57 pages 1-hour read

Play Nice

Fiction | Novel | Adult | Published in 2025

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Chapters 1-7Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of gender discrimination, mental illness, disordered eating, child abuse, substance use and dependency, cursing, and death.

Chapter 1 Summary

It’s almost midnight on New Year’s Eve, and Clio Barnes, a 25-year-old influencer, senses the desperation of her fellow partygoers to find someone to go home with. She meets Ethan, who says that she’s ditched him before, but she flirts with him until he gets her a drink, and they leave together.


When Clio gets a phone call from her sister, Leda, she declines it and calls her other sister, Daphne, as Clio would rather hear whatever bad news is coming from her. Daphne tells Clio that Alexandra, their estranged mother, has died. Neither Daphne nor Leda calls their mother “Mom,” and Clio thinks this is cruel. Daphne asks Clio to come to their father’s house tomorrow. Leda is upset that she didn’t get to tell Clio, and she says to ignore any calls from their Aunt Helen.


When Clio hangs up, she calls a ride for her and Ethan and tells him that her mother died. She plans to use him for “body heat” tonight, but then she thinks that Alexandra would be proud of her for this. Her mother would rather her “girls open [their] legs before [they] ever open [their] hearts” (8). Recalling this, Clio kicks Ethan out.

Chapter 2 Summary

The next morning, Clio opens the gift bag from the party, which was her friend, Veronica’s, soiree to celebrate her partnership with a jewelry company. The bag contains a white gold snake charm with diamond eyes. When Clio puts it on at the mirror, she recalls how much like Alexandra she looks.


She calls her dad, James, struck with an idea. She turns on helpless tears so that he offers to come get her because she hates taking the train. She realizes she doesn’t know how to mourn her mother, a woman who taught her by showing her what not to do. Alexandra lost control of her emotions, Clio thinks, and this makes Clio determined to remain in control.


When James arrives, he says Alexandra’s sister, Helen, called Leda with the news of their mother’s death. Helen hates James, though Leda has had lunch with her a few times since they both live in Boston. When Clio and James get to New Jersey, his wife, Amy, greets them, and Clio experiences her typical mixture of relief and unease about being “home.” Amy was the girls’ sweet and bubbly dance teacher before she became their stepmother.

Chapter 3 Summary

Leda thinks she’s ugly because Alexandra used to tell her so, but Clio loves Leda’s face. Leda says that there will be a memorial for their mother, but neither she nor Daphne will go. Clio does want to go, however, and this causes conflict.


Leda anticipates the presence of Alexandra’s “weird associates,” and when Clio claims she can handle herself, her sisters remind her that James does “everything” for her. Finally, Leda and Daphne tell Clio that it’s about “safety,” insisting that she doesn’t remember how bad things were when their mother became mentally unwell after the divorce. Clio says she doesn’t care and goes to her room to be alone.


Clio has little to validate her memories of Alexandra, but she does have some. Clio has an eye-shaped scar on her arm, though she can’t remember how she got it. Everyone blamed her mother for it, but she never could. Clio thinks maybe her mother mentioned it in her book, Demon of Edgewood Drive: The True Story of a Suburban Haunting, but James made the girls promise they’d never read it. Clio thinks she’s the only one to care about Alexandra’s death, and she wonders why she cares so much.

Chapter 4 Summary

Tommy, Leda’s husband, is happy to see Clio. Tommy is a social worker, and Clio loves him for his innocence and goodness. Clio wonders who they will blame for everything now that Alexandra, the “family scapegoat,” is gone. Everyone wants Clio to skip the service, but she insists, asking Tommy to go with her.


Clio asks if her sisters have read Alexandra’s book. Leda, shocked, denies it, but Daphne is curious. Clio says she hasn’t, and Leda calls it a bunch of lies. When Clio asks if they think Alexandra really believed in the “demon,” Daphne says “yes,” just as Leda says “no.”


Back at the house, Clio and Daphne smoke a joint on the deck. Clio says she’s serious about going to the memorial. Daphne claims that Alexandra’s people are going to talk about how much she loved them, but she reminds Clio that everyone in this house really loves her. Daphne wonders if love can look ugly and do “bad” things.

Chapter 5 Summary

Clio and Tommy drive from New Jersey to Connecticut; it’s been 18 years since Clio saw Alexandra. She notes how attached she’s become to her snake charm. Clio looks the most like Alexandra, and she says this is why she was her mother’s favorite.


The memorial service is held in the home of Mariella, a psychic who knew Alexandra, and the woman greets Clio familiarly, though Clio has no knowledge of her. Mariella is, apparently, the aunt of Roy, who was Alexandra’s second husband. Roy is a demonologist and James’s opposite. He tells her how proud Alexandra was of her and her sisters, and how much Alexandra sacrificed for their safety. Clio knows that to agree with him would be a betrayal of her sisters, and of the truth. She sees their Aunt Helen, who ushers her away to speak privately.

