59 pages 1-hour read

First-Time Caller

Fiction | Novel | Adult | Published in 2025

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Chapters 18-24Chapter Summaries & Analyses

Chapter 18 Summary: “Lucie”

Content Warning: This section of the guide includes discussion of sexual content, substance use, gender discrimination, illness, and sexual harassment.


Lucie wakes up disoriented and hungover and soon realizes she is on her couch with Aiden nestled against her. Aiden explains that Lucie asked him to spend the night. She is mortified but soon distracted by glimpses of his muscles and his necklace. She asks Aiden what happened between them, and Aiden tells her they did not kiss before quipping that it is “good to know [she’s] been thinking about it” (214). Lucie tells him not to flirt with her, but Aiden patiently explains that his entire relationship with her has been flirtatious. They reluctantly agree that they should try to be more professional, as Aiden cannot be the partner Lucie is looking for.


Grayson interrupts the charged interaction, bringing Maya with him and immediately assuming that Aiden and Lucie slept together—something that clearly delights him. Aiden calmly greets Grayson and Maya, who he notices is dressed as Indiana Jones. Lucie notes that Maya “beams” in response, causing “[her] heart [to do] something funny in [her] chest (217). Maya assumes Aiden is Lucie’s date from the previous night, but Grayson corrects her. Maya then asks why Aiden is there so early, and Lucie asks him to stay for breakfast while she explains. Maya then suggests that Aiden should choose Lucie’s next date, clearly disconcerting him. He is even more uncomfortable when Lucie suggests leaving the show. Aiden insists, with some belligerence, that he will find a man for her to date.


After Grayson and Maya leave for their cosplay event. Lucie is embarrassed as she remembers more of the night before. She apologizes to Aiden for getting overly physical at the bar. Aiden flirtatiously assures her that her strength is attractive and only leaves reluctantly.


On air, Lucie and Aiden mutually admit that they had an unexpectedly entertaining weekend.

Chapter 19 Summary: “Aiden”

Aiden is out of sorts as he confronts the reality that he cannot date Lucie himself. While Lucie is there to record with him, he demands to see the station cell phone. Lucie refuses, insisting she no longer uses it. Aiden is suspicious and wrestles it away from her. He is furious to discover that some messages are hostile. When Maggie intervenes, irate at the delay in the broadcast, Aiden demands that she look at the messages. Aiden realizes the whole problem relates to sexism, remarking, “I’ve said plenty of inflammatory things live on air and no one has threatened to shut my mouth for me” (232). Maggie promises to address the issue and apologizes to Lucie.


Lucie hands Aiden chocolate mints from her candy stash, aware he is still angry. She explains that sexism is a common problem in her life and has Aiden resume the broadcast, but he remains morose. He imagines that Lucie will soon leave, returning his professional life to its formerly depressing state. Lucie takes a call when Aiden is distracted, as he does his best to assure her all is well—though he privately exempts “the feelings [he’s] not supposed to be feeling and the dreams [he’s] not supposed to be dreaming” (234). A man named Oliver calls and makes Lucie laugh. Lucie teasingly points out that Aiden is not particularly good at comedy. Aiden resolves to set up a date between them.


During the broadcast, Aiden unsuccessfully attempts to tell Lucie a knock-knock joke.

Chapter 20 Summary: “Lucie”

Lucie talks to Patty on the phone while searching for parking, preparing for her date but thinking of Aiden. Lucie arrives at the restaurant and is unexpectedly stunned by Oliver’s good looks. They make pleasant conversation, and Lucie starts to relax. However, she remains preoccupied with thoughts of Aiden, who is doing the radio show without her.


Lucie eventually realizes she has been ignoring a question that Oliver asked. He gently points out that she clearly has feelings for someone else, and when she tries to deny it, he points out how frequently she has mentioned Aiden. Oliver tells her not to be embarrassed, as their evening has proven to him that he, too, is in love with someone else. He patiently explains that the entire city has noticed her rapport with Aiden, and Lucie realizes that Maggie and the others also know. Oliver assures her Aiden is just as drawn to her, pointing out his obvious jealousy about their date. Oliver tells Lucie that she is charming and brilliant and that he hoped knowing her would prove to him he could find romance without confessing his feelings for his brother’s former girlfriend. Lucie thanks Oliver for their unconventional evening.


During the broadcast, Jackson urges Aiden to sound more optimistic as he discusses Lucie’s date.

