54 pages • 1-hour read
Chanel CleetonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The rebels finally arrive in Havana, and the US government officially recognizes Urrutia as the legitimate head of the Cuban government. Emilio tells the family that Batista loyalists are being executed or suffering the seizure of their property and money. Batista is in waiting in the Dominican Republic, another Caribbean island nation led by a brutal dictator. The Perez family still has its funds that are held by foreign banks, but their situation is clearly growing more precarious every day. When the family watches Fidel address the country on television the night of January 8, they are struck by the adoring people who watch him as he speaks on the grounds of the Columbia Barracks, which once belonged to the US. The next morning, Guillermo, Pablo’s friend, comes to the house to tell Elisa that Pablo is dead.
Marisol spends the trip back from Santa Clara digesting the news: The implications are that she is Pablo’s granddaughter and that the man she called her grandfather is no relation to her. Furthermore, Emilio and her Ferrera grandfather must have known Elisa was pregnant because of the birthdate of her child. While Elisa always implied that the rushed wedding was because of the uncertainty of the times, the truth is that she married hastily because of the baby. Marisol’s discovery of her true identity and the end of the search for Pablo leaves her feeling deflated, but Luis tells her she should be proud to be the granddaughter of a man like Pablo.
Back at the house, Ana explains to Marisol that she is selling a product to the tourists—that “romantic Cuban experience” (253) of Old Havana before the revolution. Marisol realizes that she, too, was in search of that old Cuba, but the truth is that the embargo has devastated the country. Marisol’s understanding of this devastation was merely academic before. Looking at how the Rodriguez family struggles, she recognizes the reality of modern life for most Cubans. Luis comes down and shares a caress with Marisol. He asks her to join him after dinner, and Luis’s ex-wife walks in on the conversation.
Two days after Elisa learns of Pablo’s death, Castro’s government arrests Emilio and detains him in La Cabaña, overseen by Guevara, where he may well be held indefinitely or even killed. Seeing the danger her father and family are in, Elisa realizes that the family should leave Cuba. Mrs. Perez is indecisive, however, while Beatriz insists that they must wait. No one has heard a thing from Alejandro.
Unable to bear the waiting, Beatriz and Elisa go to La Cabaña a week later. Beatriz insists on making Elisa wait outside: There is someone inside whom Beatriz believes might help them. Elisa waits, and her nausea and fear for her own safety make the baby seem real for the first time. When Beatriz comes out, her lipstick is smeared, with the implication that she was forced to trade kisses or sex for the chance to see her father. Emilio is in a crowded cell. Che tries and executes traitors to the revolution three times a day, and the two young women walk away with the sound of the firing squad behind them.
The death back in La Cabaña finally makes Elisa realize that all the time that she and the other members of the elites tolerated Batista’s tyranny must now be paid for. Their privilege had allowed them to ignore the oppression of ordinary Cubans, which in turn created the conditions for the revolution to succeed.
Luis takes Marisol out to the Malecón and then for a walk down to Vedado so she can experience Havana nightlife as most Cubans do. They have only three days more before Marisol has to head back to the United States. Marisol realizes that she can never really call Cuba home; this modern Cuba is not any place she can claim as her own. Marisol is talking about this feeling and where to spread Elisa’s ashes when two men—clearly government agents—take Luis into custody and place him in a car. Moments later, a different man snatches Marisol off the street and takes her away.
Back in 1959, the regime releases Emilio days later. The world outside has seemingly gone crazy. Night after night, the family watches show trials of traitors to the revolution, followed by public executions. Mass audiences watch these spectacles in person, reminding Elisa of the stories of decadent Rome. Anyone is subject to accusation, so these are precarious times. Despite the horror and open violence of these trials, the family watches the trials, even Maria, the baby of the family, until Beatriz puts a stop to it. She asserts herself because the Perez parents have become paralyzed with fear. Alejandro or Emilio may well be on trial next, for all they know.
