Just So Stories

Rudyard Kipling

57 pages 1-hour read

Rudyard Kipling

Just So Stories

Fiction | Short Story Collection | Middle Grade | Published in 1902

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Stories 1-3Chapter Summaries & Analyses

Story 1 Summary: “How the Whale Got His Throat”

The Whale is very hungry and eats every fish he can find until only the small ‘Stute Fish is left. He is about to eat the ‘Stute Fish, too, but the fish suggests he try eating a man instead. Intrigued, the Whale follows the ‘Stute Fish’s directions and finds a Mariner with blue breaches, a jack-knife, and some very important suspenders stranded on a raft. The Whale opens his huge mouth and swallows the Mariner, raft and all. 


However, the Mariner is “a man of infinite-resource-and-sagacity” (2), and he begins causing a commotion in the Whale’s stomach, dancing and prancing around until the Whale complains to the ‘Stute Fish that the man is making him hiccough. The Mariner refuses to come out, demanding that the Whale take him back to his “natal-shore.” The Whale swims as fast as he can despite his hiccoughs and delivers the Mariner to his home. However, while the Whale is swimming, the Mariner uses his jack-knife to turn his raft into a grate of small holes, which he secures in the Whale’s throat with his suspenders.


The Mariner returns home, where he lives “happily ever afterward” (3). The Whale also goes on to live a happy life, but he can only eat tiny fish because of the grate in his throat. Afraid that the Whale is angry with him, the ‘Stute Fish hides in the mud at the bottom of the ocean.

Story 2 Summary: “How the Camel Got His Hump”

At the beginning of time, the world is new, and Man is beginning to make friends with the animals. Animals start working for Man, but a Camel living in the middle of the Howling Desert is a lazy “Howler” who wants nothing to do with work. Whenever someone tries to speak with him, he only says, “Humph!”


On Monday morning, the Horse goes to the Camel, calling on him to “come out and trot like the rest of us” (4). The Camel refuses with a “humph,” so the Horse reports back to the Man. Later, the dog visits the Camel, asking him to “come and fetch and carry like the rest of us” (4), but the Camel sends the Dog away with another “humph.” Finally, the Ox visits the Camel, asking him to “come and plough like the rest of us” (4), but the Camel refuses with another “humph.” That evening, the Man apologizes to the Horse, the Dog, and the Ox because they have to do more work since the “Humph-thing in the Desert” (4) will not work.


Soon, the Djinn of All Deserts arrives, traveling by magic “rolling in a cloud of dust” (4). The animals complain to the Djinn about the Camel, and the Djinn agrees it isn’t fair to be idle when there is so much work to be done in the new world. He finds the Camel examining his reflection in a small pool. As the Camel stares at himself, the Djinn explains that the Horse, the Dog, and the Ox have been doing extra work to compensate for the Camel’s laziness. The Camel replies with his customary “humph.” The Djinn warns him not to say that again, and when he does, he gives the Camel his own “great big lolloping humph” (5) in the middle of his back. 


The Camel complains he cannot work with the terrible humph, but the Djinn tells him that the humph will allow him to work for three days without stopping to eat or drink, making up for the days he made the other animals work without him. With no other choice, the Camel joins the other animals and works for the Man.

Story 3 Summary: “How the Rhinoceros Got His Skin”

A Parsee man lives on an uninhabited island in the Red Sea with only a hat, a knife, and a cooking stove. One day, he bakes himself a large cake. However, before he can eat it, he is interrupted by a Rhinoceros and climbs a tree to get away. The Rhinoceros, who “had no manners then, and […] has no manners now” (8), knocks the stove over and eats the cake. The Parsee man waits for the Rhinoceros to leave, rights the stove, and recites a rhyme warning that the Rhinoceros has made a “dreadful mistake.”


A few weeks later, there is a heatwave, and everyone takes off their clothes to get cool. The Rhinoceros’s skin, which at the time was smooth without any wrinkles, came off with buttons, so the Rhinoceros carries it over his shoulder as he walks down to the river and leaves it on the bank while swimming. When the Parsee man sees the Rhinoceros’s skin unattended on the bank, he hurries back to his camp and fills his hat with cake crumbs. He returns to the river and fills the Rhinoceros’s skin with the “old, dry, stale, tickly cake-crumbs” (9). 


