54 pages 1-hour read

Major Pettigrew's Last Stand

Fiction | Novel | Adult | Published in 2010

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Chapters 16-20Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of racism, death, graphic violence, physical abuse, and pregnancy termination.

Chapter 16 Summary

The Major goes to pick up Mrs. Ali for the golf dinner and finds her wearing a blue silk ball grown. He wants to tell her that she looks lovely but is concerned that he will sound ridiculous. The Major then picks up Sandy, who needs a ride because Roger, who is playing a role in the dramatics, went ahead of her. The Major thinks that Sandy looks pale and fragile. He is nervous about how the club members will receive Mrs. Ali.


Alec Shaw, dressed as a grand vizier, announces their arrival. The Major is taken aback to realize that Bertie’s widow, Marjorie, is attending as well. His friend Hugh Whetstone teases the Major about renting a princess for authenticity. Daisy says that she was hoping to see Mrs. Ali in her national costume, but for Mrs. Ali, the shalwar kameez is not a “costume.” Dr. and Sadie Khan are seated at the same table as the Major and Mrs. Ali. Dr. Khan enjoys a gin and tonic, while a waiter discreetly tells Mrs. Ali that there is fruit punch. The Major feels “a small bubble of satisfaction” (245) that the program celebrates the heroic acts of his father, Colonel Arthur Pettigrew.

Chapter 17 Summary

Their table is joined by another couple wearing shalwar kameez, which the Major thinks look like pajamas or surgical scrubs. Frank Ferguson’s secretary, Sterling, is wearing the costume of the Bengal Lancers, a famous Anglo-Indian regiment. Ferguson appears wearing Lord Mountbatten’s viceroy uniform. Roger wears his grandfather Colonel Pettigrew’s uniform. The Major recalls that a younger Roger had objected to the idea of entering military service, asserting, “It’s a recipe for getting stuck in the same box as one’s father” (249).


The Major goes to the bar to fetch a fruit punch for Mrs. Ali and sees her dancing with Alec Shaw. Ferguson says that he invited Marjorie so that she could see the Major receive the family award. The Major gathers that Ferguson expects to buy the set of Churchills. The Major overhears Daisy and Alma Shaw saying that Grace should be worried about the Major’s interest in Mrs. Ali. Alma says she asked Alec to make sure that Mrs. Ali did not feel left out. The Major is outraged that they would gossip about him, and for a moment, he feels embarrassed that he brought Mrs. Ali and spurred such talk.


The Major invites Mrs. Ali to dance and overhears a club member reference George Tobin, a former member who was forced out of the club when he married a Black actress. At the time, the club pretended that it was an issue of privacy rather than a racist objection to an interracial union.


The dramatic scene begins with Roger playing the Colonel. The Major feels a small, nervous sense of pride. Amina plays the part of the Maharajah’s wife, whom Roger protects from attackers. One viewer says she has the goosebumps, and Mrs. Ali remarks that the British Empire can cause an allergic reaction. The Colonel is depicted as a brave defender, while those attacking her are depicted as murderous thugs. The Major is critical of Roger’s performance and his lack of understanding for military tactics, but he is moved by the scene in which Roger is presented with the shotguns.


While the audience claps and the dancers perform, the senior Mr. Rasool climbs the stage, shouting in Urdu. He switches to English and tells the audience, “You make a great insult to us […] You make a mock of a people’s suffering” (258). When others wonder what he means, Mrs. Ali explains that he might be upset at seeing the atrocities of Partition presented as a dinner show. Abdul Wahid appears in the group, emphasizing that the entertainment is an insult. A fight breaks out between the club members and the waiters who were part of the scene.


Mrs. Ali goes to support her friend, Mrs. Rasool, who explains that her father-in-law was six when his mother and sister were killed during Partition. Daisy accuses the older man of ruining everything. Abdul Wahid says Mrs. Rasool should not apologize when the elder Mr. Rasool is speaking the truth. Amina argues that she worked hard on the dance and is offended at it being called a mockery. Roger keeps insisting that his grandfather was a hero, even though Mrs. Ali points out that the scene celebrated the white British Colonel’s act of killing several Indian and Pakistani men.