Chapter 21 Summary: “Aiden”

Aiden stands in the station parking lot, attempting to avoid Lucie and all his emotions about her. Maggie comes to find him and suggests he go inside to start the show. In the booth, Aiden’s phone buzzes, and Lucie, clearly jealous, assumes it is someone he’s dating. Aiden confesses to being similarly upset about Lucie’s date and shows her that his texts are from his parents, documenting their vacation for him. Aiden explains that his parents are celebrating his mother’s most recent remission and then changes the subject to Lucie’s now obvious interest in him, telling her, “[I]t was cute […] when you were jealous” (256).


On the air, Lucie tells a disappointed caller that she and Oliver will be platonic friends. She declares that she will no longer go on dates that other people arrange or discuss these dates on the broadcast. Lucie surprises Aiden when she mentions that she did have a recent date by chance, mentioning their evening together without using his name. Lucie suggests that maybe the man from that night was not interested, but Aiden disagrees. He privately wishes for the courage he had then, remembering how open and hopeful he felt. As they end the broadcast, Aiden realizes he may be in love.


In the empty booth, Lucie asks Aiden if they should discuss the obvious connection they share. Aiden suggests he cannot be the lasting love she is looking for, so pursuing their attraction is unwise. Lucie tells him she wants to kiss him. Aiden reiterates that he is wrong for her, but Lucie tells him, “[T]rust me to decide for myself” (263). Aiden gives in and kisses her.


In a transcript of a conversation with a listener, Lucie and Aiden discuss the nature of attraction, especially the power of eye contact.

Chapter 22 Summary: “Lucie”

Lucie and Aiden kiss passionately, and he insistently moves her into his lap before saying that they should not pursue things further. Lucie reluctantly agrees, privately resolving, “I won’t beg him to want me” (271). Aiden walks her to her car and admits that he is at a loss for what to say. Lucie gently tells him to have a good evening.


Lucie arrives home to see Mateo on her couch. He says Maya wanted to sleep at her house but also assures her, “[Y]ou’ve met all her needs with unfailing precision of the last twelve years. Now it’s time to do something for you” (274) Lucie goes to tuck Maya in, and her daughter wakes, full of questions about the show. She assures Lucie that Aiden is interested in her and mentions that the internet is full of speculation about the two of them.


After Maya goes back to sleep, Lucie worries Aiden is only interested in her as a ratings ploy. She texts Aiden to ask if he knows about the internet rumors. Aiden tells her to be direct, so she asks if he had any particular motive to kiss her. He calls and tells her not to worry about the rumors—listeners were once similarly invested in the idea of him dating Jackson. He finally assures her, “[T]hat [the kiss] was for me and you, no one else’” (280). Aiden admits that he should have told her in the parking lot that he has growing feelings for her. Aiden asks what she is wearing, and Lucie answers, but she is uncomfortably aware that phone sex with Aiden would cross another boundary.


In online comments, listeners speculate about why the show might have been off schedule, not knowing that Aiden and Lucie were talking and beginning to pursue one another before and after the broadcast.

Chapter 23 Summary: “Aiden”

Aiden struggles to focus on work after kissing Lucie. Maggie comes to find him and suggests they find an ending arc for Lucie’s time on the show since Lucie is ready to date on her own. Maggie tells him that her main goal for the project was to get the public to enjoy Aiden’s work again, so she is satisfied with the improved ratings. Aiden agrees to formulate a plan.


Lucie arrives early, and she and Aiden make intense eye contact, caught up in their chemistry. Aiden, overcome with emotion, hurries Lucie toward the supply closet, intending to talk to her privately about Maggie’s plans. Instead, Aiden ends up telling her he wants to kiss her again. Lucie tells him she is ready to take what she wants in life and that she does not expect romance from Aiden. Instead, she posits that they could simply be “[t]wo people having fun” (291). They passionately kiss.


Between kisses, Aiden and Lucie discuss their phone call and their mutual sexual fantasies. Aiden urges her to bring herself to orgasm against his leg. Afterward, Aiden reminds Lucie that they have a show to do but assures her that he is still interested in seeing her again.


During the broadcast, Lucie alludes to seeing her mystery man from the Skee-Ball outing. Aiden admits he has been distracted.

Chapter 24 Summary: “Lucie”

At work, Lucie texts Aiden and prepares for another meeting with the customer she has dubbed “Chevy Guy,” the handsome man who asked her to work on his classic truck. As they discuss the repairs, the man tells Lucie he seems to know her from somewhere, specifically referencing her voice. Afterward, another waiting customer tells Lucie that the man was obviously interested in her. When she demurs, the woman tells her that it makes sense that Maya needed to intervene to teach Lucie how to date.