Chapter 6 Summary

Helen doesn’t believe in ghosts and demons, but she does believe what her sister said. Helen mentions Alexandra’s difficult childhood and their father’s abuse, and Clio says she knows. Helen insists that she thinks she does, but she doesn’t. Clio says that Alexandra left them, and Helen tells her it isn’t that simple.


Clio is surprised to learn that the supposedly possessed house on Edgewood Drive still belonged to Alexandra, and she left it to the girls. Clio thought she sold it, but Helen said Alexandra kept it out of some moral obligation to rid it of evil before passing it off to another family. She and Roy continued to try to exorcise it. That’s where she was when she died. Helen reports that Alexandra would go sometimes when she missed her daughters and to make sure the demonic activity stayed “dormant.”

Chapter 7 Summary

Clio and Helen go back to the gathering, and Roy gives Clio a small pouch with Alexandra’s rings and a key inside. As others share memories, Clio recalls a time her mother took the girls to McDonald’s and then yelled at them about getting “chubby” because girls who are overweight get bullied. When she sees everyone looking at her, Clio realizes that she said the memory out loud.


The others’ stories seem to be about a version of Alexandra that Clio never knew. On the way home, Tommy says he’s proud of Clio for showing up and telling her truth. He admits that Leda knew about the house and that Alexandra died there; he says she doesn’t want to think about it. Clio decides that she can handle it.

Chapters 1-7 Analysis

Harrison uses figurative language to characterize the three sisters and their father, James, introducing the theme of Haunted Domestic Space as an Archive for Trauma by revealing the longstanding tensions within the family household. Citing her sisters’ conflicts, Clio says, “I’m the family’s social lubricant, the special sauce” (12). She feels that she is the member of the family that makes it work, but her disagreement with her sisters about whether to attend Alexandra’s memorial reveals a lot of tensions and unresolved familial issues simmering just beneath the surface. For example, when there’s a lull in one conversation, Clio calls it “Space for me to start a fire in” by asking about their mother’s book (27). Her metaphor suggests that she’s aware that the topic will upset her sisters, with her mother’s book embodying the dark secrets of the past that the family would rather not address.


When Clio first gets home and sees her sisters, she hugs Daphne first, then “wriggl[es] free of Daphne to go hug Leda. It’s unpleasant, like embracing a flagpole (17). This simile makes it clear that, while Daphne is an affectionate sister, Leda is rather hard and cold. Further, Clio describes Leda’s husband as her “Achilles’ heel” (13), an allusion to Greek myth that positions Leda as a nearly invulnerable warrior. She is hard and unyielding. Clio describes her father as “Steady and reliable, the captain of the ship, the benevolent king of our lives” (10). These metaphors suggest his authority and power; he rules the family, apparently capably, though his past behavior toward their mother suggests that he can be tyrannical—an element of his characterization that will become increasingly important as the novel progresses.


Clio also uses figurative language to describe her parents’ relationship: “To say my parents did not have an amicable divorce would be like saying the Challenger did not have a pleasant flight” (13), an allusion to an infamous space shuttle disaster. Clio’s memory of her mother and father’s tense relationship introduces the theme of Women’s Likability as a Prerequisite for Empathy and Safety. Her father and sisters insist that her mother was a difficult, unlikeable woman who caused pain and suffering to their family, with Clio’s sisters even refusing to refer to Alexandra as “Mom.” Clio does, however, hear conflicting reports, with Roy and Helen insisting that Alexandra did love her daughters and tried her best to protect them. These early chapters thus present two competing portraits of Alexandra, with Alexandra’s ostensible mental health issues and insistence on a demon presence in her home introducing the idea that women who are not compliant and “likable” are vulnerable to misinterpretation and abandonment by others.


Clio’s mother’s example casts a long shadow over her, leaving her afraid of showing vulnerability lest others take advantage of her. To this end, Clio recognizes that control is often only a performance, but she nonetheless performs it because it makes her feel powerful. Of her conversation with Ethan, she says, “the easiest way to tell who a man really is, is to injure his ego and see how he reacts” (2). She pretends not to remember having met him before so that she can maintain the upper hand in their interaction. She also reflects on one lesson her mother’s life taught her: “[H]ow important it is to be in complete control of your emotions. It’s too dangerous the other way around” (11). To appear out of control is to invite danger.


Clio thus exhibits a desire to always retain control, in both large and small ways. When Amy calls her for dinner, Clio “blow[s] on [her] nails so they dry faster. Futile, but [she] appreciate[s] the guise of power. Of control” (22, emphasis added). She knows that blowing on the wet polish will have little effect, but she does it anyway because it makes her feel effective. Finally, when she’s with Helen at the memorial, she makes sure to use body language to suggest “That listening is [her] choice. The power in this moment belongs to [her]” (40). Learning to accept a lack of control and be more vulnerable with others will become a key part of Clio’s character arc as the novel progresses.

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