Lord Dagenham decides to give the Major his tray without ceremony and then stage a picture including the Khans and Mrs. Ali. Mrs. Ali declines to be included for authenticity. Daisy rebukes her. Then, when Grace defends Mrs. Ali, Daisy rebukes Grace. The Major defends Grace and then belatedly realizes that he ought to be supporting Mrs. Ali. Mrs. Ali decides to leave with Abdul Wahid, and Roger insists that the Major stay for the award and picture with Dagenham. Mrs. Ali tells the Major that she plans to go live with her husband’s family and leave the shop to Abdul Wahid.

Chapter 18 Summary

Mrs. Ali leaves the village. Christmas season arrives, and the Major feels that the festivities are hollow. He visits the shop, and Abdul Wahid treats him as no more than a customer. The Major talks with the Vicar, who suggests that Mrs. Ali is better off with her “people.” When the Major points out, “We could have been her people” (270), the Vicar cautions the Major about the difficulties with relationships that cross cultures and faiths.


The Major visits Grace, who invites him to tea, and he is grateful for the company of a sensible woman. He visits the shop again, and Amina expresses her unhappiness over becoming a shopkeeper. The Major senses that her family is trying to keep him out of Mrs. Ali’s life. He decides to buy a Christmas gift for Grace.

Chapter 19 Summary

The Major visits Roger’s cottage on Christmas Eve and finds Sandy looking weary and upset. Roger has gone to a party at Lord Dagenham’s. Sandy begins to cry as she reveals that she is leaving Roger, and the Major is distressed that his son should have reduced this confident woman to tears. He feels again that he is being left behind while others go about their lives. The next day, on Christmas morning, he telephones Roger, who is despondent that Sandy left him. The Major calls Grace, who agrees to go with the Major to Roger’s cottage and help prepare the holiday meal. Roger says he doesn’t feel like eating and leaves to attend a bridge party with Gertrude. The Major scolds Roger, which has no effect, and tries to make amends with Grace.

Chapter 20 Summary

The Major fears he is falling into a pattern with Grace and will soon be expected to make a declaration. Grace sees that the Major misses Mrs. Ali. When the Major attempts to propose to Grace, she refuses. She tells him that she hopes to have passion in her life, declaring, “I refuse to play the dried rose and accept that life must be tepid and sensible” (290). She says she will give him Mrs. Ali’s address.


The Major speaks with Roger and discovers that Roger is going up to Scotland in advance of the shooting party at the invitation of Gertrude, whom Roger hopes to woo. The Major asks about Sandy, and Roger reveals that Sandy terminated a pregnancy, which he refers to as a “mishap.” Roger tried to persuade Sandy that this was the responsible thing to do to preserve their careers. He doesn’t understand why Sandy grew upset with him, and the Major wonders where along the line “he had failed, or forgotten, to teach this boy compassion” (296). He tells Roger not to pursue Gertrude if he doesn’t care for her.


Roger dislikes the Major’s plans to see Mrs. Ali. Roger says the golf club members disapprove because she works in trade. The Major recalls the first time he met his wife, Nancy, and how she made him speechless; he now feels the same for Mrs. Ali. Roger is concerned about what will happen to the estate if the Major remarries and Mrs. Ali outlives him. The Major reflects that Nancy is gone and Bertie is gone, and he shouldn’t be wasting any more time. Roger asks to take the Churchills with him to Scotland, and the Major has a vision of Roger dropping a gun in the loch.

Chapters 16-20 Analysis

This section contains a climactic moment and turning point in the plot as the misguided drama at the golf club dinner makes Mrs. Ali decide to leave the village, cutting short the Major’s cautiously amorous attentions. At this dinner, the cultural prejudices that certain white Britons have been displaying toward Britons of color erupt to the surface with disastrous consequences, illustrating the darker aspects of the novel’s focus on Cultural Prejudices and the Possibility of Integration.


