57 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of gender discrimination, mental illness, self-harm, substance use and dependency, graphic violence, sexual content, cursing, and death.
When Clio gets to the city, she buys marijuana and declares that she’s “self-medicating” again. Over the phone, she told Daphne about her dream where their parents were fighting, hoping she might remember such a fight. Instead, Daphne’s mad that Clio read Alex’s book. Clio is angry with James for burning her copy, but Daphne blames Clio for breaking her promise. Clio asks Daphne to consider that James isn’t who they think he is, that he’s everything Alex said. Daphne reminds her that Alex abused them, that she could have chosen to stop “ranting” about demons and get sober so as not to lose custody, but she didn’t.
That night, Clio goes out with some friends, and she makes a crack about Kaleigh’s new deal with the makers of “child labor pajamas” (189), not remembering that the deal is actually Kiera’s, the very friend she’s talking to. Kiera storms off, and Veronica confronts Clio. Though Veronica and Kaleigh agree with Clio’s assessment of the manufacturer, Veronica says, “Yeah, but you don’t say that” (190). Clio realizes she’s broken influencer etiquette, and now everyone is uneasy. She misses Austin, which irritates her. She bumps into Ethan, and they take a cab back to her apartment to find her building engulfed in flames.
The damage to Clio’s apartment is minimal, but she has to move into a hotel for now. She realizes she could ditch the home renovation project, but she wants to go back. Clio knew, years ago, that she was fundamentally different from her sisters: They play it safe, while she craves danger and excitement. When she gets to 6 Edgewood, she finds the copy of her mother’s book that she ordered. As she cleans the kitchen, she notices a huge shadow behind her. Her new book has been moved and annotated, this time by the demon.
The page to which she opens describes the process Alex went through to get a second opinion on the house. When one investigator came, he told Alex that demons don’t possess places, but people. In the margins, she finds the words, “Wear any skin. Want house skin” (199). The man said that the entity was likely a poltergeist and gave Alex his card. She called a married couple from Father Bernard’s list, and he filmed as the wife started retching; they interviewed Clio about the entity despite agreeing not to speak to the girls. James’s lawyers got hold of the footage and used it against Alex in court. Eventually, Clio told Alex that James wanted the girls to live with him, but the entity in the house wanted them to stay. She said that she’s “its favorite.”
Clio calls Austin, and they go out to eat. She listens while he talks about his mother’s illness, his dad’s death, and his student loans. She realizes that he’s invested in their relationship, but she wishes it could stay casual. Clio associates a thin gold chain like Austin’s with a certain type of guy: The casual-sex-no-commitment kind.
She tells him about the differences between her few memories and the book, and she considers telling him that the house really is haunted, but she decides against this. Clio sleeps at his house and goes home the next morning. She remembers catching her mother dancing on the deck once, smoking and drinking. She recalls the pink lighter Alex had, then looks at the scar on her arm.
Clio calls Helen and asks if she knows where the burn came from; Helen cautions Clio about looking into the past. Helen reaffirms her hate for James and how much Alex loved the girls. Helen says that Daphne and Leda told James that they saw Alexandra burn Clio, but Alex had no idea how Clio got the burn.
Daphne and Leda continue to ignore Clio’s calls, so she keeps reading. Alexandra writes about calling Mariella, a Connecticut psychic, who described the entity as “rather … egocentric,” displaying a level of understanding no one had yet. The entity, apparently, annotated this description, saying, “The selfless starve” and “Pick my teeth with their bones” (216), along with a smiley face. A storm arrived, and Alex was awoken by a massive shadow in the doorway; she saw its horrific, nightmarish face in the lightning. Where she described her attempts not to look, the creature drew frowny faces in the margin. The next morning, she brought up the storm to the girls, but outside was dry. Clio orders a pizza and keeps reading.
In the book, Mariella arrived with Ruth, a clairvoyant; Jed, a paranormal technician with expertise in EMF and EVPs; and Roy, a demonologist and Mariella’s nephew. They were all kind and affirming; they felt like allies to Alexandra because they took her seriously. After investigating, they said she did have a demon living in her attic, and it was attached to Clio.
