Memorial Days

Geraldine Brooks

46 pages 1-hour read

Geraldine Brooks

Memorial Days

Nonfiction | Autobiography / Memoir | Adult | Published in 2025

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Chapters 29-41Chapter Summaries & Analyses

Chapter 29 Summary: “June 20, 2019: West Tisbury”

Content Warning: This section of the guide includes discussion of illness, death, animal death, and substance use.


To help with tackling the family’s finances, Brooks hired an accountant and financial advisor. The financial advisor said that Brooks would remain financially stable if she continued with her writing. However, the statement wasn’t comforting since she was only halfway through writing Horse and hadn’t touched the manuscript since Tony’s death.

Chapter 30 Summary: “Flinders Island”

Brooks has brought four of Tony’s journals with her to Flinders. She wants to read them before sending them to Columbia University, which will house them. The first journal begins just before she and Tony meet in graduate school. It chronicles their meeting and early days together. She reads on about their first years of marriage and eventual move to Sydney. It follows them as Tony takes a job at The Sydney Morning Herald and develops an interest in writing books. It then moves on to the details of their move to Cairo, Egypt, their time spent as reporters for various newspapers throughout the Middle East, and Tony’s travel adventures. This is the kind of journalistic work that he’d come to love. Tony writes in his journal about his fear of never becoming a respected journalist, and Brooks laughs about this since he went on to win a Pulitzer Prize in journalism. She says that the journals aren’t “happy reading” since they reveal Tony’s insecurities, noting, “[T]he Tony of 1989 had no sense of how bright and successful his career was quickly about to become” (161). Yet she is comforted to read his tender words about his love for her. She reflects on how unaware Tony was that his life would be so short.

Chapter 31 Summary: “June 26, 2019: West Tisbury”

Brooks discovered that the insurance company had canceled their policy since it was in Tony’s name. She was angry and exhausted that she had to resolve another bureaucratic complication while still processing her loss. Australians have taxpayer-funded medical care, and Brooks had never understood the American system. Through a work connection, Nathaniel contacted their senator Ed Markey, who helped them resolve the situation. However, Brooks laments that not everyone has the privilege to solve their health care crises so quickly.

Chapter 32 Summary: “Flinders Island”

Brooks dreams that two friends have come to deliver news of another death. The nightmare reveals her fear of losing another loved one.

Chapter 33 Summary: “June 27, 2019: West Tisbury”

Brooks received the coroner’s final report, which concluded that Tony died from ventricular fibrillation from myocarditis, which is inflammation in the tissues of the heart. Though it’s a rare condition that usually occurs in young people, it can be exacerbated by excessive drinking, stimulants, and exercise—all of which Tony relied on during his book-writing process. Brooks felt guilty for knowing about Tony’s excessive drinking and not doing more to intervene.

Chapter 34 Summary: “Flinders Island”

Brooks hikes to Trousers Point and admires the beautiful view. However, there are other people there, and she prefers to be alone. She concludes that solitude has allowed her to be with Tony, whether through her thoughts or by reading his journals, in a way she never could before.

Chapter 35 Summary: “August 16, 2019: West Tisbury”

The family held two memorial services for Tony, one in Martha’s Vineyard and one in Washington, DC. Though planning a service that honored Tony’s accomplished life brought comfort, Brooks was overwhelmed with the logistics of finding accommodations for all the guests, calling the process “another thing that a grieving person is ill-equipped to do” (180). She appreciated their writer friends’ moving eulogies but was most touched by Nathaniel’s speech, in which he asserted that Tony lives on through his writing.

Chapter 36 Summary: “Flinders Island”

On Flinders Island, Brooks compares her grief to the frequent fevers she once experienced as a child. They were relentless and painful, but she grew to appreciate the relief of their passing. She feels her grief shifting and entertains the possibility that she could be happy again. However, she fears that it might return, like the fever.

Chapter 37 Summary: “August 20, 2019: West Tisbury”

Almost three months after Tony’s death, Brooks spoke to Deborah, a friend and fellow reporter who recently lost her husband after a long illness. Deborah said that getting back to writing helped her heal, and she encouraged Brooks to do the same. All the memorial service guests left town. Brooks left to take her mother-in-law to the airport and accidentally hit her dog, killing him. She buried him in the backyard under a tree.

Chapter 38 Summary: “Flinders Island”

Brooks finds peace in nature since it reminds her of her own smallness. She pretends that Tony sits beside her on the beach. Reflecting on a song by the band Sleeping at Last about a deathbed conversation, Brooks regrets that she didn’t get a deathbed talk with Tony. She commits to “carry[ing] his light” by sharing him with her sons and future grandchildren (192).

Chapter 39 Summary: “West Tisbury”

After Bizu returned to school, Brooks was alone. Unable to fathom spending the holidays in Martha’s Vineyard without Tony, she went to Sydney. However, it also held too many memories of their time together, and in February, she traveled to France in hopes of finishing Horse. As news of the COVID-19 pandemic spread, Brooks returned to the US before the borders closed. Nathaniel and Bizu returned home, and she was happy to be reunited. Their time together was rich, but they often spoke about what Tony would have made of the pandemic and the ensuing political and social unrest. Brooks finished Horse so she could dedicate it to Tony.

