30 pages • 1-hour read
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In “Indian Camp,” wounds appear on three prominent characters: the pregnant woman, the husband, and Uncle George. Each of these wounds comes from interactions between white and Indigenous characters, with the pregnant woman cut open by Dr. Adams, Uncle George bitten by the woman, and the husband slitting his own throat in response to the white men’s presence. Because of this connection, the wounds represent the suffering caused by colonization.
This is most pronounced in the cesarean section performed by Dr. Adams on the pregnant woman. While caesareans are life-saving surgeries, Dr. Adams performs this one brutally, turning a standard medical procedure into a violent act. He chooses to bring surgical implements but not anesthesia, indicating that while he knew surgery was a likelihood, he did not consider his patients’ pain worth soothing. Likewise, while he sterilizes medical equipment at the start of the story, he mentions that he performed the surgery with a jack knife, or a pocketknife. This multipurpose blade is wholly inappropriate for the job; surgical scalpels are thinner, likely sharper, and usually sterilized. In the absence of anesthesia that would have subdued her, four men must hold her down while she is cut open. These factors indicate that the violence of colonization is intentional rather than incidental, a product of dehumanizing choices, and this violence is maintained through mass participation.
This carries through to the story’s other wounds. While the wound that ends the husband’s life may be self-inflicted, it is the result of the Adamses’ presence in his home; he dies by suicide after Dr. Adams says that the woman’s screams don’t matter, making his wound a direct response to colonial dehumanization. While Uncle George is bitten by the woman during the cesarean, his injury is the least severe—it’s a side effect from colonial violence, something he can treat with his brother’s medicine. Notably, George calls the woman a racial slur for biting him while she is being cut open and enduring greater pain and violence, demonstrating how he elevates his own humanity and well-being over hers, and how colonizers elevate themselves over those they colonize.
Throughout “Indian Camp,” the narrator draws attention to the pregnant woman’s screams. Dr. Adams takes a pragmatic view of the screams, explaining to Nick that they are the natural response to her body being in labor. In his role as the masculine doctor, he chooses to ignore her screams, saying that they simply “don’t matter” to him. With this, the screams represent the woman’s dehumanization as a woman and a victim of colonial violence.
Focusing only on Dr. Adams’s description misses the power of the screams. The screams are so strong and long-enduring that they drive all Indigenous men, save the husband, to the other side of the camp. They echo across the forest and the camp, signaling a warning to everyone around about colonial violence. In the same way that the woman fights against Dr. Adams and bites Uncle George, the screams represent anger and resistance against the forces that brought her to that point and continue to inflict violence on her.
After the baby is born, the woman stops screaming. However, her silence is not a reprieve; the narrator notes that “[s]he was quiet now and her eyes were closed. She looked very pale” (18). While the screams are distressing, their absence is haunting, representing that the presence of resistance is a call to action, while its absence signifies defeat.
“Indian Camp” opens with a description of Indigenous men rowing the white men to the camp and ends with a description of Dr. Adams rowing away from the camp with Nick. These bookended images represent different versions of masculinity as well as the power hierarchy rooted in white supremacy.
In the beginning, Nick and his father lounge in the boat while an Indigenous man struggles to row the three of them by himself. Uncle George is a passive passenger in the second boat, smoking a cigar as another Indigenous man rows, making greater progress with his lighter load. Here, the white men assert their dominance over the Indigenous workers; while masculinity is often associated with work, it’s associated also associated with leisure at the expense of others’ labor. Uncle George’s cigar, a classic phallic symbol, emphasizes this point.
On the trip back, Dr. Adams rows, and the Indigenous men are absent. The scenery is serene; instead of the Indigenous rowers’ “choppy strokes,” “Nick trailed his hand in the water” and watches the sunrise (19). As his father rows, he answers Nick’s questions about life and death. The combination of his perceived wisdom and his rowing cast him in the role of leader; he is paving their path back home, acting as a literal and philosophical captain. Finally, Nick is sitting alone rather than being held by his father, suggesting that he has moved away from boyhood and closer to manhood.



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