57 pages 1-hour read

Murder by Cheesecake

Fiction | Novel | Adult | Published in 2025

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Chapters 8-17Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussions of gender discrimination.

Chapter 8 Summary: “Miami 5-Oh No”

Dorothy and her friends watch the police as they speak to Patricia. They assure Nettie they have no idea what is happening, eager to protect her from any anxiety. Just as Rose tries to assure her relatives that it is safe to stay in Miami and attend the wedding, a police officer, Detective Silva, approaches. She asks to speak privately with Dorothy and her housemates. They walk through the hotel with Jason’s family, and Dorothy listens to Patricia’s parents berate her for the situation. Patricia is worried about the effects of a scandal on the business. Dorothy realizes Jason is very different from his family.


The interview in the hotel’s cigar room soon grows tense, as the detective is unhappy that Rose and the others served the cheesecakes. A junior officer named Pierno whispers something to the detective, who then announces she must speak to Dorothy alone. Detective Silva begins questioning in a more hostile way. She shows Dorothy a paper the man had in his pocket, describing the location of their lunch date and her upcoming plans to attend a wedding. Dorothy realizes the dead man resembled Henry. Dorothy does not mention that their date ended badly, remembering Sophia’s advice. Silva assumes Dorothy could have secretly arranged a romantic liaison, while the other officer is shocked at the idea that older women date. Dorothy becomes exasperated, announcing, “I’m being given the third degree and being insulted along the way” (87). Dorothy requests permission to leave. As she exits, the detective requests that she remain available.

Chapter 9 Summary: “A Matter of Trust”

Rose consoles Nettie and Jason after telling them the truth about the police presence. Nettie is determined to elope. Rose explains that if she does, she will not receive her inheritance as a descendant of the town’s founder. Rose is frustrated at Nettie and Jason’s lack of practical interest in the money, and she is still eager to prove her love of wedding tradition. When Jason suggests eloping, Rose tells him that if he considers her family, he will continue to gather everything she needs for the traditional wedding. She enumerates a list of supplies, including:


Extra tubes of concentrated herring paste, a few willow branches, and twenty ounces of canned or jarred lingonberries. I don’t think you’ll be able to find fresh ones around here. After you gather all those supplies, then you a decide if you want a real St. Olaf wedding. But I think once you see the whole dazzling vision, you’ll make the right choice (94).


Rose assures the couple she will handle the fractious relatives. Rose resolves to throw the perfect wedding, but arrives home dejected, as Jason’s parents demanded more of a role in the wedding and blame her for the incident.


When Dorothy explains her unexpected connection to the deceased man, Rose blames her for their predicament. Rose’s cousin Gustave calls, lecturing her about a possible fish shortage and assuming she has forgotten a core wedding tradition. Rose reminds him she is aware of all the requirements, declaring in exasperation, “I have a great deal of respect for St. Olaf and its traditions, but I’m not feeling like you have the same respect for me!” (98). Gustave says he and the others believe Rose’s values align with her new life, not theirs. When her cousin suggests Nettie could still elope, Rose becomes suspicious Gustave wants the town to maintain its hold on her inheritance. When they hang up, Rose weeps in frustration.

Chapter 10 Summary: “Showered With Love”

The next day, the group arrives at the bridal shower hosted by family friends of the Bryants, the Corzons. The family runs a notable Cuban restaurant. Blanche notes that Mrs. Corzon is also interested in Jorgen. When the Bryants arrive, Rose explains that day’s unique wedding tradition: The group will take a shower before a more conventional bridal shower involving games and a gift exchange. For this ritual, Rose leads the group to some private outdoor showers on the nearby beach. Mrs. Bryant condescendingly assumes Rose does not understand the event is truly for gifts and a party, but Rose tells her the event is a metaphor. She explains, “you shampoo away your single life to prepare for your married one. Then you exfoliate with the loofah so you don’t have any rough patches in your marriage” (104). Rose has fond memories of the communal bonding with other women during her own shower and wants the same for Nettie.