Exhausted and terrified by dreams of Castro, the bloody executions, and visions of Pablo’s death, Elisa is only soothed by Magda’s care. Magda bathes her in holy water and herbs one night. When Elisa wakes the morning, things feel clearer to her. She despises Castro and is amazed that the common Cuban people cannot see that these trials and seizure of the property of the rich and former Batista supporters cannot continue forever. The country is doomed. That day, the Perez family experiences another terrible blow: Unknown people, likely from the regime, dump Alejandro’s bloodied corpse at the gate of the Perez home. Beatriz and Elisa shield Maria and their parents from this sight, and they both swear to make the revolutionaries pay for their crimes.
Back in the present, Marisol is in the house of none other than Pablo. He is alive, it turns out, and had one of his men kidnap Elisa after a friend in the government tells him that Luis is likely to be taken in for questioning. Pablo has no idea where Luis is, but he promises to work on helping in any way he can. When Marisol asks how Elisa came to think he was dead, he tells her the whole story. Pablo was gravely wounded during the Battle of Santa Clara, so much so that it looked like he would die. When the rebels marched to Havana, Guillermo assumed that Pablo was dead and fulfilled his promise to tell Elisa if anything ever happened to Pablo. When Pablo finally arrived at Havana, Emilio was already in prison. Using the political pull he had as a compatriot of Fidel and Che, Pablo arranged for the release of Emilio. He gave Emilio a letter to pass on to Elisa.
Shortly after, the regime killed Alejandro, so Emilio never gave the letter to his daughter. When Pablo attempted to reach Elisa later that spring in Miramar, the family had already left for the United States. Pablo was with Fidel when Fidel went to address the UN in 1960, so he took the opportunity to reach out to Emilio. He discovered that Elisa was married, had a child, and was happy. He gave up on his dream of being with her. He married and settled into a life of attempting to bring Cuba closer to the democratic constitution of 1940, when it still seemed like freedom was possible. Marisol tries to give Elisa’s engagement ring—a Garcia family heirloom—back to Pablo, but Pablo tells her to keep it. Marisol looks so much like Pablo’s mother that he knows she must be his granddaughter, and Marisol tells him that the baby with which Elisa was pregnant was a boy, her father. Pablo leaves after promising to do everything he can to save Luis if possible.
In these chapters, the violence hovering over the characters in 1959 and 2017 erupts. Both Elisa and Marisol learn what the explicit practice of political power looks like, and what they see devastates them.
While Elisa always understood that there was the potential for violence to affect her family, she is confronted with the apparent death of Pablo and the delivery of Alejandro’s corpse in quick succession. The public trials and executions that she witnesses show that the ideals of the revolution, when exercised, will be bloody. As she looks at the violence of the revolutionaries’ justice, she comes to recognize that her own life under Batista must have been built on an equivalent kind of violence to have inspired such reprisals. She feels implicated in the violence, which changes her sense of herself as a Cuban. She embraces the exile’s perspective that the country one lives in is so terrible that one must leave it.
In 2017, Marisol also comes to see the abstract idea of oppression under the current Cuban regime as concrete violence when she realizes Luis is in danger because of her search for Pablo. When the government snatches Luis off the street, Marisol’s initial impulse is to use her passport to seek help at the American embassy. When faced with danger, she clings tightly to her American identity. That moment in the street marks the end of Marisol’s ability to feel nostalgic about Cuba.
Pablo’s story about his intervention in the lives of the Perez family also undercuts Marisol’s nostalgia about the Perez family history. It turns out that their escape is not just a story about brave exiles who managed to defy Fidel on their own. Pablo’s power as a confidante of Castro shielded the family by allowing him to free Emilio. Without Pablo’s personal relationship with Elisa, the lives of the Perez family would have been much more tragic. In short, Cleeton uses these chapters to show shifts in the two central characters’ identities. Elisa goes from being a Perez daughter to being an exiled Cuban, while Marisol goes from being the granddaughter of exiles to being the Cuban-American granddaughter of a revolutionary.



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