How to Kill a Witch: The Patriarchy's Guide to Silencing Women

Zoe Venditozzi, Claire Mitchell

45 pages 1-hour read

Zoe Venditozzi, Claire Mitchell

How to Kill a Witch: The Patriarchy's Guide to Silencing Women

Nonfiction | Book | Adult | Published in 2025

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Key Figures

Content Warning: This section of the guide includes discussion of religious discrimination, gender discrimination, graphic violence, death, and physical abuse.

Lilias Adie

Lilias Adie was an elderly woman accused of witchcraft in Torryburn, Scotland, in 1704, near the end of the Scottish witch-hunting era. She was possibly as old as 80, unusually tall, and physically distinctive, and as a result Lilias stood out in her community. These traits made her vulnerable in a society quick to equate difference with something threatening. Her story is the most closely examined of the women affected by the witch trials.


Lilias was accused by a neighbor during a period of heightened religious anxiety. She was imprisoned and reportedly confessed to witchcraft before torture ever occurred, though the authors argue that her confession may have been entirely fabricated, suggested by the presence of identical confessions in other towns. Lilias died in custody before she could be tried, creating a problem for authorities who still feared her supposed powers and believed it was possible for the Devil to reanimate her body and continue using it for evil.


Rather than bury her in consecrated Kirk grounds, Reverend Logan of Torryburn ordered her body interred near the shoreline. Due to fear of her rising again, her grave was weighed down with a stone slab so her body would remain underwater. This act reveals how deeply false ideas persisted even after death: The community believed water would prevent the Devil from reanimating her corpse. Her grave was later robbed in the 19th century, and her skull passed through collectors and institutions, further exploiting her body, her memory, and her dignity. It was eventually lost, and its final possessor was the University of St. Andrew’s. The skull also appears in a famous painting by Joseph Noel Paton.


Lilias Adie’s story makes her a symbol for all those affected by the witch trials. She embodies the book’s major theme, The Persecution and Scapegoating of Vulnerable Populations, as she was targeted for looking different, being elderly, and being a woman. By attempting to reconstruct her story and advocate for respectful remembrance, Mitchell and Venditozzi restore dignity to someone history tried to erase.

Tituba

Tituba was an enslaved woman of Indigenous or African descent who lived in Barbados before being brought to Massachusetts by Puritan minister Samuel Parris. Though little is known about her early life, her position as an enslaved, racialized woman placed her at the bottom of Salem’s social hierarchy. In How to Kill a Witch, Tituba is presented as a real woman whose vulnerability made her an easy target when fear and hysteria overtook the Salem community. Her story closely related to the theme of The Persecution and Scapegoating of Vulnerable Populations both due to her racial identity and her position as an enslaved person.


Tituba was the first person accused during the Salem witch trials of 1692 after Parris’s daughter and niece began exhibiting unexplained illness, like seizures. When a doctor could not find a cause, he suggested witchcraft was to blame, and Tituba was named for introducing supernatural practices to the girls. Unlike the other accused women, Tituba confessed, but her confession was extracted under torture and coercion. She claimed there were other witches in Salem, and this statement ignited mass panic and opened the doors for further accusations.


The authors emphasize that Tituba’s testimony was treated as proof rather than evidence of abuse, reinforcing the belief that witches were real and organized. Although she was eventually found innocent and released, her life after the trials disappears from the historical record, showing how marginalized people are often erased even when wronged. Tituba’s inclusion in the book allows Mitchell and Venditozzi to compare Scottish and American witch trials and explore how racism, enslavement, and gender connected with superstition. Her story reinforces the book’s central argument that witch hunts target the most vulnerable first, and that confessions born of fear can destroy entire communities.

Christian Caddell

Christian Caddell was a woman who worked as a witch pricker in the 17th century by disguising herself as a man to gain authority and avoid suspicion. In How to Kill a Witch, her story complicates the idea that witch hunts were carried out only by men, illustrating how oppressive systems can sometimes be upheld by those they also endanger and illustrating The Problem of Abuse of Power and Social Norms. While misogyny drove the witch hunts, survival sometimes pushed women to participate in violence against others.


Witch prickers were believed to possess special expertise in identifying witches by searching for Devil’s marks, which were supposedly spots on the body that would not bleed when pierced. Caddell participated in this practice during the 1660s, mainly in Strathglass, where a landlord attempted to remove tenants by accusing them of witchcraft. Rather than performing legitimate examinations, Caddell tortured the accused, contributing to their suffering and reinforcing false evidence. Her actions reveal how easily power can be abused. 


Eventually, Caddell’s fraud was exposed, and her gender became known, which likely embarrassed men in power who had trusted her for so long. Unlike male witch prickers who often escaped severe punishment, Caddell was arrested and sentenced to indentured servitude in Barbados. The authors suggest that her punishment was harsher not only because of her crimes, but because she violated gender norms by occupying a male position of authority.

King James VI (King James I of England)

King James VI of Scotland, later also James I of England, was born in 1566 to Mary, Queen of Scots, and was given the Scottish throne as an infant following his mother’s imprisonment and forced abdication. He was raised under strong Protestant influence, particularly that of the reformer John Knox, and thus grew up immersed in religious extremism, political insecurity, and constant warnings about the Devil’s presence in the world. These formative experiences shaped his lifelong obsession with witchcraft, which would have devastating consequences for thousands of people across Scotland and effects which would echo long into the future.


James’s significance in How to Kill a Witch lies in his direct role in legitimizing and intensifying witch persecution, reflecting The Problem of Abuse of Power and Social Norms. Unlike many monarchs who passively allowed witch trials, James actively participated. He became personally convinced that witches sought to kill him after storms delayed his wife Anne of Denmark’s voyage to Scotland. This belief led him to involve himself in the North Berwick witch trials of 1590, where dozens were accused, tortured, and executed. His presence as complainant elevated paranoia into state-sanctioned truth.


James further solidified false ideas about witchcraft through his book Daemonologie, which the authors analyze in their book. He framed it as a philosophical dialogue, but the work presents witchcraft as an undeniable reality and portrays women as inherently more susceptible to the Devil by drawing directly on misogynistic biblical narratives. The book transformed fear into doctrine, influencing judges, ministers, and ordinary citizens alike. As Mitchell and Venditozzi argue, Daemonologie provided a theological and moral justification for executions, positioning James as a divinely protected ruler and witches as enemies of God.

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