Rose explains to the group that no one has to be nude but can stand under the spray briefly while wearing a towel or shower cap over their clothing. The ritual goes well, and Rose is relieved.


The group returns to the restaurant, and Dorothy, now the point-of-view character, notices Patricia is absent. Mrs. Bryant explains Chip has a sports injury and needed a ride to the doctor. Just as Dorothy is noticing the group getting along well, Detective Silva arrives. When the detective implies Dorothy was hiding something by not answering her phone, she points to the gathering, indicating she has been out. Silva is not placated, telling Dorothy she is wanted for questioning. A furious Sophia demands to know why her daughter is being harassed.


Rose notices the police and tries to distract Nettie, waving various shower gifts in front of her face. This is fruitless, as the whole group watches Detective Silva handcuff Dorothy.

Chapter 11 Summary: “Copping an Attitude”

Dorothy is anxious as she waits to be interrogated, especially after Officer Pierno suggests asking for a lawyer will make her more suspicious. In the interrogation room, Silva tells her that she and her friends are currently the only suspects, as their prints were found at the crime scene. A man introduces himself as FBI Special Agent Crum and accuses her of withholding information about a “public screaming match” involving Henry (115). Dorothy admits that Henry abandoned their date but denies feeling vengeful. She is taken aback when the officers ask if she lost money or valuables after seeing Henry.


Detective Silva explains that Henry seems to have used aliases and disguises, including the earring he was wearing when his body was found, as part of his con-artist schemes to defraud women. Dorothy points out that the deceased man wore no glasses, but Henry did. She also does not remember him having a mole. Crum and Silva imply Dorothy might be lying or concealing her anger at being scammed. The officials reluctantly let Dorothy go. She is relieved to see Sophia waiting for her.

Chapter 12 Summary: “A Rose Among Thorns”

Rose is still upset about the disruptions to the wedding festivities. As she blames Dorothy for dating a stranger, Cousin Gustave arrives. Gustave tells Rose that St. Olaf’s town leaders are so upset about the murder and arrest that they have added more requirements to the wedding. Gustave and Rose speak in furious Norwegian. Finally, she acquiesces, but she is too busy to talk more and demands he leave. The Bryants arrive immediately after and inform Rose that they refuse to have anyone from St. Olaf participate in the wedding, leaving a single invitation for her alone. Before Rose has more time to process, Nettie calls and tells her that her wedding dress has been stolen.

Chapter 13 Summary: “The Game’s Afoot”

The next morning, Dorothy enters the kitchen and finds Rose asleep on her lists for the wedding. Dorothy explains to Blanche that her stay at the police station was hostile and unpleasant. Rose distantly greets Dorothy, clearly resenting her for her role in recent events. As Rose upbraids Dorothy, Sophia says that all they need to do is find the real killer so the wedding can go on. Privately, Dorothy admits she would like to understand how she could have been taken in by Henry’s warm façade. Blanche admits, “I’m no Jessica Fletcher, I have no idea how to solve a murder” (137). This is a reference to another 1980s television show, where a retired teacher turned mystery novelist also solved real-life crimes. Blanche is mollified when she realizes she might be able to engage in some espionage and meet a man. Rose agrees to help, admitting the wedding is making her paranoid and angry. She breaks down into sobs.


Dorothy resolves to use her logic and reasoning, honed from her career as a teacher, to solve the crime. The group agrees the real killer likely had some connection to the hotel. Rose agrees to try to talk to the Bryants, as she has an excuse to interact with them. Dorothy assures her that a casual, friendly approach will work best, as no one will expect them to be investigating. Sophia says to Dorothy, “you want her to play the role she was born to play—dumb” (139). Rose is comforted by the assurance her natural personality is an asset and agrees to help. Rose decides that even if the Bryants are hostile, she will always have a reason to be around Nettie. Blanche agrees to socialize with the guests to find out if anyone had a connection to Henry or his possible crimes. Sophia persuades Dorothy to surveil the hotel lobby. Sophia, delighted, tells the others she and Dorothy will need disguises.

