59 pages 1-hour read

I Was Anastasia: A Novel

Fiction | Novel | Adult | Published in 2018

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 3, Chapter 28-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes reference to suicidal ideation, physical abuse, self-harm, graphic violence, and death.

Part 3: “This Too Shall Pass”

Part 3, Chapter 28 Summary: “Anastasia: Losing Cohesion, 1918”

Ipatiev House, Ekaterinburg, Russia. July 10: Yakov discovers Maria and Ivan having sex in the cellar. He accuses Nicholas II of being a poor leader, saying his own people turned against him and he inspired a revolution. Yakov says the people would kill the tsar if Yakov handed him over. To punish Ivan, Yakov orders every soldier to strike the young man. The punishment is brutal, and the family is forced to watch.

Part 3, Chapter 29 Summary: “Anna: The Elisabeth Hospital, 1920”

The Elisabeth Hospital, Berlin. February 18, 1920: Someone slaps Anna, and she coughs water from her lungs. A police sergeant says he will throw her in jail unless she tells him who she is and why she jumped from the bridge. In response, “Anna looks at him and sees only a caricature of authority. Cruel and selfish and brutal. It’s easy enough to make her decision in the light of his cool indifference” (286). They question her motives, and Anna thinks she “simply threw herself toward the darkness, hoping to be consumed” (287). She falls unconscious at the police station and regains consciousness in a hospital, where she is tended by nurses who examine her. The nurses think her scars are from bullets and stab wounds. Anna refuses to tell them her name and says she has no family. The doctor, Dr. Winicke, thinks Anna might be a sex worker who mutilated herself or was abused by clients. He can tell she has had sexual intercourse.

Part 3, Chapter 30 Summary: “Anastasia: The Warning, 1918”

Ipatiev House, Ekaterinburg, Russia. July 17, 1:00 am: Anastasia hears the cannons of the advancing White Army, and she hopes they will rescue the family. Tomas tells her Yakov plans to kill them all and is waiting for a truck to transport the bodies. He wants Anastasia to run away with him. Anastasia wants to warn her family. She hears the truck arriving.

Part 3, Chapter 31 Summary: “Anna: The Bendler Bridge, 1920”

The Netherlands Palace, Berlin. February 17, 1920: Anna stands at the gate of the palace, asking to speak with Princess Irene. She says she has news of the imperial family, whom the princess is trying to locate. She feels “[e]very choice leading her here. To see the woman who lives beyond these walls, the one person, she believes, who can actually help her” (297). The guard looks at Anna’s tattered clothing and turns her away. Anna wanders away, forlorn, and comes to the Landwehr Canal. She sees couples laughing and kissing. She begins to cry and looks at her reflection in the water. Then she jumps in and realizes “[w]hat a stupid thing she has done” (299).

Part 3, Chapter 32 Summary: “Anastasia: The Cellar, 1918”

Ipatiev House, Ekaterinburg, Russia. July 17, 1:30 am: Anastasia asks Tomas to take care of Jimmy. Then, she runs back to her room. Yakov orders the girls to dress and says he is taking them to a safer place. The girls put on all their “jewel-studded undergarments” (301). Anastasia hopes that Tomas is wrong. They are taken downstairs to a room in the cellar. Anastasia decides not to tell the others what she knows, thinking “the only mercy I can extend is the gift of ignorance” (303). They are forced to wait until soldiers file into the room, holding rifles with bayonets. Yakov announces that the Soviet Council has sentenced them to death.

Part 3, Chapter 33 Summary: “Anna: The Boardinghouse, 1920, 1919”

Schreiber Boardinghouse, Berlin. February 17, 1920: Anna oversleeps, still suffering from nightmares. She worries she will lose her job. She has no money, and the rent is due. She sees a newspaper article saying Princess Irene is trying to find the imperial family. She is offering a reward for information, and Anna wonders “if she would believe the impossible if it came knocking on her door” (306). Anna examines herself in the mirror, including the stretch marks beneath her belly button.


Eleven months earlier. Antonescu Refugee Camp, Bucharest, Romania. January 1919: Anna screams as the contractions grip her, and the midwife is concerned. Anna gives birth to a baby boy, who is taken away to be given to another family. The midwife says, “He will never remember where he came from” (309).

Part 3, Chapter 34 Summary: “Anastasia: The Firing Squad, 1918”

Ipatiev House, Ekaterinburg, Russia. July 17, 2:45 am: Anastasia panics, and then the gunfire begins. She watches as her father, mother, and Maria are shot. Semyon looks as if he regrets having to kill Olga. The soldiers have been drinking vodka to prepare themselves for the slaughter. They kill the four servants as well: Dova, Trupp, Botkin, and the cook. Some of the soldiers vomit from the gore. Anastasia is shot several times, but her jewel-studded corset protects her torso. Yakov strikes her on the temple and then resorts to stabbing her. She falls unconscious, but she is not dead.

Part 3, Chapter 35 Summary: “Anna: Praying to Die, 1918”

Anna is covered in blood, and she is in pain. Voices ask her to be still so they can help. Two people she doesn’t know remove the shrapnel from her wounds and suture them.