Lucie’s conversation is interrupted as she and her coworkers draw straws—actually spaghetti noodles—to determine who will go pick up a customer and tow their car. Lucie loses the draw but is suddenly in a much better mood when she sees that Aiden is the customer.


Instead of a transcript, there is a radio announcement that the local symphony is airing instead of Heartstrings.

Chapters 18-24 Analysis

In the aftermath of their inadvertent date, Lucie and Aiden’s relationship becomes more emotional and intense. In keeping with the work’s generally lighthearted tone, Borison quickly balances the emotional stakes with humor as Aiden teasingly assures Lucie that they did not have sex. Grayson’s impromptu arrival with Maya, coupled with his assumption about the couple’s activities, adds to the overall levity. At the same time, Aiden’s ease with Maya and instant ability to recognize her Indiana Jones costume reveal that even humorous moments can have emotional depth: Lucie is charmed by Aiden’s rapport with her daughter, which indirectly proves that he accepts her life and circumstances, in contrast to the prior date who mocked her life as a single parent. Aiden’s ease with Lucie’s chosen family telegraphs that while he insists he does not share her belief in romance, he does intuitively understand the kinds of love and support she values and draws strength from.


Aiden’s insight into Lucie is further evidenced by the fact that, despite his obvious jealousy, he is the only person in the novel to pick a date for Lucie that goes well. Oliver is kind and respectful, and elements of their evening have the makings of romance, including Lucie’s escape from the pouring rain into an elegant restaurant where a charming man pulls a chair out for her. These familiar narrative beats combine with characterization that suggests compatibility: Oliver’s easy assurance that Lucie has won over an entire city and charmed him directly addresses some of her worst fears and anxieties about herself, highlighting the theme of Love as a Source of Security and Basis for Transformation in a way that further solidifies Oliver as a potential partner. Nevertheless, the ultimate significance of the date lies in its effect on Lucie’s character development. Her conversation with Oliver reveals how much she has let fear of judgment prevent her from seeking what she truly deserves, much as Aiden lets fear of intimacy hold him back from exploring his own emotions. Through the common romantic comedy element of a date with an outsider, both Lucie and Oliver ultimately recognize that they are main characters in different love stories rather than destined to be together.


Lucie also grows increasingly forthright about her values, desires, and hopes. She assures Aiden that she does not need him to protect her from their sexist listeners, reminding him that she has a long history of managing gender bias in her professional life. She later encourages Aiden to acknowledge their shared attraction and asks him to kiss her, assuring him that she wants to pursue their connection and understands his emotional limits. She takes control of her own dating life, letting go of the security afforded by the cloistered radio station environment, and admits her fear that Aiden may have kissed her for the show’s ratings. That facing her feelings for Aiden makes Lucie even more forthright establishes that loving him has brought her a new kind of security that complements her relationships with Grayson, Mateo, and Patty.


Meanwhile, Mateo’s gentle assurance that Lucie deserves happiness and that Maya will adjust to her new independence adds another dimension to Borison’s emphasis on Parenthood as Both Challenge and Reward. Mateo, like Grayson, reminds Lucie that Maya’s love for her does not require endless self-sacrifice and can include modeling the value of taking risks for personal growth. Although the novel recognizes the real struggles that come with parenthood, it thus suggests that some of those struggles are self-imposed—born of a selfless love that can cause individuals to sacrifice more than is really necessary or healthy.


While Lucie becomes increasingly comfortable with articulating her needs, Aiden remains more hesitant. He does not tell Lucie that Maggie is planning her exit from the show or acknowledge his jealousy of Oliver until Lucie expresses similar feelings about his barrage of text messages. He reluctantly explains his choice not to join his parents in Acadia, refusing to face his vulnerability. His insistence that he cannot be what Lucie is looking for and his fears of hurting her testify not only to his integrity but also to his self-protective instincts. Aiden resists the transformative power of relationships, even as his feelings for Lucie intensify, demonstrating his ongoing struggles with Fear and Cynicism as Obstacles to Growth: Aiden feels unworthy of Lucie and sees himself as too damaged to love her, even as he is obviously falling in love with her and acutely aware of their sexual chemistry.


That the couple’s early romantic encounters occur in the radio station highlights the setting’s importance to them both. At the same time, their encounters are furtive and secretive, in line with Aiden’s hesitations. Their chance encounter in the tow truck shifts the setting once more (this time to Lucie’s “natural” environment, underscoring the evolving power dynamics in the relationship), while adding to the sense that Lucie and Aiden are in some way destined to find each other. The tow truck is also another use of chance encounters and forced proximity, telegraphing that the novel’s final act is likely to force Aiden to address the real sources of his cynicism and the depth of his feelings for Lucie.

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