Chapter 14 Summary: “Mistress of Disguise”

Later that day, Dorothy parks her car near the hotel and takes a taxi to the hotel with Sophia. She is uncomfortable in tight jeans and a white denim jacket, but certain it will make her harder to recognize. Sophia is wearing a dark wig, with her hair wrapped in a scarf. She carries a heavy camera to pose as a tourist. Sophia mocks Dorothy’s proposed backstories about being a tourist on vacation with her mother, suggesting they need more authenticity. Dorothy adds, “I’m newly divorced and I’m wondering if I’ll ever find love again,” which Sophia pronounces the “kernel of truth” (148).


Dorothy lets Sophia take her picture in the lobby, relieved when she finds a discarded newspaper to hide behind. They spot a well-dressed woman deep in conversation with a younger man. Sophia and Dorothy recognize them as Gloria Corzon and Jorgen, having a romantic tryst.

Chapter 15 Summary: “Resting Suspicious Face”

On another floor of the hotel, Rose and Blanche are alone in a hallway. The Bryants unceremoniously evicted them from their offices, and they are uncertain how to investigate further. Rose draws Blanche’s attention to bins of incoming and outgoing mail. Blanche puts down her purse and pretends to have knocked over the mail by accident, and Rose, playing along, tells her, “Accidents happen! I’ll just help clean this up” (154). Rose makes note of many overdue bills, which belies the Bryants’ narrative of an extremely successful business.


With that avenue exhausted, the two friends head downstairs, hoping to find Patricia’s office. They physically collide with Dorothy and Sophia, not recognizing them. Sophia declares that she could have died: “I always feared the end would come, pressed between a couple of floozies!” (157). As the group compares notes, Dorothy and Sophia tell Blanche about the romantic link between Jorgen and Mrs. Corzon. Blanche is irritated, but Rose tells her to focus on the case. Rose catches sight of Patricia and pushes Dorothy to hide behind a plant. Though they cannot hear her conversation, Patricia is clearly arguing with Chip. Rose realizes she now sees everyone around her as a potential criminal. As she resolves to remain vigilant, Rose walks directly into her cousin Gustave, who is surrounded by her relatives.

Chapter 16 Summary: “The Big Schlep”

Gustave reminds Rose he promised the group a tour of Miami. Rose forgot, and Sophia comes to her rescue by offering to help play tour guide and join the group on their chartered bus. Rose is concerned about derailing the investigation by splitting the group up. Blanche reminds her even her relatives may have information to impart, and Rose goes reluctantly. Blanche and Dorothy assure her they will continue their efforts.


On the bus, Sophia points out landmarks. Rose joins Nettie and Jason, who are happy to see her and share their decision to have a wedding that fits St. Olaf’s stipulations. Jason hopes the inheritance will help them purchase a house with room for future children. Rose reluctantly confesses that Jason’s parents are refusing to honor any traditions or allow any of Nettie’s family to attend. Rose persuades Nettie and Jason to conceal this from the other relatives, as she believes they can resolve the matter in time without informing them.

Chapter 17 Summary: “Leave No Pickles Unturned”

Blanche suggests that she and Dorothy find a new location to investigate. Dorothy is perplexed, admitting, “she felt more like the bumbling Columbo and less like the bumbling-had-a-purpose-all-along Colombo” (176). Thinking of the detective’s habit of eating during cases makes her realize she can return to the diner and ask the staff about Henry.


As they arrive back at Wolfie’s, Dorothy tells the hostess she needs to tip her waitress from the other day. The waitress looks pointedly at her purse and is willing to answer questions once Dorothy gives her money. The waitress remembers seeing Henry nervously flee after paying. When pressed further, she recalls that he was dressed in much more casual clothes after he left the bathroom. Dorothy and Blanche both agree this behavior is suspicious.


The two friends retreat to Blanche’s favorite bar, the Rusty Anchor. The two friends compare notes from their various visits, and Dorothy draws diagrams of names and locations. Blanche admits she is totally perplexed, declaring, “[H]ow do you know what you don’t know, you know?” (183).

Chapters 8-17 Analysis

In this section, the introduction of the mystery plot intensifies the relationship dynamics and raises the emotional stakes for all the characters. Dorothy’s various interrogations build on the discussions of older women and cultural assumptions around them. The officers are alternately shocked and condescending about someone her age having a romantic life and assume a single woman her age might be prone to rage or resentment. Dorothy’s inability to convince them is a testimony to the persistence of gender stereotypes. The murder also adds tension to existing relationships, as Rose blames Dorothy for the disruption to the wedding festivities and seemingly refuses to accept that the murder is not a result of her dating choices. This highlights the theme of Agency in Later Life and Overcoming Stereotypes, as Dorothy refuses to accept the implication that her romantic pursuits are illegitimate or comical, and her verbal defiance signals her insistence on dignity and autonomy.


Rose’s uncharacteristic harshness stems from her own challenging family situation. Her cousin Gustave implies that she has lost touch with her core values and become a stranger to him. His questioning of her ability to carry off the wedding is thus a referendum on her identity more than it is a checklist of rituals to complete. While the St. Olaf wedding traditions are generally an element of comedy in the text, Rose’s attachment to them gives them more emotional import. Rose’s suspicions of Gustave’s motives underline that the unsolved murder has significantly changed her outlook and ability to rely on those around her. Her doubts are not merely paranoia; the murder transforms everyday interactions into potential threats, making even family members appear complicit or duplicitous. In this sense, Rose’s mistrust mirrors the larger mystery structure, where hidden motives and secret deceptions lurk beneath seemingly ordinary rituals. The escalation of ritual demands, culminating in Gustave’s introduction of even more requirements, highlights the theme of Tensions Between Individual Desires and Collective Traditions. Rose experiences tradition as both a cultural inheritance and a contested field in which power and belonging are negotiated.


Rose’s relationship with Nettie and Jason is closely tied to the struggle to balance individuality and tradition. She takes on a harsh, almost demanding tone about the details of the wedding rituals, adopting a stance not unlike Gustave’s. Blanche makes a similar point when she notes that Rose’s criticism of Dorothy’s use of modern dating may be overly harsh. In the original show, St. Olaf exists as an entirely comedic element, a sign of Rose’s trusting nature. As the murder investigation continues, Rose’s roots become a source of vulnerability, as she feels less quipped to navigate a world where those around her may not be trustworthy. Rose’s discomfort in asking Nettie and Jason to lie to the St. Olaf relatives emphasizes that it is the murder more than her move to Miami that is changing and unsettling her. This shows how the mystery reframes cultural comedy as existential crisis, intensifying the stakes of Rose’s identity conflict. Rose’s insistence on rituals nearly isolates her, but the support of her friends allows her to reinterpret tradition as a bond. By reframing loyalty to culture as loyalty to people, the novel demonstrates how Rose’s personal growth parallels the group’s collaborative resilience.


