Midnight Without a Moon

Linda Williams Jackson

54 pages 1-hour read

Linda Williams Jackson

Midnight Without a Moon

Fiction | Novel | Middle Grade | Published in 2017

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Themes

Colorism and Black Racial Identity in the South

The Merriam-Webster dictionary defines colorism as “prejudice or discrimination especially within a racial or ethnic group favoring people with lighter skin over those with darker skin” (“Colorism.” Merriam-Webster). In Midnight Without a Moon, Rose is relentlessly subjected to colorism, primarily perpetrated by her grandmother, Ma Pearl, and her cousin, Queen. The women in Rose’s family, though not all as light at Queen, are all of a medium skin tone with the exception of Rose’s Aunt Ruthie. Rose’s deep complexion is equated with ugliness, and she is frequently told that men will find her undesirable. Rose is very aware that her grandmother associates lightness with beauty and worthiness, and these values translate into every aspect of how she treats her grandchildren. Rose and her brother, Fred Lee, are forced to work in the fields picking cotton with their grandfather, while Queen is allowed to remain at home. Ma Pearl rationalizes that Queen’s light skin must not be subjected to the sun’s rays. Rose must assist with housework when she is not working in the fields, while Queen is allowed to nap or participate in leisure activities. Queen embraces these values and is smug about the privileges that Ma Pearl’s preferential treatment affords her. She dismisses the suffering and plight of those in her community, using color-oriented racial slurs against Rose in particular and criticizing Black people with judgmental terminology that suggests she believes they are her inferiors. Rose does not question the inequality of responsibilities in the home for fear of being physically harmed. Rose’s Aunt Belle is under the impression that Ma Pearl’s affection and reverence for her employer, Mrs. Robinson, are pathological in nature, resulting in a self-hatred and loss of dignity that Aunt Belle deeply resents and finds embarrassing. Queen’s father, though never named, is known to be white, and Rose wonders if this proximity to whiteness is behind her grandmother’s worshipful attitude toward Queen.


In Midnight Without a Moon, women are the only characters whose physical attractiveness is evaluated by the level of pigmentation in their complexions. Rose comments on Monty’s appearance, but only because she feels a kind of camaraderie with him in their shared characteristic. Emmett Till was murdered because he whistled at a white woman; the post-reconstruction and later Jim Crow south were characterized by an irrational narrative of fear constructed around the unsubstantiated presumption that white women were at risk of sexual violence by Black men. Instead, southern history is replete with copious evidence that the sexual abuse of Black women by white men was a pervasive injustice regularly resulting in children born of these interactions. Though there are no indications that Aunt Clara Jean and Queen’s relationships with white men were the result of coercion, the appearances of Queen and many of the other women in the Carter family suggest that exploitative relationships like these might be a part of their family history. Jackson does not address how this reality might shape Ma Pearl’s value system, but the discrepancies between men and women and the way they are expected to behave based upon gender and racial identity are prevalent throughout Midnight Without a Moon.

Historical and Geographical Elements in Differences Between Generations

One of the primary sources of conflict between the characters in Midnight Without a Moon is the differences in perspective and values between those born to different generations. These differences are especially pronounced when members of the younger generation have lived outside of the Jim Crow south. The Great Migration was largely propelled by the pursuit of growing professional opportunities that provided economic mobility for Black Americans. Through relocation also came the chance to establish a new home in communities that did not pose the same level of danger and disenfranchisement experienced by Black people remaining in the south. Though Rose dreams of one day moving to a northern city to embrace these same opportunities, she shares her grandmother’s resentment of friends and relatives who return to the south with patronizing and condescending attitudes. When Monty and Aunt Belle bring their friends with them to the Carter home, Rose is aware that these companions are satisfying a sense of curiosity. Aunt Belle is frustrated and ashamed of her mother’s stubborn insistence that the Carters are lucky to be employed by the Robinsons and living on their property; the Carter home utilizes sheets in the absence of bedroom doors, has only one room wired with electricity, and has no indoor plumbing.


The concept of “better” frequently appears in Midnight Without a Moon; those who have relocated are convinced that anything less than the lifestyle improvements they have grown accustomed to constitute an existence lacking in dignity. Aunt Belle is disgusted that her parents feel a sense of gratitude toward the Robinsons; to Aunt Belle, her parents’ living situation is woefully inadequate and insecure in the fact that it is entirely contingent upon the whims of the Robinsons. The younger characters are not able to understand Ma Pearl and Papa’s perspectives that are based on the historical experiences that shaped how they interpret the present moment. Ma Pearl was born to parents who were enslaved. Her daughter criticizes Ma Pearl for her deference to Mrs. Robinson, but Ma Pearl can recall a time of horrific violence that her daughter cannot reference, characteristic of the early Jim Crow south. Ma Pearl’s insistence that the NAACP and similar activist groups present a danger to Black people is influenced by her fear that the increase in violence she is witnessing will escalate to a degree that she can vividly recall but that her daughter cannot imagine.

The Physical and Spiritual Sanctuary of Religious Community

From the beginning of Midnight Without a Moon, Rose is a faithful Baptist, accepting of the doctrines and tenets of the Bible, but she often struggles with her lack of spiritual engagement. From childhood, she has prayed for intercession from God, asking for her skin to be lightened or for her mother’s heart to change, that Anna might return for Rose and Fred Lee and raise them as her children. Rose is frustrated by these unanswered prayers but also with what she believes is the hypocrisy present in many members of her congregation. Ma Pearl presents herself as especially pious, often commanding attention for herself during participatory portions of services, but Rose is intimately aware that her grandmother’s behavior and attitudes are not aligned with Christian ideals. Rose doesn’t mention anyone else by name but indicates that similar discrepancies between pretensions of piety and actual conduct exist among many members of their church community.


Rose appreciates the integrity and frankness with which Reverend Jenkins incorporates matters related to civil rights and racial injustice in his sermons. It earns him the reservation of his elder congregants, but, as was common throughout the south, the church is one of the only places where Black people can gather without being subjected to the imposition of white scrutiny and the consequences that might accompany failing to comply with their expectations. Rose believes, as Reverend Jenkins does, that human dignity and civil rights are inextricable from the requirements of living authentically as a Baptist. Her rapid spiritual growth in the novel is spurred by the parallels drawn by Reverend Jenkins between the torture and murder of Emmett Till and the suffering and crucifixion of Jesus. When she is moved to seek the church’s approval for baptism, she is propelled by the words of her grandfather. In disclosing that his satisfaction with the life he is living on earth is derived from embracing his passion for agriculture, and through contentment with the humble aspect of his existence, he convinces Rose that if anyone deserves to reach heaven, it is he. He is not complacent or subservient to the Robinsons because he shares Ma Pearl’s sense of inferiority but because he does not define himself in an earthly context. It is the overwhelming admiration and love she feels for him that serves in part to convince her that she must remain in Mississippi; she believes that there are so many like him who are worthy of more, even if they will not seek it for themselves. It becomes both her spiritual calling and her ethical obligation to enact change where she knows it will matter most.

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