54 pages • 1-hour read
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Content Warning: This section of the guide includes themes of sex, child sexual abuse, child abuse, and emotional abuse.
Waldo is the main character and first-person narrator of the novel. At the novel’s start, she is 17 years old and living in Anchorage, Alaska, with her unnamed single mother in a squalid apartment. Although on the verge of graduating from high school and on the cusp of adulthood, Waldo doesn’t have a typical adolescent excitement for the future. Instead, she does her best to get through the days—prioritizing upkeep for her apartment, covering her own living expenses, working a minimum-wage job at Victoria’s Secret, and binge-watching YouTube videos and eating junk food over applying for college and visualizing her life beyond Anchorage.
Waldo’s pronounced isolation makes her coming-of-age more challenging than that of her peers. This is particularly true because Waldo doesn’t have a healthy home and family life, has few friends, and little encouragement or guidance. When she meets her charming and seemingly painfully authentic creative writing teacher, Mr. Teddy Korgy, she is determined she is “gonna be with him” (13) no matter what. Korgy endears himself to Waldo by showing interest in her writing, stopping into her place of work, inviting her to dinner, and taking her on walks where he opens up about his past and offers to introduce her to new culture. He is the first adult to ever show a vested interest in Waldo as a person. She trusts him because he is her teacher, has life experience, and seems to value Waldo’s talent and appreciate her difficult circumstances without pitying her.
Waldo is a round, dynamic character who changes as a result of her experiences—particularly her relationship with Korgy. In the novel’s early narrative sequences, Waldo is self-deprecating, ornery, and self-isolating. She has big emotions, but she is too afraid to accept or confront them. Instead, she tries numbing her pain and disappointment with empty calories, fast fashion, and an endless string of random YouTube videos or reality television. When she starts seeing Korgy, she thinks she’s found the newest fix to her problems. She uses sex—instead of food, television, and shopping—as an escape. Over time, however, this unbalanced relationship teaches Waldo that she wants more from life, from people, and from herself.
Waldo frees herself from her debilitating circumstances by the novel’s end. Although disappointed by Korgy and her mother, Waldo realizes that she needs to stop internalizing others’ mistakes as a reflection of her own lacking self-worth. She starts to let go of her imagined versions of others, “and in the letting go of that version, letting go, too, of all the resentments that came from them not being that version” (272). Instead, she prioritizes herself. Her decisions not to accompany Korgy to Hawaii and not to get upset with her mother for getting back with Tony mobilize her ultimate self-liberation: She leaves for Seward on her own, freeing herself from her past and heading toward her independent future.
Teddy Korgy is one of the novel’s primary characters. Waldo sometimes refers to him as “Mr. Korgy,” but most often as “Korgy,” with her habit of not using his first name reflecting the imbalance in their power dynamic. He is her high school creative writing teacher.
Although he is decades older than her, Waldo’s “attraction to Mr. Korgy is instant. So sudden it’s alarming. So palpable it’s confusing. It’s not that he’s patently unattractive. […] But his looks have faded. Atrophied. Withered with the gross decay of glaring middle-aged-ness” (12); and yet this fact intrigues rather than repels Waldo. Korgy’s overt signs of aging align with his ability “to be honest about his regrets, his status, his shortcomings” (12). Waldo is moved by his seeming authenticity and immediately perceives him as an outlier in her string of unsatisfying romantic relationships with her male peers. She decides that she is going to pursue a relationship with him, no matter the odds against her, because she wants something different than what she has; she identifies Waldo as the thus-far unnameable “thing” she has been craving.
Korgy is the novel’s antagonist. However, he does not play the part of a classically maniacal villain. Instead, he presents as charming, handsome, well-meaning, and thoughtful. Even when Waldo shows interest in Korgy, he is careful to let her know that being together isn’t right because he’s her teacher, she’s a teenager, and he’s married with a child. His words make him appear upstanding and honorable, as he is setting a necessary boundary with an innocent, naive Waldo. At the same time, Korgy’s responses to, and interactions with, Waldo are all a part of his grooming process: He is presenting himself as a trustworthy man of integrity so that Waldo perceives him as nonthreatening and so she won’t report him. Over time, however, his behaviors become increasingly inappropriate, abusive, and exploitative of Waldo’s youth and economic vulnerabilities.
Korgy never faces any consequences for his behavior toward Waldo. He is never found out for their relationship, and Waldo never reports him for his abuse. Korgy will often tell Waldo that he feels guilty for hurting her, that she deserves better than him, or that their relationship is wrong, but these half-baked apologies do not lead to any behavioral changes. Instead, they make Waldo feel guilty for supposedly confusing, upsetting, or manipulating Korgy. Even after these apologies, Korgy continues to take advantage of Waldo as it suits him. He does not attend to what she wants or needs and never takes true accountability for harming her emotionally or psychologically. He plays the part of a typical male sexual predator, who evades responsibility by hiding behind his sex, status, and social positioning.