Part 3, Chapter 36 Summary: “Anastasia: The Four Brothers Mine, Near Ekaterinburg, Russia, 1918”

Tomas was the third soldier who entered the train car that night. He soothed Alexey and held Anastasia while she wept at hearing her sisters cry out in pain. Tomas kept other soldiers from approaching them. Anastasia thinks that even if she had run away with him, they would have been hunted down and killed. She is glad Tomas is alive and has Jimmy. As they throw her into the mineshaft, she can hear cannons and the barking of a dog.

Part 3, Chapter 37 Summary: “Anna: The Munitions Factory, 1918”

Anna is upset over the telegram she received, which says her fiancé was killed at Amiens. Just as she notices a loose pin on the grenade she is handling, the baby kicks, and she is so surprised she drops the grenade. In the seven seconds of countdown, Anna wonders how to protect herself. The grenade explodes, and “Franziska Annalie Schanzkowska is blown backward into the wall, jagged bits of metal ripping into her temple, torso, and thighs” (320).

Epilogue Summary: “I Told You So”

Anna says she never promised a happy ending. She addresses her reader, saying: “here is what you, and all the others, fail to understand: there would be no legend without me. I am the one who stopped her from being a tragic little footnote in history. I kept Anastasia Romanov alive for decades” (323). She reflects that she lost everything, including her fiancé and her child. At first, she enjoyed luxury and people giving her gifts. She says she felt guilty but saw how much people wanted her claim to be true. She says that she eventually found it impossible to back out, so she began to embrace the lie. She notes that while she told the lie, other people perpetuated it with their need to believe.

Part 3, Chapter 28-Epilogue Analysis

The novel’s final chapters mark the resolution of both dramatic arcs, leading to the point in time when the two women’s narratives converge: 1918. Anastasia’s narrative ends in violence, and Anna’s begins with a terrible accident; both women’s histories are marked by trauma. The climactic moment confirms what Lawhon has been withholding, identifying Anna as Franziska. Lawhon’s narrative lines up with historical and scientific records, including DNA testing and the identification of the remains of the seven members of the Romanov family who were executed that night. Additionally, there is also evidence that Anna Anderson was related to the Schanzkowskas.


However, the answers to the factual questions do not confirm the deeper inquiry of whether Anna Anderson (for purposes of this novel) really was Anastasia Romanov. The Epilogue addresses the second narrative question concerning Anna’s motives. Her answer, which is developed through the novel’s backward structure, is grounded in trauma, survival, and social pressure. Read forward, Anna’s story becomes one of a vulnerable, traumatized woman seeking shelter and help. With the entrance of Gleb and Tanya Botkin, it becomes apparent that Anna’s claim was also sustained by the emotional needs of others in her orbit. Gleb, in particular, desperately wanted to believe that the young woman he loved had somehow survived the executions. For his sake, and for others like him, Anna continues with her claim, even as the fight escalates and the consequences grow, calling into question The Foundations of Identity.


Still, several questions remain open to interpretation. While the scenes in the psychiatric institution suggest Anna has taken advantage of an opportunity, the scene where she leaves her boardinghouse to approach Princess Irene hints at a different motivation. It suggests that Anna believes she has information of value, or that she wants to present herself as one of the surviving grand duchesses. At this moment, Anna thinks of “the impossible […] knocking on her door” (306). Although the novel closes the historical and factual questions about Anna’s identity, it deliberately leaves interpretive space around many of the key events of the novel and her motives. Lawhon sustains this ambiguity to reinforce the novel’s call for active engagement from the reader, asking them to review the evidence and draw their own conclusion, and ultimately, to make meaning.


The structure of the scenes themselves allow for tensions and ambiguities. For instance, it is possible that Felix does not, in fact, recognize his sister after the scarring from her accident; it is also possible he believes she is better off receiving care at the institution than leading a more precarious life outside. While Anna’s refusal to give her name to the staff at the asylum is unusual, her rescue from the canal follows the scene of Ivan’s brutal punishment, when Yakov uses his authority for cruelty. Anna’s subsequent silence with the police is a form of defiance toward institutional power and authority, since the authorities are characterized by their cruelty. This resistance echoes Anastasia’s own anger in the face of injustice, which is a personality trait the two women share. It links them despite their differences and shows how the Persistent Effects of Trauma shape identity and behavior.


The final use of direct address in the Epilogue brings the novel full circle. As in the Prologue, Anna speaks directly to the reader, in keeping with the theme of Memory as a Constructed Narrative. Anna asks the reader to put themselves in her position, appealing for empathy. She says, “What little guilt you feel is assuaged when you see how desperately they want this fiction to be true” (323), and her use of second person collapses the distinction between herself and her reader. She says she acted to improve her own circumstances by participating in this fiction, admitting: “I was desperate and broken and wanted more from life” (324). While she admits to crafting a fiction, she says, “You wanted to believe that I was Anastasia” (324). She insists that others wanted her to inhabit this role, so they were willing participants in the narrative, as well.


In the end, Anna’s story attests to the power of narrative to preserve what history might otherwise erase. She claims in the Epilogue that she saved Anastasia from being forgotten, affirming the human need to believe in survival. The Epilogue crystallizes the novel’s focus on the instability of memory, the persistence of trauma, and the conditional nature of identity.

blurred text
blurred text
blurred text

Unlock all 59 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs