48 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of child death.
Evelyn is the text’s protagonist and primary narrator. She is a girl of 17 who has lived countless lifetimes over the last 1,000 years: Her earliest incarnation was as a Greek woman named Daphne in the year 986. Due to the terms of a deal she strikes with “the Mother,” she is unable to remember either the deal or the origin of her relationship with Calliope, the person she eventually comes to know as “Arden.” Evelyn is a name she gives herself in Lundenburg (London) in 1006, chosen because it sounds close to “devil”—what she becomes as a result of the deal. Aware that Arden remembers everything they have ever been through, Evelyn is haunted by her inability to remember their lives together, afraid that it is a sign of her carelessness. Evelyn feels that if she could remember, she might be able to understand why she and Arden seem destined to repeat the same murderous pattern over and over, and this sense of understanding would give her some comfort. She doesn’t realize that this is precisely why she cannot remember: The Mother is sustained, in part, by Evelyn’s suffering, and her not knowing—and believing herself to be somehow negligent or irresponsible—causes her more pain.
Evelyn is a round character, motivated by her empathy, compassion, and deep capacity for love, and she remains fundamentally unchanged throughout the text, making her static. From her earliest known incarnation to her most recent, a young woman living in Wales in 2022, Evelyn’s essential qualities do not differ, even as she reincarnates in bodies of different sexes and with different orientations—part of the novel’s exploration of The Fluidity of Sexual and Gender Identity. As Daphne, she is willing to make a horrific sacrifice just to be with Calliope when the Mother poisons her, and her love for Arden continues to be just as strong in each lifetime, even though she knows he will kill her. Indeed, Evelyn is repeatedly characterized by the metaphor in which her hope for a better future is compared to a candle, as when Léon Cazares feels “[h]ope flickering in his chest, bright and strong in the cupped hands of his ribs” (337). Though Evelyn, now Léon, cannot recall any life or detail prior to this final one, this capacity for hope is typical of her in every incarnation and, now fulfilled, is revealed to be the most essential quality she possesses.
Arden, Evelyn’s love interest, functions as an antagonist for much of the novel, as he is bent on killing her before she turns 18. His motives for doing so emerge relatively late in the novel, but what is clear early on is that he is both much more cynical than Evelyn and constantly surprised, delighted, and in awe of Evelyn’s ability to remain so loving and hopeful despite knowing how her life and relationships will end. He himself allows his knowledge that love causes pain to dampen his willingness to love. In Siberia, when he allowed himself to love Evelyn, the experience of their deaths was simply too painful for him to repeat. Thus, in their next life in El Salvador, he keeps a distance from Evelyn for almost their entire 18 years, only revealing his identity to her in the moments before he kills her. She identifies him as rather “cold-blooded” in this particular lifetime, the result of the pain he felt when he allowed himself to love in Siberia.
Nevertheless, Arden is primarily motivated by a desire to protect Evelyn; ironically, the only way he can save her from the worst fate he knows is to murder her in every lifetime. Just like her, he is unaware of their initial lifetime in 986 Greece—in his case, because the Mother wants him to think that their first interaction was when Evelyn reaped him in Lundenburg. The Mother hoped that this would cause additional suffering that would feed and sustain her, and it does, but not in the way or to the extent that she intended, as she did not account for either Evelyn’s inherent goodness or Arden’s ability to forgive. When Arden realizes that Evelyn cannot remember their earlier lifetimes, and after she uses her own body to protect Arden’s father in Northern Song, he realizes how pure of heart and empathetic Evelyn is; he can no longer hate her for the deal (he believes) she made with him, which bound him to the Mother forever. In subsequent lifetimes, though it brings Arden continuous pain, he finds Evelyn and kills her to protect her from returning to the Underrealm, which he remembers but she does not.
Despite his ongoing attempts to shield himself from emotional involvement, Arden becomes close to the Blythe family, later explaining that Gracie was simply too unique and lovable to permit him to maintain the distance he preferred. Arden is thus a dynamic character who slowly opens himself up to human connection (and also warms up to Evelyn across various lifetimes). By the time the couple confronts the Mother together, he has become a secondary protagonist.
The Mother is the novel’s primary antagonist—the source of the deadly dynamic that exists between Evelyn and Arden and thus the originator of the novel’s conflict. A rather opaque figure, she borrows from the witch and devil archetypes but is principally a living embodiment of suffering and cruelty; even she does not know how she came to be, but she attributes her existence to the Blight of Humanity, remarking, “I am the product of human pain, of millennia of hatred and bloodshed, loss and grief” (310). In this sense, the Mother is deeply human, but unlike the novel’s human characters, the Mother is ruthless, only motivated by sustaining her own life—via others’ suffering—and this necessitates the creation of additional devils: souls who will reap more souls to feed her appetite for pain. Her need to punish and exploit others is her only significant trait, making her a flat character. In addition, she is unchanging throughout the text and is, thus, a static figure.



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