Isola: A Novel

Allegra Goodman

69 pages 2-hour read

Allegra Goodman

Isola: A Novel

Fiction | Novel | Adult | Published in 2025

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Part 3Chapter Summaries & Analyses

Part 3: “At Sea 1542”

Part 3, Chapter 14 Summary

Content Warning: This section of the guide includes discussion of death, violence, and physical and emotional abuse.


Marguerite and Damienne stand frightfully aboard the ship. Roberval leads them below deck to their chamber. Damienne locks herself away in the small room and becomes deeply distraught at the prospect of sailing. Roberval, on the other hand, parades around the ship and shows Marguerite its navigational tools.


On the fifth day, the wind arrives, and the sailors prepare the fleet to sail. Marguerite lingers on deck as they leave the harbor and watches her home disappear. In the tumult of the sailors’ work, Auguste and Marguerite speak. Marguerite admits she is afraid of Roberval, who she suspects wants to make her his mistress. Auguste confesses that he too obeys Roberval only out of fear. Marguerite observes the truth of this statement in Auguste’s eyes, which are downcast and sad.


Damienne becomes seasick, and Marguerite tries to comfort her nurse’s fears and ailments. She coaxes Damienne to dinner the next day, but the rolling ship disturbs them as they eat. The men pay no mind to the ship’s movement, and they play chess. Auguste plays his cittern, which takes the women’s minds off the rough sea. On his own cittern, Roberval instructs Auguste on how he should’ve played the song.

Part 3, Chapter 15 Summary

Marguerite listens to the sailors’ conversations about shipwrecks and sea monsters. The ship’s navigator, Jean Alfonse, disregards these tales, as he’s more worried about running out of food. Damienne grows calmer as the journey progresses, but at night, her fear returns. Marguerite and Damienne pray together, and Marguerite recalls stories from the book of ladies. She secretly worries she isn’t faithful enough for God to protect her.


Marguerite can’t fall asleep, so she sneaks up to the deck for fresh air. Auguste is also on the deck, and the two talk as they look out on the vast sea. Auguste apologizes for not telling Marguerite about the journey. He suddenly confesses his love for her, which takes Marguerite by surprise. Before she can question him, Marguerite hurries below deck so she won’t be seen. Marguerite believes Auguste is sincere, but she fears Auguste’s feelings are treasonous to Roberval. She tries to ignore Auguste during dinner, but as Auguste plays his cittern, he watches Marguerite.

Part 3, Chapter 16 Summary

Roberval continues Marguerite’s lessons aboard the ship, but Auguste’s confession occupies her mind. She believes Auguste’s feelings are true. She never would’ve considered him while on land, but out on the ocean, Marguerite feels free to look at him with interest.


The winds stop, and the three ships sit motionless for days. In their idleness, men fight, and a large brawl breaks out on a sister ship. Roberval decides to hang the men as punishment, and he forces Marguerite to observe the hangings. He takes a small boat to the other ship and leaves Marguerite in the crowd of colonists. As the first body hangs, the crowd’s exhilaration crushes Marguerite against the railing, and she starts to faint. Auguste pulls Marguerite to safety.


Auguste leads Marguerite into the ship’s forecastle. Marguerite asks Auguste how he came to serve Roberval. Auguste learned to read and write from his father before the man died. Auguste’s mother remarried, but Auguste’s stepfather was cruel. Auguste’s younger sister died, and when his mother gave birth to another son, the stepfather sent Auguste to apprentice with a leather tanner. Before Auguste finishes his tale, Jean Alfonse informs them of Roberval’s imminent return. He promises to keep Marguerite’s meeting with Auguste a secret.

Part 3, Chapter 17 Summary

Auguste records the hangings in the ship’s log. Marguerite wonders about Auguste’s unfinished story, and in the early morning, she sneaks to the deck hoping to find him there. The deck is completely covered in mist, but Marguerite sees Auguste. She immediately asks him to finish his tale, and he leads her to a darker space before he talks.


Auguste was a bad apprentice, and his master beat him for his mistakes. Auguste ran away to La Rochelle, where he wound up begging near Roberval’s stables. He started as the house’s errand boy, and eventually he proved his writing skills. Auguste worked as undersecretary then secretary, and he lived and travelled with Roberval. He first saw Marguerite at Perigord, and he instantly fell in love with her bold spirit. Marguerite is touched by how much he noticed about her. The two touch hands before Marguerite returns to her chamber.

Part 3, Chapter 18 Summary

Marguerite recalls her lessons about virtue but finds them irrelevant to life at sea. The ships continue to stall without wind, which irritates Roberval. One night, Roberval orders Auguste to play the cittern, and he surprises Marguerite by asking her opinion of the song. Marguerite praises both Auguste and Roberval’s playing, but Roberval calls her a flatterer and uses the moment to publicly test her on a psalm.


At night, Marguerite feels restless. Damienne tries to prevent Marguerite from leaving and warns her about gossipy sailors, but Marguerite doesn’t heed her words and seeks Auguste on the upper deck. Auguste holds Marguerite’s waist, and Marguerite traces Auguste’s lips with her fingers. Auguste fears the sailors will catch them, but they linger together before returning to their bunks. They boldly meet again the next night. Marguerite finally learns Auguste’s name, and they speak familiarly about their past and their fears. Auguste and Marguerite kiss. Auguste thinks Roberval suspects them, and he knows Roberval will kill him if he finds evidence. Marguerite is frightened, but she refuses to stop their meeting.