Rose ultimately overcomes the worst of her doubts and agrees to help Dorothy with the investigation. This establishes that the unique friendship and trust between the four women is a more reliable route to clarity than traditional policing. The amateur sleuths’ unconventional but essential skills are a key genre element of cozy mysteries, and in the world of the Golden Girls, the bond between the four amateurs is its own asset. Blanche sets aside her anger about Jorgen’s affair to investigate on Dorothy’s behalf and relishes the drama of searching for clues. The investigation helps highlight Sophia’s role in the group dynamics. She encourages Rose to set aside her doubts and support Dorothy and similarly assists Rose with the bus tour. Sophia’s maternal devotion carries some sharp edges, especially when she pushes Dorothy to admit to her loneliness and doubts about romance, or teases her about her appearance, but she does not hesitate to pursue adventure for the sake of her daughter and friends. These warm dynamics contrast both with Gustave’s judgment of Rose and the snide elitism of the Bryant family. This affirms the theme of Friendship as a Source of Strength and Security: When family ties fail, the solidarity of chosen bonds offers resilience.


The disguise subplot further dramatizes the theme of Agency in Later Life and Overcoming Stereotypes. Dorothy and Sophia not only embrace the comic element of putting on wigs and backstories but also assert themselves as participants in the investigation rather than passive spectators. Dorothy’s improvisation about her divorce reveals the “kernel of truth” that Sophia immediately detects, illustrating how self-revelation emerges in disguise. Their investigation demonstrates how older women can slip between visibility and invisibility, weaponizing stereotypes of age to gain access and knowledge.


The investigation in Chapters 8-17 yields key discoveries that tighten the mystery’s logic. Rose and Blanche stumble across the Bryants’ overdue bills and financial notices in their mail, which destabilizes the family’s polished façade and foreshadows Chip’s desperate motives. Dorothy’s return to the diner provides the waitress’s memory of Henry emerging from the restroom in entirely different clothing, a clue that directly anticipates the revelation of Henry’s twin brother. These concrete details keep the narrative tethered to the cozy mystery’s puzzle structure, showing how the women’s persistence rather than official police work uncovers the facts that will later resolve the case.


The novel also expands the theme of Tensions Between Individual Desires and Collective Traditions through the juxtaposition of cultural rituals. The bridal shower ritual, with its satirical shampooing and exfoliation, demonstrates how tradition is both absurd and moving, simultaneously comic spectacle and meaningful communal bond. Rose’s tears of happiness prove that even heightened ritual fosters real emotion, and her defense of this tradition against Mrs. Bryant’s condescension reasserts her agency in defining its meaning.


Throughout their investigation, Dorothy and her friends regularly allude to other detectives. Blanche comments that she lacks the skills of Jessica Fletcher, Angela Lansbury’s television role as a mystery novelist who develops a reputation for solving crimes as well as inventing them. Dorothy unfavorably compares herself to Columbo, Peter Falk’s detective who cultivates an unassuming persona to disarm and unmask the killers he investigates. These references help ground the novel in its 1980s setting and establish that the cozy mystery’s roots are also tied to that era. The detectives expressing suspicion that they could not reach Dorothy at home indirectly emphasizes that this is a world without widespread use of cellular phones, while the assumption Dorothy does not leave her house seems rooted in the idea that older women cannot have active lives. The intertextuality here strengthens the novel’s meta-commentary on genre, as the four women know they are entering a tradition of amateur sleuthing, but their humor and solidarity reshape it into something distinctly their own.


Dorothy also laments lacking the seemingly supernatural skills of Sherlock Holmes. This, along with Blanche’s admission that it is difficult to know what information they lack, confirms that the group are unlikely sleuths. At the same time, Ekstrom Courage makes clear that Dorothy’s observational skills have not failed her, as she points out to the police that the dead man was not wearing glasses, and she notices other elements of his appearance that do not match Henry’s. These details help set the stage for establishing the identity of both the killer and their victim. Dorothy’s social skills and intelligence, though they are underestimated due to her age and gender, ultimately prove more than adequate to rescue her from her current predicament. Though the core protagonists are plagued with doubt and uncertainty about the future, their persistence and trust in one another will prove key to resolving both the mystery plot and the novel’s tense relationships. This reinforces all three of the novel’s central themes, as Friendship provides emotional stability, agency in later life dismantles stereotypes, and tradition must be adapted to new realities rather than passively enforced.

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