Waldo’s mother is a secondary character. She remains unnamed throughout the novel; Waldo most often refers to her as “Mom.” Her character is primarily defined through her absences. Although she and Waldo share an apartment, she is rarely at home. Instead, she spends her time working at the local grocery store—or whatever minimum-wage job she can hold down at the time—and spending time with her boyfriends. Whenever Waldo returns home from school or work, she finds a sticky note from her mother on the fridge. These notes are meant as evidence that her mother is thinking about her—or at least hasn’t forgotten her—but rather augment Waldo’s feelings of abandonment and loneliness.
Throughout the majority of the novel, Waldo’s mother is dating a man named Tony; he is the most recent boyfriend whom she has identified as her soulmate. Waldo does comment upon their relationship (although she only sees Tony in person two times), but she never tells her mother to end the relationship despite its overt deficiencies. Waldo’s decision not to intervene results from her mother’s extensive history of bad romantic relationships. At 34 years old, she still “hasn’t aged out of her habit of falling in love with unavailable men. She creates and nurses a fantasy in her mind of what the guy could be, what the two of them could be together, instead of living in the reality of what he is, what they are” (36). All of these relationships inevitably end in heartbreak, but her mother is always “blindsided and sent into such a spiral that she can’t get out of bed for weeks” (36). Her depression ultimately leads to job loss, which in turn leads to more emotional and financial responsibility for Waldo.
Waldo’s mother’s inability to take responsibility for herself leads to Waldo’s parentification—a psychological phenomenon where the child assumes a more parental role for their parent. Waldo not only takes charge of housework and utility bills but assumes the role of her mother’s emotional caretaker. She is left with no one to attend to her physical, emotional, or mental needs. Waldo asks nothing of her mother, but is perpetually disappointed by her. She tries to stave off this disappointment and hurt with online shopping sprees or meaningless sex, but is left dissatisfied every time. Her mother’s relationship patterns and parental failures directly correlate to Waldo’s intense longing and loneliness.
Near the end of the novel, Waldo wants to believe that her mother is changing: She starts spending more time at home after joining a sex-and-love-anonymous group and swearing off men. Nevertheless, she soon ends up back with Tony. Instead of getting angry with her mother, Waldo remains silent; she realizes she cannot make her mother change, but she can change things for herself.
Frannie is a secondary character. She is Waldo’s only friend. Although the two were once inseparable, in the narrative present, Waldo has distanced herself from Frannie. She used to think that she and Frannie were alike, and that they needed each other because both of them were outcasts. However, after she attends Frannie’s Mormon church with her one week, she believes that Frannie has only befriended her to store up proverbial treasures in heaven. Uninterested in being anyone’s charity case, Waldo becomes wary of sharing her true thoughts, feelings, and experiences with Frannie.
This distance in their friendship only intensifies Waldo’s alienation. At times, she will reach out to Frannie when she is feeling especially isolated, but she almost always regrets showing her friend vulnerability. Frannie’s pitying regard for Waldo makes Waldo feel weak. Frannie does, however, tell Waldo her relationship with Korgy is wrong and urges Waldo to report him, only backing down when Waldo begs her not to tell anyone. Frannie’s disapproval is thus the first time Waldo hears an outsider perspective on her affair with Korgy, helping to draw Waldo’s attention to how inappropriate it is.
Nolan is another secondary character. He is one of Waldo’s creative writing classmates and high school boyfriends. The two start seeing each other shortly after Korgy breaks up with Waldo. Desperate for something to fill the hole Korgy has created, Waldo asks Nolan out. She soon discovers that while many of Nolan’s mannerisms resemble those of the other teenage boys she has dated, he is, in fact, a decent, genuine, and caring person.
Over the course of their short relationship, Waldo feels increasingly guilty for taking advantage of Nolan’s goodness. She understands that he genuinely cares for her, but knows that she can never reciprocate his feelings because of her lingering attachment to Korgy. Nolan ultimately ends the relationship after the prom because he does not want to “waste [his] time and energy on someone who doesn’t care about [him] the same way [he] care[s] about them” (198). Waldo is impressed by Nolan’s honesty and maturity, but feels upset; the breakup makes her realize that she is sacrificing something good for something impossible (i.e., Korgy). Nolan and Korgy are foils, with Nolan’s positive attributes highlighting Korgy’s negative attributes. His character largely functions as a device by which to reveal the extent of Korgy’s abuse.



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