Part 3, Chapter 19 Summary

Marguerite and Auguste continue to meet and speak about their future together in the New World. They ignore each other during the day to not draw suspicion, but one day Roberval questions Damienne about Marguerite’s nighttime wanderings. Damienne claims ignorance, and Jean Alfonse tries to disprove the sailors’ rumors. Suddenly, a whale strikes the ship, and they all rush up onto the deck. Marguerite watches the whale swim next to the ship, and five more whales swim around the other two ships. Roberval preaches to the colonists, declaring that God only helps the good. He promises to punish all sinners, and Marguerite understands his pointed threat. Roberval watches Marguerite at dinner, and she ignores Auguste while he plays the cittern. She pricks herself on her sewing needle and silently goes to her room, knowing that she won’t be able to meet with Auguste again.

Part 3, Chapter 20 Summary

The winds pick back up, and the ships begin to move again. Marguerite closes her eyes on the deck in relief, and when she opens them, Roberval claps his hands in front of her face. A lookout spots a gull, and in a few more days, Jean Alfonse sees the first sign of land. The tree-lined coast of the Saint Lawrence River soon comes into view.


Roberval takes a small boat out to map the coastline. With Roberval away, Marguerite and Auguste embrace, kiss, and partially undress in Marguerite’s room. Roberval returns early, so they try to appear normally when the man enters with news. Auguste records Roberval’s report in the official log. The men saw three of Captain Cartier’s ships sailing east, deserting the Charlesbourg-Royal colony.


Roberval instructs Auguste and a small party of men to accompany him back to Cartier’s ship, and Marguerite fears Roberval will leave Auguste there. Roberval sees her worry, and in front of the colonists, he accuses Auguste of having an affair with Marguerite. Auguste lunges at Roberval to defend Marguerite’s honor, but a group of sailors capture and bind him. Roberval throws Marguerite down and leaves silently on his boat.

Part 3, Chapter 21 Summary

Jean Alfonse urges Marguerite to beg for forgiveness, and Marguerite imagines her and Auguste’s punishment as she waits for Roberval’s return. Roberval returns cheerfully, having persuaded Cartier to stay in New France. Roberval avoids talk of Auguste, but Marguerite cannot hide her tears.


Marguerite can’t sleep, so she goes up for fresh air. As she looks out, she realizes Cartier’s ships are missing. Sailors raise an alarm and inform Roberval, who accuses them of sleeping on the job. The captain thinks Cartier cut his anchors and slipped away in the night. Roberval rages, but he is determined to continue to the colony. Roberval records Cartier’s desertion in the ship’s log himself.


Roberval finally sends for Auguste, and he accuses the young man of betraying him. Auguste doesn’t apologize and only asks Roberval to spare Marguerite. Marguerite too begs for mercy for Auguste. Roberval sees the intensity of their attachment and decides to exile them on one of the gulf’s islands. Roberval allows them to pack their belongings, provisions, and weapons, and he forces them to bring Damienne with them.

Part 3 Analysis

The action of Part 3 takes place entirely on the ship, the Anne—a unique setting that shifts Marguerite’s perception of acceptable and unacceptable behaviors, highlighting The Personal Impact of Gender and Class Inequality. While at sea, Marguerite feels like she is “unmoored” not only physically from land, but from the expectations of French society. She finds that her lessons of obedience, patience, and humility have no bearing anymore. She notes: “My education was for land, not ships. And when I considered the lessons, only one rang true. Once begun, I could not stop” (136). The ship emboldens Marguerite, allowing her to leave behind the strictures of her life in France and gain a new perspective on herself and the world around her. For example, in La Rochelle, she viewed Auguste as a servant, not even bothering to learn his name. At sea, she sees him as a man of interest.


Goodman makes explicit that the danger of the voyage puts any violations of social decorum into perspective for Marguerite, pointing to the novel’s thematic engagement with Survival Conditions as a Catalyst for Personal Growth. For example, Marguerite compares the relative dangers of her journey to her illicit affair, claiming, “If we were reckless, our voyage seemed riskier than any action we might take” (143). Roberval too enjoys the lawlessness of the ship, and he takes full advantage of his unchecked power. For example, when the four men brawl on the sister ship, Roberval punishes them with death, even though such offenses don’t warrant such extreme consequences. The ship emboldens Roberval to act out his fantasies of power and conquest.


On the ship, Marguerite and Auguste’s relationship shifts from transactional to loving—a change rooted in experiences of class and gender oppression that create a natural solidarity between them. Auguste recognizes that both he and Marguerite have been stripped of their autonomy due to their place in society, creating a bond between them that grows into deep love. In their early discussions, Auguste tries to align himself with Marguerite to show that he is both trustworthy and sincere. As Roberval’s servant, Auguste knows what it means to be treated like a possession. He tells Marguerite that he doesn’t obey Roberval “in heart and mind,” knowing that Marguerite too only follows Roberval out of fear (113). When Auguste confesses his love, Marguerite feels seen and valued as a person rather than a possession.


Goodman continues her motif of birds in Part 3 to signal Marguerite’s growing feelings of freedom as she pursues a relationship with Auguste. After Auguste explains how he came to love Marguerite, Marguerite flings herself on her bed with glee, saying: “My skirts flew around me and my sleeves spread like wings” (135). In this moment, Marguerite imagines herself metamorphosizing into a bird as her heart figuratively soars with love. Auguste’s love is one of the first things to make Marguerite feel like her life can be about more than simply surviving, transforming her into someone who can embrace her own autonomy and envision a fulfilling life. Bird imagery appears again when Marguerite looks up at the stars, observing: “Only stars shone in the night. At first, they seemed like dust, and then they were a thousand birds flying together, rising and falling” (139). For Marguerite, the vast sky of stars is the only witness to her love. By likening the stars to a flock of birds, she illustrates how the nighttime allows her to be her freest self.

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