Chapter 40 Summary: “Flinders Island”

Brooks swims naked in the ocean and feels cleansed. She releases the scream she’s kept at bay for three years. Afterward, she feels ready to move forward with her life.

Chapter 41 Summary: “Afterword”

Brooks reflects on her time on Flinders Island. Being there taught her to find solace in nature, and she takes this with her when she leaves the island. While there, she released her grief over the life she couldn’t have with Tony and embraced a new future. Though she was able to reconstruct most of the events that happened around Tony’s death, some details are still a mystery, lost to the flurry of sudden grief. Her experience taught her about the inefficiencies of how individuals deal with death. She asks that people be kinder and gentler to those who have experienced loss, especially those in healthcare and governmental organizations. She encourages readers to create a list of essential tasks and other important information so that those left behind can more easily navigate the loss in case they die suddenly. Lastly, she insists that those who experience loss must have an outlet for sharing their story, just as she has done in this book.

Chapter 29-Afterword Analysis

The final chapters of the memoir develop the theme of Commemorating Love Through Writing as reading Tony’s journals brings Brooks connection, discovery, and reckoning. She gains insight into his inner world while grappling with the irreversible nature of his loss. The journals become a window into his thoughts, fears, and reflections in a way that was unavailable to her even during his lifetime. As Brooks relives and revisits their life together through his words, she shares this experience with her own readers, memorializing his life and their connection. Tony’s journals reveal a side of him that Brooks never saw and add a layer of humanity to his success, allowing her to fall in love with him again.


Writing has been a core part of both Brooks’s and Tony’s lives, and she eventually came to realize, with her friend Deborah’s advice, that she could also commemorate her love for him through her creative work. When she reads his personal journals, the process not only allows Brooks to reconnect with her husband in his absence but also reminds her that writing can be an essential part of her healing. Writing thus becomes a means of processing loss, reclaiming control, and honoring Tony’s memory while also serving as a turning point in her personal and creative journey. She returned to her work on Horse, representing a shift from stagnation to movement—while grief had kept her emotionally frozen, writing was a step forward. She reconnected with her intellectual and creative identity and reclaimed her selfhood. Finally, continuing her work was also her way of honoring Tony’s memory: Brooks and Tony shared a love of history, research, and storytelling, and completing Horse allowed her to celebrate their bond by keeping his presence alive in her work. This represents the beginning of a new phase in her journey where she learned to integrate the trauma and loss into her life, empowering her to see a hopeful future.


Brooks had thus far been Processing Loss amid unanswered questions about the cause of Tony’s death. The official confirmation of Tony’s cause of death—myocarditis—eliminated any remaining uncertainty and provided an inarguable conclusion. This reinforced the finality of his passing, even though she already knew he was gone. However, while the diagnosis of myocarditis closed one door, it opened another one: It did not bring closure since Brooks felt overwhelmed with fresh guilt. She wondered whether she missed the signs of Tony’s underlying health issue and if it was preventable, even though myocarditis is often subtle and misdiagnosed. 


As 2020 began, Brooks’s personal mourning became entangled with global catastrophe, reinforcing the theme of The Inescapability of Death. The outbreak of the COVID-19 pandemic unfolded within a world now marked by mass death, collective fear, and disrupted rituals, which amplified the rawness of her loss. The overlap between personal and collective loss allowed her to see grief as a singular tragedy and a universal human experience. Like the virus itself, it touched everyone and demanded that humanity find new ways to endure, commemorate, and carry on. Paradoxically, the pandemic also created the conditions for Brooks to turn inward. With the global pause, Brooks was forced into physical and emotional stillness that allowed her to spend time with her sons, enjoy nature, and complete her manuscript in Tony’s honor, which brought her comfort.


The final chapter on Flinders Island describes one of the memoir’s most cathartic scenes, as Brooks describes swimming naked in the ocean and releasing her pent-up grief by screaming and howling. Howling is a primal expression of grief—a profoundly instinctual response to pain that is often associated with wild animals mourning their dead. Brooks’s howl releases the unfiltered emotion and grief that words cannot contain, which breaks from the restrained mourning of earlier chapters. Her naked swim represents how she finally sheds societal expectations and embraces raw, animalistic mourning, a stark contrast to the structured rituals she’d been forced to perform. Immersing herself in the ocean’s vastness makes her sorrow feel overwhelming yet small. Like grief, the sea is powerful, unpredictable, and all-consuming, and she surrenders herself to forces beyond her control. This moment is a cleansing rebirth, symbolizing her desire to begin anew. 


In the Afterword, Brooks turns outward. Having navigated the brutality of personal grief, she critiques societal treatment of grief and the bereaved. She asks why a universal human experience is treated as a private burden and argues that the bereaved should not be forced to hide their inner devastation just to make others comfortable. She calls for compassionate communal practices around death and supportive treatment of mourners.

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