53 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of sexual content.
The real estate agent advises Phoebe and Conner to paint their father’s house an inoffensive neutral color. Conner is unable to help because of his wrist, which leaves the painting to Phoebe. Sam notices her bringing paint cans into the house, however, and offers to help. He reveals that he was a professional painter during the summer when he was younger, and he’s much better at it than Phoebe. Talk turns again to their childhoods, though Phoebe tries to segue the conversation into an account of the Ted Bundy killings. Sam notes that she often turns the conversation toward serial killers when she becomes uncomfortable and asks her why. She responds by telling him more about her father’s volatility and how his fits of rage impacted their family. She explains that serial killers fascinate her partly because they reflect the worst in people and the worst of society. Sam expresses sympathy for how terrible her childhood was but explains that she can’t dismiss all of humanity based on such a tiny data set. He points out how happy Conner and Shani are and, more importantly, how kind they are to each other. This, he tells Phoebe, is evidence that there are good people in the world. Reluctantly, she realizes that she agrees with him.
Phoebe and Sam don’t finish painting until after midnight. It gets hotter and hotter in the house, and when they’re done Sam suggests that they swim in his pool. Phoebe doesn’t have a swim suit and decides to be brave and swim in her underwear. In the pool, Phoebe surprises herself by kissing Sam. One thing leads to another, and they end up in his bedroom. Their chemistry is explosive, and both enjoy the sex. The next morning, she wakes in Sam’s bed to a knock at the door. She realizes that she had plans with Conner and left her phone back at her dad’s house. It must be him. She panics, but Sam tells her that Conner would find out eventually that they were together. Phoebe isn’t sure that they will be together and then realizes that Sam correctly interprets her silence. It’s obvious that his feelings are hurt, and she feels terrible as she scrambles for her clothing.
Sam stalls Conner while Phoebe leaves through the back door so that they can keep the previous night a secret. Back at their dad’s house, Pheobe and Conner eat the Taco Bell that Conner brought over, and he scolds her for not answering the door. He hasn’t caught on that she was at Sam’s when he stopped by, and Phoebe is relieved. After they eat, Conner leaves and Phoebe heads back to Sam’s house. She hopes to talk to him about the night before. Sam mentioned that his last relationship ended badly, and the last thing she wants is to hurt him. Although it’s obvious that he would be open to a committed relationship, Phoebe asks him if they can just be neighbors who hook up for a while. She’s happy when he agrees. She invites him to a Fourth of July picnic with her brother and Shani, but he replies noncommittally. She goes home and cuddles with Lenore, who slipped in the door when she was on her way to Sam’s house. She texts Allison to ask what kind of supplies she might need to take care of the cat, and Allison suggests that they meet up.
When Phoebe and Allison meet up to buy supplies for Lenore, talk turns to Sam. Phoebe admits to sleeping with him and frets that she may have wrecked things: Sam wants a relationship, but she isn’t sure how that would work. Allison points out that Phoebe could make it work but that she always puts up emotional walls between herself and others. Phoebe brings up her parents’ divorce, and Allison assures her that everyone has baggage: She’s adopted, which doesn’t bother her, but the fact that her parents are white and she’s Korean has been an issue at times. Her wife’s family was initially unwilling to accept that she was gay. She assures Phoebe that if she wants to, she could pursue a real relationship with Sam.
Back at home, Phoebe cuddles with Lenore. She hopes to see Sam soon, but in the days that follow he seems scarce. The Fourth of July is coming up, and Phoebe, Conner, and Shani are having a picnic to celebrate, after which Conner plans to propose to Shani while they watch the fireworks. Sam still hasn’t responded, so Phoebe writes him a quick note, apologizing for her behavior and asking him to come to the picnic.
The skies are gray and cloudy on the Fourth of July. Conner is tense because a thunderstorm would mean having to postpone his proposal, and Phoebe is nervous because she has no idea whether Sam will show up. She chats with Conner and Shani until she spots Sam walking toward them. Conner and Shani are happy to see him. Initially, conversation between Sam and Phoebe is stilted. Sam is hurt that she doesn’t want a relationship but tells her that he won’t let a one-night stand ruin a friendship with someone he genuinely likes. Phoebe feels a distinct pang and realizes that she does want something with Sam; she’s just not sure what. She feels herself falling even harder when it becomes evident that Sam sees through her aloof exterior: He understands better than she does that she’s kind and empathetic underneath. The two kiss, and both Conner and Shani grin. Rain starts falling, and everyone leaves. Phoebe goes home with Sam but won’t stay the night after they have sex. She explains that she needs space to finish her dissertation, and he says he understands.
Phoebe returns to her dad’s house well after two o’ clock that morning. She gets little sleep because Conner shows up bright and early the next day. Still, she’s happy to see him. The two chat about Sam. (He and Shani knew that the two would hook up and are happy about it.) The conversation then turns to their father. Conner explains that though their father usually let him do whatever he wanted, it was because he didn’t really want to be bothered with parenting. In addition, he remained prone to volatility and rage. Phoebe recalls her mother’s overbearing parenting style but wonders if she acted that way to appear to others as a good mother and not out of actual concern for Phoebe. Sam brings them coffee and tells Conner how sorry he is that the proposal didn’t work. He adds that he heard Shani saying how much she enjoys flash mobs and that he taught his students a basic dance to the Chumbawamba song “Tubthumping.” He says he could arrange for them all to meet in a park, do the dance, and then Conner could propose. Phoebe rolls her eyes, but Conner loves the idea, and they agree to do it.