Clio gets a text from Daphne: She is calling a sisters’ meeting on Saturday in Manhattan.
Impatient, Clio skips ahead to the exorcism. Alex writes that, although James agreed to take the girls that weekend, he claimed he never did. She believes he set her up for failure. That Saturday, she told the girls that a team was coming over to make the haunting stop. Clio argued, saying that the entity was there first. She ran to her room, and Alex followed, still holding the knife she’d been using to cut up fruit. She could hear Clio laughing, and then the demon started laughing too. Alex snapped, screaming at it, and plunged the knife into the door. She yelled at the demon, claiming she would “bleed [it] out” before she let it take her daughter (228). At some point, she realized everything had gone quiet, and she turned to see Daphne and Leda, terrified. They ran off, but Clio came out to comfort her mother. Then she whispered that Alex was going to die there.
Clio recalls Alex screaming and banging on the door, but the rest is a blur. Alex did, in fact, die there. Clio goes back to reading. Clio realizes that, when James burned her book, that was the second time he separated her from her mother and drove a family member into a house possessed. Alexandra writes that she waited for Father Bernard and the team, thinking that this dynamic in her haunted home was so familiar to her that she wasn’t sure who she’d be without it. Ruth set the girls up on the deck with coloring supplies, snacks, and games.
The group began the exorcism, but Clio came back inside, saying it didn’t matter where she was. Ruth began convulsing and retching while Father Bernard prayed and Roy chanted in Latin. Alex sobbed, screaming at the demon to get out, and something suddenly dragged her from the house, right through the now-open front door. The demon annotated this event, claiming, “My house skin mine” (237). Alex struggled back inside, and blood was pouring from Jed’s ears. Roy told Ruth not to let “it” in, but it was too late. She bashed her face against the table repeatedly and then ripped out her own eyes. They called an ambulance while the girls cried outside on the deck. Later, Clio told her mother that she should have left the entity alone. She also disclosed that she, too, would die in this house.
Helen calls Clio, and Clio insists that Alex made it all up: No one clawed out their eyes, no ambulance came. Helen refuses to argue. Clio insists that if Alex missed them so much, all she had to do was get sober, but Helen says it’s not that simple. James convinced Alex that she was a terrible mother, according to Helen. Clio is frustrated that everyone blames someone else, and no one will tell her the truth. Helen says Clio doesn’t want the truth; she just wants a version she can live with. Helen doesn’t know why Alex was in the house when she died, but she asks Clio why she’s in the house now.
Clio goes back to the city for a few days and stays with friends. She misses Austin, but she’s afraid that if she returns now, she’ll tell him the truth about the house.
She goes to meet her sisters at the restaurant. Daphne tells Clio not to be difficult, but Leda says she can’t help it. Leda says she thinks Clio is incapable of empathy and has a personality disorder. Clio is appalled, but she asks about their memory of Alex burning her. Leda says the environment was bad for Clio, that she was acting out because of Alex, but the truth is that Leda and Daphne saw Clio burn herself. At the time, Clio said it didn’t hurt, just like the demon said it wouldn’t. They blamed Alex for brainwashing Clio, and when they told James, he said they had to help him get them all away from their mother.
Clio tells them that the house is haunted, and Daphne panics. Leda shakes her head, muttering that Clio is just like Alex.
Clio goes back to the house. When James arrives, she accuses him and her sisters of lying to her. She says she’s the only one telling the truth, and yet no one believes her. He says he’s coming to get her, and she tells him not to. After he leaves, Clio lights a cigarette and takes a swig from the vodka bottle. When Austin arrives, she’s standoffish. She picks a fight, a little drunk, and tells him they should end things. He says something that hurts her, and she criticizes his gold chain; he says it belonged to his father.
