73 pages 2-hour read

Mañanaland

Fiction | Novel | Middle Grade | Published in 2020

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Part 1, Chapters 14-16Chapter Summaries & Analyses

Part 1: “Yesterday”

Chapter 14 Summary

Max takes his dog Lola on a walk to the ruins. Max searches the ruins and finds the key to open the tower. He takes the stairs to where he saw the stone markings. There are hundreds of names and messages carved on the walls, showing the vast number of people who fled war and oppression through Santa Maria. The wind blows, sounding like a lullaby.


Max finds his mother’s maiden name carved on a stone, along with a message:


RENATA ESTEBAN
MY EYES ON MAÑANALAND
my heart in Santa Maria (117).


Max realizes his mother must have been a hidden one escaping Abismo with the Brigade of Women. This explains why she was allowed to travel onward with other hidden ones, when guardians have a strict code of not traveling beyond to the next spot. Max begins to worry about the cruel ways the community might treat his family if they knew his mother was a hidden one and his family were guardians. “[W]ould some of the boys throw rocks and spit at Max and hate him? Would he and his family be driven out of their own village?” he thinks (118). As Max and Lola walk home, it starts to rain, reflecting Max’s gloomy mood.

Chapter 15 Summary

Buelo comes home with bad news from Papá: fixing Max’s birth certificate is taking longer than planned. Max is in a bad mood for days. Max is distracted by the weight of what he learned at the tower, fear that he would never have a birth certificate, and resentment at all his family’s secrets. His mood grows worse since he cannot talk to his family about what he learned, having broken their rules by going to the tower alone:


How could he carry something so enormous and troubling in his heart, yet behave as though nothing out of the ordinary had happened? [...] Maybe it would be easier than he thought. After all, he came from a long line of imposters, secret-keepers, and liars (122).

Buelo leaves to play a card game with friends. Buelo tells Max that Buelo will stay the night with Max’s aunt Amelia if there is a storm and Buelo can’t walk home.


Once Buelo leaves, Max looks through Papá’s papers again and finds a note from his mother to his father:


This is the best we can all hope for.
Please do not follow me.
I loved you. R (124).


The note upsets Max. He skips dinner and falls asleep on the sofa. Outside, it begins to storm.


A magical sequence occurs where wind blows the roof off Max’s house and floats kitchen furniture around him. La Reina Gigante becomes a real giant queen and makes her way through the storm from the cliff to Max’s side. She sings the lullaby Max hears at the tower and encourages Max to sleep. She leaves and Max runs after her, though she has become a tower once again.

Chapter 16 Summary

At 2 o’clock in the morning, Max is woken by someone knocking on the door. When Max asks who it is, a voice replies: “A pilgrim, true of heart” (128), like from Buelo’s story. Thinking it’s Buelo playing a game, Max opens the door. Instead, he finds a strange man who introduces himself as a friend of Papá and Buelo named Father Romero. When Max tells him that Papá and Buelo are away, Father Romero reveals to Max that he’s there on guardian business. Max is surprised, having thought guardians were “a thing from the past” (130). Max learns Papá escorted a woman named Rosalina to safety only four weeks ago—when Max thought Papá was away working on a bridge. Now, Father Romero has brought Rosalina’s sister Isadora to hide in the tower. There is a reward out for Rosalina and Isadora. They are both in danger and Isadora needs to be moved urgently.


Max volunteers to escort Isadora in Papá’s place. The situation is dangerous since Isadora is being followed, but Max is adamant. He wants to meet the next guardian and ask them about his mother. He wants to prove he can do things on his own. He tells Father Romero he wants to help the guardians, like they helped his mother: “Favor con favor se paga” (134). Father Romero finally agrees. He commends Max on his bravery and selflessness, though Max knows he is volunteering for his own reasons.


Father Romero uses Papá’s bridge map to show Max the way to the next guardian. The black stars on the map are hiding spots for guardians. Father Romero tells Max to cross the last bridge on the map, then continue to a place off the map, expecting Max to know the way from there. Max doesn’t know the way, but Father Romero leaves before Max can ask for more information.


Max looks at the map again, and sees the last bridge is the “Bridge of a Thousand Mallards”—meaning the next guardian must be Yadra at the secret bridge. The directions are written into Buelo’s stories. Max is thrilled the story is true, and nervous for the task at hand.

Part 1, Chapters 14-16 Analysis

A storm brews outside, echoing Max’s dismal mood and creating a mysterious atmosphere. This pacing creates anticipation as the book builds towards a major development, and boundaries between the real and imagined start to dissolve and stories come to life.


This transition happens at the end of Chapter 15. After visiting La Reina Gigante by himself, Max discovers his mother was a hidden one and left his family for “Mañanaland.” As Max processes this new information, his emotions build. He’s sad and confused about his mother and isolated from his family by trying to keep his new knowledge a secret from them. The thunderstorm continues to grow outside and Max drifts to sleep on the couch. However, strange occurrences wake him:


The storm lifted the roof from the cottage and the wind tore through the rooms. Max sat up, wide-eyed. Kitchen chairs and pots and pans floated above him [...]. On the cliff top, La Reina Gigante had uprooted and slowly traipsed toward him. The tower was a giant queen [...] She waltzed forward through the raging weather. Hovering over Max, she plucked him from the room and held him in her arms, rocking him back and forth and singing (125-26).


It’s ambiguous whether this magical sequence is a dream, reality, or something in-between. Strong imagery and symbolism parallel Max’s emotional state, heightening the dream-like mood. The floating kitchenware and chaotic storm reflect Max’s stormy emotions. La Reina Gigante’s motherly presence as she rocks Max to sleep reflects Max’s sadness over his mother’s absence, as well as the close association between Max’s mother and La Reina. Max’s mother spent time hiding in the tower and has carved her name on the walls, making the tower the closest Max can get to his mother. La Reina Gigante is a divine and protective figure, and she sings the lullaby Max heard when visiting the tower. Although the sequence occurs during the night when Max is sleeping, he is described as awake and “wide-eyed.”


This permeable boundary between real and imagined, and the sense of open possibilities brought by the stormy evening and interrupted slumber, creates a magical mood that introduces the next development. Max is woken by a stranger knocking on the door, who introduces himself as “A pilgrim, true of heart” (128). This is a line from Buelo’s story. Excitement builds as Max’s favorite legends come to life and Max discovers he’ll be traveling to see Yadra from Buelo’s story. The magic from the stories imbues the journey with adventure.


This chapter ends the first section of the novel. Max is about to embark on a journey through space and time marking his transformation as he comes of age. Standing at the end of “Yesterday” and on the brink of “Today,” Max is looking forward to proving himself to his family by becoming a guardian. He also hopes to find his mother as he journeys towards Mañanaland. However, Max feels guilty that his motivations are self-centered. Max will reconcile this inner conflict on the journey.

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