After Sam leaves, Phoebe starts thinking about her dissertation. She hasn’t yet tackled the chapter on In Cold Blood. She’s intimidated by this book, which is considered the first in the true crime genre. She stands by her arguments, though: She thinks that true crime speaks to the problems and concerns of the era in which it’s written. Capote’s book is ultimately a meditation on how people perceived crime and society during the 1960s. As each decade brings its own societal changes, true crime evolves as a genre. In addition, she thinks that true crime reflects individual fears about power and control: No one has complete control over their lives. That any innocent person could fall victim to a serial killer strikes a visceral chord in people.
Phoebe takes her laptop over to Sam’s house. She explains that she wants to spend time with him but has to work. She tells him that she would be able to work better if he were also doing a productive activity. She knows that he recently started building a guitar and suggests he work on that project. She tells him she’s applying for a job at a nearby school but will likely have to return to North Carolina in a month. He says he’ll help her move but adds that their relationship doesn’t have to end then; it can just change.
The next day, she meets Allison to shop for a blazer for her interview at the local school. She apologizes to Allison for getting so angry at her when they were young, and the calm, circumspect nature of Allison’s response surprises her: She tells Phoebe that she knew even when they were teenagers that Phoebe was hurting because of her parents’ divorce. Allison worried that their friendship would end after Phoebe moved away with her mother. She doesn’t think young people truly have the capacity to deal with such difficult events; instead, she thinks they should forgive themselves and each other. She tells Phoebe she’s grateful to have the opportunity to reconnect and be friends again.
These chapters contain several important moments of engagement with The Societal Fascination With True Crime as a theme. On the micro level, Phoebe and Sam have a conversation during which Phoebe segues into a sidebar about serial killers. Sam points out, as Conner and Shani have, that Phoebe uses her interest in serial killers as a way to avoid tough conversations and serious reflection. He says it’s obvious not only that she finds analysis easier to stomach when it remains far from the territory of self-analysis, but also that she uses her interest in serial killers as a kind of confirmation bias. She admits that serial killers fascinate her partly because they represent not only the worst of humanity but also the capacity for evil that lurks, Phoebe argues, within everyone. Her outlook on both individual identity and human relationships is bleak, and Sam notes how her interests support and confirm her fears and negative characterizations. He provides examples of the inherent good in most individuals and argues that her worldview contains some significantly limiting beliefs. In a moment that emphasizes the theme of Personal Growth and Identity Development, she admits to herself that Sam is right.
In a broader moment of engagement with society’s true-crime fascination, Phoebe contemplates the genre’s evolution as she struggles to complete a dissertation chapter devoted to Truman Capote’s classic In Cold Blood. She realizes that a major component of her argument is that true crime stories reflect the societal concerns and ideas of the era in which they’re produced. Capote’s book speaks to the shifting social paradigms of the 1960s, while true crime stories in the 1970s and 1980s became more lurid and sensationalistic, matching their own era’s worries about rising crime and the breakdown of societal norms. While these bits of inner monologue place the novel in dialogue with serious analyses of true crime, they also further characterize Phoebe. What she lacks in emotional intelligence (at least initially) she makes up in intellect: She’s a fiercely intelligent thinker, an insightful cultural critic, and a hardworking student.
As Sam and Phoebe’s relationship becomes more complicated, Phoebe demonstrates the role that fear and anxiety still play in her relationship skills, while Sam further demonstrates his empathy and emotional intelligence. Phoebe remains too afraid to truly commit to a relationship with Sam, and although it makes Sam unhappy to compromise, he chooses to remain friends with Phoebe largely because of his insight into how Phoebe’s childhood made her hesitant to admit to her own feelings or truly understand her capacity for love. When she argues that she’s naturally aloof and unemotional, he points out:
I know you’re here providing moral support because your brother asked you to even though you hate fireworks. I know you let him call you ‘Pheebs’ even though it gets under your skin. I know you took in that cat because you hated to think of her not having a home. I know you’re here, back in town in a house that makes you sad, because you didn’t want to have to leave it to your brother to handle by himself (224).
Sam arguably has more insight into Phoebe’s strengths and weaknesses than she does, and he becomes part of the novel’s broader interest in how Phoebe mischaracterizes her friends, her family, and herself. Like Allison, Conner, and Shani, Sam becomes an important part of Phoebe’s self-reflection process. Without the help of her friends and family, it is unlikely that Phoebe would arrive at a place of meaningful self-actualization at the end of the novel.
Allison is an important figure in these chapters. Like Sam, she has far more insight into Phoebe’s emotional difficulties that Phoebe initially has. As an adult, Allison is emotionally intelligent and circumspect, but the way that she recalls her adolescent relationship with Phoebe shows that those qualities were present in Allison even as a young person. She displays further wisdom in her assertion that all childhoods are complicated to some degree and that part of the developmental process for everyone, not just children with traumatic childhoods, is making sense of how their families shaped them. She notes that while her adoption didn’t leave her with abandonment issues, she felt out of place as a Korean girl in a white family. Her sharing these stories with Phoebe ultimately becomes another instance in which Phoebe learns by example, applying her friends and family member’s lessons to herself.
Phoebe and Conner continue to process their childhood, highlighting the theme of Complicated Familial Relationships, as they delve even deeper into how their parents’ marriage impacted them as children and continues to affect them as adults. Phoebe learns that much of what she assumed about Conner’s relationship with their father was a mischaracterization: He was emotionally distant with Conner as well as with Phoebe. Phoebe in turn reveals that what might have seemed like their mother’s love was ultimately more of a desire to appear loving and attentive to outsiders; inwardly, their mother remained almost entirely self-focused. Although Conner has done a lot of self-reflection, he too finds the conversations with Phoebe helpful. These moments of shared reflection become a significant part of the basis for their newfound adult relationship.



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