co-existing communities of the Great Plain. The priestesses performs a social function. While they depend on the benevolence of others to donate food to them, the priestesses serve as a repository of knowledge for the people of the Great Plain, offering them not only spiritual guidance but an understanding of the calendar. The miners, the priestesses, and the larger communities all co-exist on the Great Plain, finding their own respective roles to play in the broader communal effort of existence.


The emergence of Troon as the Big Man of the farmers creates a situation in which the differences between the farmers and other cultures are almost too stark to co-exist. While the previous status quo relied on co-existence and community, Troon institutes on a fundamentally more selfish view of the world. For Troon, existence is a zero-sum game. His first significant act is to plow the Break, making farmland out of a stretch of ground that was reserved as a symbol of the co-existence between herders and farmers. Troon takes the land for himself and his people, meaning that the herders and their cattle no longer have easy access to the river. Troon does not care about the herders; he feels that he is competing against them, so anything that diminishes herders and helps farmers is good for him. Troon’s emergence and the threat of the drought combine to turn existence on the Great Plain into a competition between communities.


While Troon’s war is a stark illustration of the human cost of competition over cooperation, the plight of the woodlanders shows the human tragedy of Troon’s actions. The woodlanders are the most distinctive group on the Great Plain. They have their own language, meaning that—save those who are bilingual—their culture is somewhat alien to the other inhabitants of the Great Plain. They also live much more precarious lives, relying on sustenance and foraging rather than the raising of cattle or the growing of crops. In certain ways, the woodlanders are a throwback to an earlier stage in Neolithic civilization, one which the herders and farmers believe that they have outgrown. Amid Troon’s mounting violence and the accidental burning of the West Wood, the woodlanders are effectively punished for their way of life. Troon quickly plows their own territory into more fields, then kills their elderly and young ones when the woodlanders try to steal to support themselves. 


The tragedy of the woodlanders is that they do not survive long enough to witness the rebuilding of the Monument and the return to coexistence. Instead, their fate is to become a cautionary tale on the dangers of competition between cultures.

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