How to Kill a Witch: The Patriarchy's Guide to Silencing Women

Zoe Venditozzi, Claire Mitchell

45 pages 1-hour read

Zoe Venditozzi, Claire Mitchell

How to Kill a Witch: The Patriarchy's Guide to Silencing Women

Nonfiction | Book | Adult | Published in 2025

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Important Quotes

Content Warning: This section of the guide includes discussion of religious discrimination, gender discrimination, sexual violence, mental illness, ableism, graphic violence, death, and physical abuse.

“It was only by the strenuous effort of godly people that we managed to all but banish quarrelsome women—sorry, we mean witches—from our society.”


(Part 1, Chapter 2, Page 12)

This sentence uses sarcasm to expose how misogyny was reframed as moral righteousness. By correcting “quarrelsome women” to “witches,” the authors reveal that social nonconformity in women was deliberately reclassified as evil to justify removal and control. Their ironic tone critiques the ideology that cast persecution as a moral achievement rather than violence, introducing the theme of The Persecution and Scapegoating of Vulnerable Populations.

“Back in Scotland, when he heard of the witches’ work, it dawned on James that his return trip had also been deviled by bad weather, quite literally it seemed.”


(Part 1, Chapter 2, Page 25)

This quote illustrates how King James VI interpreted natural events through a theological lens, reinforcing the belief that the Devil actively intervened in worldly affairs. The phrase “quite literally it seemed” emphasizes the ease with which coincidence became confirmation of belief. This demonstrates how power and paranoia combined to legitimize mass persecution.

“After receiving the witches’ oaths for their good and true service, the Devil then departed. The witches ventured back to sea and so to home.”


(Part 1, Chapter 3, Page 36)

The language here mirrors a calm narrative structure, which normalizes the extraordinary claims being described. By recounting diabolical acts as routine events, the text shows how belief systems rendered the implausible believable. This reflects a society where ideology overrides skepticism and reinforces collective delusion.

“By the time the Berwick witch trials were concluded, King James VI was an expert in witches.”


(Part 1, Chapter 3, Page 45)

This sentence is deliberately understated and sarcastic, emphasizing how proximity to power creates authority regardless of accuracy. James’s “expertise” is ironic, as it is built entirely on coerced confessions and misinformation. The quote critiques how political power transforms belief into supposed knowledge, reflecting The Problem of Abuse of Power and Social Norms.

“The godlier you are, the less likely it is the Devil will try to get you on his side.”


(Part 1, Chapter 4, Page 57)

This statement reinforces the idea that morality and safety were believed to correlate directly with religious devotion. It promotes a worldview in which people are blamed for their suffering, suggesting that those targeted by the Devil must lack faith. This ideology justified persecution as divine sorting rather than injustice.

“What better proof is there of women being the frailer sex than their deception at the beginning of time, when the Devil tempted Eve with the apple? It’s only natural then that the Devil has found his closest allies in women.”


(Part 1, Chapter 4, Page 61)

This quote ties misogyny to religious doctrine by reminding readers of Eve as the original symbol of female weakness. By framing women as inherently deceptive, the ideology removes individual agency and replaces it with biological determinism. The authors demonstrate how theology was weaponized to normalize gender-based violence.

“And seriously—we keep returning to this question—why were so many of the accused women?”


(Part 1, Chapter 5, Page 71)

This rhetorical question challenges the reader to confront the extreme gender imbalance in witch accusations. Its repetition emphasizes the authors’ insistence that this pattern cannot be ignored or accidental, and thus forces recognition of systemic misogyny rather than individual wrongdoing. This passage speaks to The Persecution and Scapegoating of Vulnerable Populations.

“It’s men who question and torture and examine the accused’s bodies. It’s men who decide their fates and then dispatch them. Once women are cast as witches in collusion with the male figure of the Devil, a sexual element to the confessions is inevitable.”


(Part 1, Chapter 5, Pages 84-85)

This passage exposes the sexual power dynamics embedded in witch trials. The repetition of “It’s men” emphasizes male dominance in every stage of persecution, from interrogation to execution. The authors argue that sexualized confessions were not incidental but instead were structurally inevitable within patriarchal systems.

“We believe thinking about and connecting to the real people, not just the historical details, is vital to engaging with history.”


(Part 2, Chapter 6, Page 96)

In this quote, the authors communicate their ethical approach to history by prioritizing human stories over abstract data, arguing for the importance of Connecting Past Atrocities to Modern Issues by making the past seem vivid and relevant in the present. This reflects a historiographical stance that values empathy as a tool for understanding injustice. The sentence also functions rhetorically to align the text emotionally with the victims.

“As we’ve seen, more often than not, the witches’ confessions led directly to their executions. The obvious question is how were these incriminating confessions extracted?

Enter the witch pricker.”


(Part 2, Chapter 6, Page 106)

The abrupt line break before “Enter the witch pricker” mimics theatrical staging, emphasizing the inevitability of violence once a confession was required. This structural choice demonstrates how the system demanded guilt rather than truth. It brings to light the performative nature of justice in witch trials.

“I’m a witch pricker, and by the way, get your kit off so I can run my hands all over your body.”


(Part 2, Chapter 7, Page 113)

This quote exposes how institutional authority enabled sexual violence under the guise of a supposed investigation. The blunt, invasive phrasing removes any pretense of legitimacy for these claims. It illustrates how misogyny, sadism, and power were deeply intertwined to create a destructive and lengthy period of persecution.

“Little is known of what happened to Tituba after this, and sadly, as she was enslaved, owned no property, and had no rights and no one to speak for her, she slipped back into the shadows of history.”


