53 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of illness and death.
After both her parents die from cancer, 15-year-old Allison moves from Kansas to Lithuania to live with her only remaining relative, Grandpa Z. Her dog, Mishap, and three duffel bags of belongings are all she takes with her. Grandpa Z gives the only bedroom to Allison while he sleeps in the kitchen.
Allison’s grief can be overwhelming, but she finds some comfort in prayer. The old woman next door, Mrs. Sabo, invites Allison over, and they watch a sermon on TV. Allison knows enough Lithuanian to catch the main idea of the sermon, which is about believing in things unseen. Later, Grandpa Z tells Allison that Mrs. Sabo can’t remember things anymore, implying that she has dementia. Allison begins watching TV with Mrs. Sabo regularly.
Mrs. Sabo shows Allison photos of her mom as a child. In many of the pictures, Allison’s mom is fishing in a river or showing off the enormous sturgeon that she’s caught. Grandpa brings Allison to the same river, River Nemunas. After learning her childhood home is being sold, Allison goes back to the river and sees an unbelievably large fish jumping out of the water. When she tells Grandpa Z, however, he says there aren’t any sturgeon left in the river. He believes she imagined it.
Allison remembers Grandpa Z once saying that God is a security blanket for babies. He doesn’t believe in things he doesn’t see, including the sturgeon. She hauls an old boat out from the shed, determined to catch one for herself. She takes Mrs. Sabo out with her, and they fish for hours in the river’s slow current but don’t catch anything. For the rest of the summer, Allison and Mrs. Sabo spend every day fishing. Eventually, Allison concludes Grandpa might be right, but she’s okay with that because she’s enjoying herself.
At one point, Mrs. Sabo tells Allison that the afterworld is a big, beautiful garden, that death is a woman named Giltine, and that omens of death include splintered mirrors and dreams of teeth being pulled. On the last day of summer, Mrs. Sabo catches something huge on her fishing line. She wrestles with it for a long time, but the line breaks, and she loses it. Nevertheless, she smiles.
Soon after the school year starts, Allison and Mrs. Sabo watch a documentary about the younger generations of a South American tribe losing interest in their tribe’s traditions. The tribal language is disappearing, and of the 150 people who once lived in the village, only six remain. At dusk, Allison sees Mrs. Sabo feed a wild white horse beer from her cupped hand and then press her face to the horse’s. That night, Allison dreams of her teeth falling out, and in the morning, Mrs. Sabo is dead.
Grandpa Z offers to take Allison fishing after that. On their fourth day, something catches Allison’s line. She pulls until her arms ache and finally sees the 10-foot fish at the end of the line. Grandpa Z sees it too. When Allison can’t hold the rod much longer, Grandpa Z cuts the line with his pocketknife.
On a school field trip to Plokštinė, an abandoned Soviet missile base, a boy tells Allison that seeing a white horse at dusk is good luck.
Six months after her parents’ deaths, Allison’s grief is as sharp as ever, but memories of Mrs. Sabo and thoughts of the garden afterworld comfort her. She wonders if the sturgeon—patient, gentle, and noble—is an orphan like her. One night in November, Allison prays for her parents, Mrs. Sabo, Grandpa Z, the South American tribe, and the sturgeon, while outside, it begins to snow.
The recent death of Allison’s parents immediately establishes her inner conflict with grief. Learning to deal with intense emotions in the wake of her loss, which she labels the “Big Sadness,” develops a theme about grief and loss specific to this story, which in turn develops the collection’s larger theme of Memory’s Role in Identity, Loss, and Preservation. Doerr characterizes Allison’s grief as sharp and damaging through metaphor, calling it “a shiny and sharp axe blade buried inside [her] chest” and a pendulum with “the axe blade […] slicing up organs willy-nilly” (158, 166). Allison’s various methods for coping with her grief lead to the story’s second major conflict: her effort to catch a sturgeon. She associates the fish with her mother and her mother’s past, so fishing for one becomes a way to, symbolically, reconnect to her mother and preserve a part of her mother’s memory.
Allison’s external conflict with the sturgeon also develops a message about belief and faith. If catching a fish connotes possessing and keeping it, then her goal is more about finding the sturgeon again and proving it exists than actually catching it. Belief in things unseen is an important part of Allison’s religious faith, which reassures her that there’s an afterlife, and her parents aren’t lost to her forever. Allison interprets the message of the sermon she watches with Mrs. Sabo to mean that “just because you don’t see something doesn’t mean you shouldn’t believe in it” (168). She tries to convey this message to Grandpa Z, who remains steadfastly convinced that there are no more sturgeon in the river. She wants him to have faith in things unseen so that he too can find comfort in the idea that his daughter—her mother—isn’t lost.
The titular river, River Nemunas, symbolizes intergenerational connections while also developing the theme of The Intersection of Personal and Collective History. Fishing in the river where her mother used to fish helps Allison feel close to her mother, but it also reflects the larger, ongoing interactions with the river of any number of people throughout history. She points out that rivers never stop running: “[W]hatever you’re doing, forgetting, sleeping, mourning, dying—the rivers are still running” (182). This idea of the river as ongoing and eternal, nearly immortal, gives her a sense that human death is also not equivalent to the loss of a soul and an identity. The river is part of her mother’s identity, so a part of her mother lives on in its ever-flowing waters. By fishing the River Nemunas and catching the sturgeon, Allison symbolically reclaims the connection to her mother that she thought was lost with her mother’s death. Allison’s observation about the river also applies to her grief. Though she’s in mourning, the river keeps running, meaning life goes on and she can move forward too.



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