When the Rhinoceros puts the skin back on, the cake crumbs tickle and upset him, but the more he itches, the worse it gets. He rubs against a tree until his buttons fall off and his skin stretches into great folds. He becomes angry, but the crumbs never go away. Even now, “every rhinoceros has great folds in his skin and a very bad temper, all on account of the cake-crumbs inside” (9).

Stories 1-3 Analysis

The first three Just So Stories explain how certain specific animal features came to be. “How the Whale Got His Throat” sets the tone for the collection of stories in a number of ways. It is a story about wit and intelligence overcoming brute strength and introduces the theme of The Lasting Consequences of Actions. The huge and powerful Whale, with his insatiable appetite, is first bested by the small ‘Stute Fish, who manipulates the Whale into eating the Mariner to save himself from being eaten. Then, the Mariner demonstrates his “infinite-resource-and-sagacity” (2) by using his very limited resources—a knife, his raft, and suspenders—to teach the Whale a lasting lesson and reshape the ecosystem of the ocean by ensuring that the Whale will never eat anything large again. In this way, the Whale is punished for his gluttony by having to satisfy himself with small-sized food portions from then on.


The story also establishes The Relationship Between Man and Animals, presenting man’s role in nature as bringing order and intelligence, with man playing a fundamental role in shaping the natural world. Many of the tales in Just So Stories are somewhat biblical in nature, illustrating a new but fully-formed world with animals and humans negotiating their place in the developing social hierarchy. The stories establish a hierarchy in which man is at the top and exercises dominion over animals and nature thanks to his technology (e.g., the knife and raft). The implication that such hierarchies are both natural and desirable reflects a worldview common in Kipling’s Victorian England. 


The story also introduces Kipling’s signature rhetorical devices, such as repetition, rhyming, and alliteration. Kipling’s Just So Stories were written as bedtime stories for his daughter, referred to throughout the text as “Best Beloved.” The stories read as if the narrator is telling them aloud, with devices like rhyming and alliteration giving the text a sense of rhythm. For example, when the Mariner is inside the Whale, Kipling writes, “he stumped and he jumped and he thumped and he bumped, and he pranced and he danced, and he banged and he clanged” (2), and so on. The sound of the words plays a key role, creating a singsong rhythm that both aids memorization for oral recitation and creates narrative variation for listeners/readers. Kipling also makes generous use of repetition, both of words and scenarios throughout his stories. In “How the Whale Got His Throat,” repetition is primarily used to highlight things of importance, such as the Mariner’s suspenders and his “infinite-resource-and-sagacity,” both of which are key to the story’s conclusion.


“How the Camel Got His Hump” continues the exploration of the relationship between man and nature, while also emphasizing the importance of Living with Morality and Integrity. Many of the Just So Stories are fables meant to impart some kind of moral lesson, with “How the Camel Got His Hump” cautioning against laziness and vanity, encouraging hard work and supporting others. Most of the animals, including the Dog, the Ox, and the Horse, quickly and obediently go to work for the Man, again establishing a sense of human intellectual superiority over the natural world. The Camel, however, refuses to cooperate. He is “most ‘scruciating idle” (5), lazy and vain, forcing the other animals to work harder because he won’t participate. His behavior illustrates how others can suffer from one individual’s laziness. As punishment, the Camel receives his hump. 


Similar to the Camel, “How the Rhinoceros Got His Skin” also offers a moral lesson, this time warning against being greedy and having bad manners. The Rhinoceros eats a cake he knows doesn’t belong to him. He is punished when the Parsee man, the cake’s rightful owner, puts crumbs in the Rhinoceros’s skin, making him scratch until his skin stretches in great folds. Like the Camel, the Rhinoceros and his descendants have to wear the evidence of his moral transgression for the rest of time. However, the narrator notes that the Rhino “has no manners now, and he never will have any manners” (8), similar to the Camel who “has never yet learned how to behave” (6), suggesting that the animals themselves might have failed to absorb the lesson of their bad behavior.


All three stories describe certain animals’ physical traits as direct consequences of their actions, imbuing them with important symbolism. Out of the three, however, the Whale’s story has fewer moral implications, as the Whale goes on to live the rest of his life quite happily, despite the fact he can only eat very small fish.

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