As the dinner show devolves, the insults fall along a continuum of cultural insensitivity. Daisy and Lord Dagenham both behave in ways that tokenize Mrs. Ali, reducing her to a representation of a particular culture. Daisy seems surprised that Mrs. Ali is wearing an evening gown instead of a “costume,” and Mrs. Ali has to point out that the shalwar kameez (the tunic-and-trousers combinations that serve as traditional dress across India and in many parts of Southeast Asia), are not a costume but are in fact her ordinary attire. Therefore, it should not be strange that she, like the others, wanted to wear an unusual dress for the occasion. Similarly, Mrs. Ali has good reason to refuse to be a token representative of Pakistan in the picture that Lord Dagenham wants to take of the Major with his silver plate, which was awarded for his father the Colonel’s acts during the politically contentious era of Partition. While Mrs. Khan, who is eager to be socially accepted, readily agrees to be included (presumably to represent an Indian subject), Mrs. Ali understands that this request goes beyond tokenism to outright insult. In short, the white Britons present are asking these people of Indian and Pakistani descent to support what are considered by Anglo-Britons to be valorous actions and which, to the subjects of the British Raj, were in fact violent acts of oppression.


While the brawl that breaks out among the diners is described in comedic terms, the conflicts that bring these tensions to a boiling point do have painful roots. The Rasools have to explain to this white audience that the British decision to partition India into the separate countries of India and Pakistan at the time of independence resulted in devastation and violence for many families and communities who found themselves displaced or persecuted. The British viceroy over India, Lord Mountbatten, engineered Partition, which means that he could reasonably be held accountable for these deaths; however, this is the man whom Frank Ferguson proudly chooses to portray. Likewise, Sterling’s adoption of the uniform of an Anglo-Bengal regiment is a reminder that during the British Raj, Bengali men were hired and paid to impose British laws and customs on their fellow countrymen, using local troops to advance the colonizer’s agenda.


Amina occupies a difficult position; she is of Indian heritage also, but her focus is on her performance as a work of art and not on the cultural subtext. Mrs. Ali is the one who has to point out that this celebration of white violence perpetrated on Indian and Pakistani subjects—even if for supposed chivalrous reasons—is deeply painful to those who suffered during and because of Partition. Meanwhile, the Major is complicit in the goings-on because he is more concerned about the way that the guests gossip about him and Mrs. Ali reflects on himself, and he is so preoccupied with Roger’s portrayal that he fails to realize how Mrs. Ali and the others will view this moment in his family’s history.


Worse than the insult, and adding further tension to the scene, is the response of the white Britons when Mr. Rasool outlines his grounds for complaint and Abdul Wahid validates his perspective. The others justify, excuse, dismiss, or outright challenge Mr. Rasool’s legitimate accusation. Daisy essentially calls him a spoilsport, while Roger insists that the Colonel’s actions were valorous. And when Daisy insults Grace, the white woman who defends Mrs. Ali’s feelings, the Major, a white man, leaps in to defend Grace—realizing too late that the truly fair action would have been to defend Mrs. Ali. Moreover, when Lord Dagenham’s act of attempted diplomacy is to try to reconcile the different factions with a celebratory photograph, the Major doesn’t demur. The Magor choose not to speak in part because he thinks that making a fuss is a mark of bad breeding, but mostly because he does not wish to be the target of scorn, but this choice implicates him with the others who are making the community of Edgecombe a hostile place for Mrs. Ali.


Even if the Major doesn’t acknowledge the issues of racism at stake, the author makes it clear that the white Britons stolidly reframe their prejudices as a matter of class or etiquette. A prime example occurs with the mention of the so-called “privacy” issue that arose when former member George Tobin, presumably a white man, married a Black woman. By refusing to acknowledge their prejudice or the harmful consequences, the white Britons in the story duck their obligation to amend their behavior. It is only when the Major encounters the apologetics of the Vicar, who suggests that it is easier to conform to the community’s prejudices against interracial unions than to challenge them, that the Major realizes he has taken a morally indefensible stance.


Part of what helps to clarify the Major’s understanding is Roger’s bigotry, which is wrapped up in clear self-interest. Roger prioritizes his ambitions over all other considerations, even the prospect of having children, and he therefore loses his relationship with Sandy. Moreover, Roger has become deliberately cruel, as when he pressures Sandy to terminate a pregnancy. Roger’s lack of empathy teaches the Major to reflect on his own feelings. So too does his rejection by Grace, who declines his offer of practical companionship and expresses her wish for true passion in her life. Thus, the Major is forced to make a similar choice between maintaining tradition or pursuing the woman he loves.

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