(Part 2, Chapter 8, Page 127)

This sentence reflects how historical erasure disproportionately affects marginalized people. The phrasing “slipped back into the shadows” emphasizes how systems of enslavement and racism deny individuals lasting recognition. Tituba’s disappearance from the record mirrors her lack of agency in life, and reflects a broader issue of vulnerable populations being forgotten and their stories never told.

“As the seventeenth century came to a close, social change was in the air.”


(Part 2, Chapter 8, Page 139)

This quote is purposely understated because it hints toward a major ideological shift without dramatization. It suggests that belief systems are responsive to broader social transformation, rather than fixed. The line mirrors the slow, uneven decline of superstition rather than a sudden awakening.

“We know from Daemonologie that God protects those who hold witches to account, so we need not worry about the Devil interfering in our task, but what kind of proof and evidence are necessary for a trial?”


(Part 2, Chapter 9, Page 147)

This quote reveals the circular logic at the foundational heart of the witch trials: Belief justified action, and action reinforced belief. By assuming divine protection, authorities dismissed the need for ethical restraint, proper evidence, or anything based in truth. The rhetorical question exposes how faith replaced justice in the lives of the Scottish people.

“As I was going between the towns of Drumdewin and the Heads, I met with the Devil, and there covenanted, in a manner, with him.”


(Part 2, Chapter 9, Page 156)

This confession reflects how standardized narratives were imposed on the accused. Its formulaic structure suggests authorship by authority rather than lived experience. The quote demonstrates how confession functioned as performance—usually obtained under pressure and torture—rather than truth.

“We have our case to prosecute a witch. We have an accuser, any physical objects that they may bring as proof, the expert testimony of a witch pricker, and the confession. Now we can begin the witch trial.”


(Part 2, Chapter 9, Page 166)

The procedural tone of this line mimics legal objectivity while masking profound injustice. By listing the components of a trial, the authors show how legitimacy was constructed through form rather than fairness. The sentence exposes the illusion of due process that was a major issue at the time, invoking The Problem of Abuse of Power and Social Norms.

“As the Bible confirms, ‘thou shalt not suffer a witch to live.’”


(Part 2, Chapter 10, Page 175)

This biblical quotation exemplifies how scripture was used as an unquestionable moral weapon. Its absolutism eliminates compassion, doubt, or individuality. The authors present it to demonstrate how violence was sanctified and justified by the King and those who followed him.

“As deeply unpleasant and upsetting as the execution aspect of the witch trials is, we must study and understand it, as it was a key driver in the war against witches.”


(Part 2, Chapter 11, Page 181)

This quote frames historical violence as necessary to confront rather than sanitize. The authors argue that discomfort is essential to understanding the scale of injustice. The sentence functions as a moral justification for confronting graphic and uncomfortable aspects of history.

“The witch had been troublesome enough in life, but she was even more bother in death.”


(Part 2, Chapter 12, Page 191)

This line dehumanizes the accused even in death, reflecting how persecution extended beyond life. The dismissive tone mirrors societal contempt toward victims. It emphasizes how fear and hatred erased dignity entirely.

“We watched the sea come in, now almost covering the huge slab of stone under which Lilias’s casket lay.”


(Part 2, Chapter 12, Page 207)

This sentence is filled with imagery and uses nature as a symbol of concealment and repression. The encroaching sea mirrors how history threatens to erase uncomfortable truths, and the moment is one of deep connection and reckoning for the authors. The scene evokes a sense of mourning and unresolved injustice.

“A walking stick with a grisly history which reminds us that dark deeds were carried out only a few centuries ago, often in ignorance, against women who were deemed to be witches.”


(Part 3, Chapter 13, Page 219)

The walking stick becomes a key symbol of persecution and violence. By transforming a coffin into an object of daily use, the inscription indicates how suffering was normalized and commodified and invites readers to acknowledge their proximity to past atrocities.

“Knowing someone was sentenced under the Witchcraft Act in 1944 is mind-boggling.”


(Part 3, Chapter 14, Page 235)

This reaction emphasizes how recent witchcraft persecution truly is. The phrase “mind-boggling” indicates cognitive dissonance between assumed progress and historical reality. It challenges the notion that such beliefs belong only to the distant past, emphasizing the importance of Connecting Past Atrocities to Modern Issues.

“Bringing cases into the open is key.”


(Part 3, Chapter 14, Page 243)

This short, declarative sentence functions as a moral thesis. Transparency is positioned as the primary defense against abuse. The simplicity reinforces the urgency of accountability for all those who live in places where these atrocities took place or continue to take place.

“Eventually, Miss B couldn’t endure the pain anymore, and at 7 a.m. the next morning, she confessed to witchcraft to make the torture end.”


(Part 3, Chapter 14, Page 252)

This quote illustrates how confession is produced through pain rather than belief. The precise timing of her confessions shows the calculated nature of torture. It reinforces the book’s argument that false ideas become deadly when enforced through violence and that witchcraft accusations were not based in truth. The example of Miss B, as a modern example of a victim of witch hunts, also speaks to Connecting Past Atrocities to Modern Issues.

“This fountain, designed by John Duncan, R.S.A., is near the site on which many witches were burned at the stake.”


(Afterword, Page 255)

This sentence initially appears neutral but carries heavy symbolic weight. By situating the memorial near execution sites, it exposes the tension between remembrance and misrepresentation. In addition, the memorial refers to the women as “witches,” perpetuating the idea that there was any legitimacy to the accusations at all.

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