Clio watches Austin walk away. When she goes back inside the house, the door slams behind her. She goes back to reading. Alex writes that Roy told Alex that the demon lived there, on the land, even before the house was built. He says she may not even be able to sell the house if the demon doesn’t want her to leave. Clio sees a word scrawled across the page: “HOME.” She grabs her phone and sees that she’s posted a couple of pictures on her socials: They show the vodka, her childhood drawings, the cigarettes, the opening to the attic, and even a blurry, bloodshot selfie. She thinks maybe she’s just killed her career.
Clio hears a thud. She says, “hello,” and there’s another thud. The floorboards creak, and she feels something hit the back of her head: It’s the pink lighter. “Hello,” an “incomprehensibly foul” voice replies. She thinks she may have ruined her life, and it occurs to her that she should light herself on fire. The foul voice tells her it won’t feel like anything. She flicks the lighter and holds the flame to her scar; she doesn’t feel it, but the smell stops her.
Clio throws the lighter across the room, and the creature laughs. It runs into one of the bedrooms, and Clio decides it’s time to reach out to the only person who will believe her: Roy.
Alexandra’s and Clio’s experiences with the house highlight Haunted Domestic Space as an Archive for Trauma. Alex makes the connection between one’s personal “demons,” a metaphor for the things that hurt or trigger pain for a person, and the actual demon that lives in the home. In her text, she writes about the arrival of Mariella’s team on the day they planned to exorcise the demon. She says, “part of me felt at home in this. That the pattern, the dynamic, was familiar to me. That I’d spent my whole life trying to prove myself. That I was used to being siphoned from. That destruction, invisible or unfathomable to outsiders, wasn’t anything new or extraordinary to me” (231). Her treatment by her family of origin, then James’s treatment of her, both felt quite similar to the feeling of being pursued and attacked by the demon. She has never felt safe, and now she cannot even feel safe in her own home, a home she purchased to be a sanctuary for herself and her daughters.
This domestic space thus echoes and triggers trauma similar to the ones she’s already endured. It’s even become part of her identity, but at least there are people now who believe her about the demon, who understand that she isn’t mentally unwell. She continues, saying, “as long as the demon remained in the house, in my life, I could point to it and say—this. I still wanted it gone, but I didn’t know who I’d be without it” (231). This experience of trauma, its connection to the demon, is more bearable to Alex because she can understand that the evil comes from it. The home thus becomes the site of this trauma, haunted by inhabitants’ memories, fears, and frustrations. Clio notes, after James burns her book, “This is the second time he’s separated me from her. The second time he’s driven someone close to him into a house possessed, into cohabitation with a demon” (232). She, too, connects her father’s behavior to the trauma of the haunting. If Alex and Helen can be believed, he traumatized Alex just as much as the demon did.
The discrepancies between Clio’s memories and her sisters’ bother her, especially when the “history” is confused by the way Daphne and Leda distort memories, emphasizing The Problem of Contested Memory and Perceptions. When Clio becomes newly interested in how she got her burn scar, she is appalled to find out that her sisters lied when they told everyone that they saw Alex do it. However, Daphne insists, “We didn’t lie, Clio. She was responsible […]. You don’t remember this stuff because you were fucking traumatized. She convinced you, a seven-year-old girl, that there was a demon living in her house. She made us afraid all the time” (250). As children, they told their father what they saw, and then the three of them spun the story to make Alex sound physically abusive. Daphne and Leda claim that Clio was the victim of Alex’s brainwashing, while it was James who coerced them to lie.
These differences in memory and perception make Clio more and more wary of her sisters, even as they continue to ask Clio to trust them. They claim to be the people “who are here and love you,” though Clio reminds them, “You just admitted you’ve both been lying to me. And you just called me a sociopath” (250). In the aftermath of this confrontation, Clio can no longer trust her sisters’ memories, or what they claim to be memories. James, Amy, Daphne, and Leda’s “memories” of the past distort Alexandra’s motives and behaviors, and now, just as everyone called Alex “crazy,” they are starting to call Clio “crazy” too. Her memories and her pursuit of the truth make it especially challenging to maintain good relationships with her family, as their recollections and ideas about truth differ from her own, and they will be quick to ostracize her if she does not conform.



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