59 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of illness.
Sound and voices, and their emotional impact, are a motif that is integral to both the novel’s plot and its emotional arc. Aiden and Lucie initially connect over the phone, and she immediately notices his compelling voice, insisting, “[T]hat voice might work on whatever unsuspecting, innocent soul he’s trying to lure into his essential oil empire” (19). During the same call, Aiden compares Lucie’s voice to “honey in a mug of hot tea” (24), a metaphor that emphasizes his comfort with her and the soothing relief of finally being on a call that appeals to him. Even before they meet, Lucie and Aiden are thus drawn to one another through sound alone. Later, when Aiden realizes that Lucie is the same woman he awkwardly flirted with in the lobby, he tells himself, “I know where I’ve heard that laugh before” (84), as he finally connects Lucie’s voice from the call to the person in front of him. This recognition, coupled with the pair’s attraction to one another’s voices, underscores their potential for a deeper connection that is not based simply on appearances.
As the two come to know each other through the radio show, sound continues to play a role in their unfolding relationship. During her first time in the radio booth, Aiden has to teach Lucie how to use the sound equipment. This encapsulates the early stages of their relationship, when Lucie is unfamiliar with Aiden and they are still learning how to work together. After her disastrous first date, Lucie listens to Aiden do the show without her, imagining his voice “curling around [her] ankle where his hand was just a few minutes ago” (177-78). Here, Lucie finds comfort and peace from Aiden’s voice, building on the theme of Love as a Source of Security and Basis for Transformation. As their work goes on, Lucie finds her confidence on air. The interstitial transcripts, often from the show itself, demonstrate that their dialogue and banter are key to their love story and Lucie’s strengthened sense of self. In the final act, Aiden calls in to the radio station to confess his love, and Lucie notices when his voice “wobbles” as he refers to hopes for the future, musing, “hope has always been hard for Aiden (410). Through his tone and choice of medium, Aiden shows Lucie that he has found the same safety and joy in her that she has in him, securing their reconciliation.
Lucie enters the novel hearing Maya’s voice behind her closed door, concerned not only that her daughter is on the phone with a man but that she is taking pains to hide it. Lucie enters in a fury, realizing, “I am officially more terrifying than the ghost in the linen closet” (14). While Lucie has cause for concern, the episode also functions symbolically, with the closed room suggesting the innermost recesses of an individual’s thoughts and feelings—things Lucie associates with danger, hinting at her fear of rejection. That entering the room results in Lucie’s discovery that Maya is concerned about her mother’s romantic life—and introduces Lucie to Aiden—in turn suggests the rewards of openness.
The transformation of the recording booth offers the clearest example of not only Lucie’s shift to vulnerability but also Aiden’s. Initially, the sound booth symbolizes Aiden’s isolation and distance from others, building on the theme of Fear and Cynicism as Obstacles to Growth. Aiden uses the space as a retreat from the world, as he recalls during his awkward first exchange with Lucie, when he calls the booth a “sanctuary […] in the form of soundproof glass” (52). In keeping with both her own insecurities and her recognition of Aiden’s boundaries, Lucie is at first reluctant to enter the space, only doing so when he holds up a sign summoning her inside for their first real conversation. However, the booth gradually shifts to a refuge for both Aiden and Lucie as the two grow closer. When they have sex for the first time, Aiden tells Lucie, “I still went back into that booth wanting you. I can’t stop” (341). By this point, the radio has become their private retreat, the world where they build their love story. It is also telling that Aiden refuses to stay in the booth when he is concerned about Lucie after her first date, signaling his shift toward broader engagement with others. Finally, when they reconcile, Lucie takes over the show, underscoring that Aiden has fully accepted her importance in his life.
The motif of food principally develops the theme of Love as a Source of Security and Basis for Transformation. As the novel opens, Aiden and Jackson have breakfast together at Patty’s café, Skullduggery. Jackson is surly, as Aiden’s hatred of mornings means the bakery is out of cruffins—a small indicator that their relationship, while friendly, is strained by Aiden’s turn toward cynicism. Later, Aiden and Jackson spar over Berger cookies, a Baltimore delicacy, and Aiden fights jealousy when Jackson shares one with Lucie. Meanwhile, Lucie has companionable dinners with her family, relishing the weekly tradition and reflecting, “[M]y loneliness feels further away” (104). The contrast between the two characters’ relationships with food—and the company that often comes with it—therefore underscores that while both characters have a support network available to them, only Lucy fully recognizes and capitalizes on this.
Food continues to facilitate connection over the rest of the novel. On her failed second date, Lucie visits a fancy restaurant and discovers that her date is not arriving. She orders soup and crackers and is touched when the young waiter pays for her drinks and meal, as he tells her that her advice on love gave him the courage to leave a bad relationship. That same night, Aiden and Lucie share drinks and fries together, discussing Aiden’s personal history and Lucie’s desire to pursue more freedom and impulsivity when she is not parenting. The next day, Aiden stays for breakfast with Lucie, Maya, and Grayson. Lucie watches Aiden hand Maya toast without her asking and feels “something pluck[], once, directly beneath [her] rib cage” (220), implying that Aiden’s ability to fit in with her family, especially her daughter, contributes to her growing love for him. Aiden himself later uses food to reconcile with Jackson, promising him a cruffin from Skullduggery in exchange for help bringing Lucie back to the station. In the Epilogue, Lucie, Aiden, and Maya have breakfast at the café together, establishing that Aiden now recognizes its importance in Lucie’s life as well as his own.
Aiden wears a necklace on a chain for the entire novel and makes frequent references to the fact that he never removes it. However, he reveals its significance only late in the text, finally explaining to Lucie that he has had it since his teenage years and relies on it to keep his mother healthy. More than simply embodying this wish, the necklace thus symbolizes Aiden’s vulnerability, including his conflicted (but loving) relationship with his parents and his hidden penchant for faith. Lucie’s response underscores the moment’s significance, as she realizes, “I’ve peeled off one corner of the paper Aiden keeps himself wrapped in” (327). She now understands how much he loves his family, even as he denies being able to love her or pursue a relationship. This deepens her empathy for him but also gives her the confidence to urge him to stop hiding his heart from the world, as when she asks him to love her without hiding it.
Lucie herself also becomes a kind of talisman for Aiden as he notices the signs of her presence in the sound booth and struggles to imagine her absence from it. Lucie eats chocolate mints in the sound booth and throws them as paper planes, one of which “digs into the center of [Aiden’s] chest” (260), akin to Cupid’s arrow striking Aiden. Later, he finds a plane while on the phone with his father; he flattens it and then refashions it, “follow[ing] the folds until it’s whole again” (389). Aiden’s desire to remain symbolically connected to Lucie is a sign that they will reconcile.



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