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Content Warning: The section of the guide includes discussion of death and bullying.
The vase of handwritten stars, a posthumous gift from Lake’s mother, acts as a symbol of support and guidance, pointing to the novel’s thematic interest in The Importance of Chosen Family and Community. The stars function as a tangible replacement for the parental advice that Will and Lake can no longer receive, providing a crucial touchstone of support as they navigate their redefined family. Julia’s instructions make the vase’s purpose explicit: “I just want there to be something both of you can go to if and when you ever need it” (33). The vase is not merely a memorial but an active tool for their future—a physical manifestation of Julia’s faith in their relationship and her desire to help them build a strong foundation. By creating this resource, Julia solidifies her role as a guiding force even after her death, underscoring Hoover’s portrayal of family as a bond forged through love and intention, not just biology. The act of opening a star becomes a ritual of vulnerability for Lake and Will—an admission that they need help, which is essential for their growth.
The vase proves most critical during Lake and Will’s central romantic conflict. After Lake’s trust in Will is shattered, she feels emotionally lost and retreats into herself. In a moment of desperation, Will turns to the vase for guidance on how to mend their relationship. The message he finds inside—“Sometimes two people have to fall apart to realize how much they need to fall back together” (110)—becomes the thematic core of their reconciliation. This aphorism provides a new lens through which to view their crisis, reframing it not as an end but as a necessary step toward a stronger bond. The star gives Will the hope and perspective needed to fight for Lake, demonstrating that the vase is more than a collection of quotes; it is a source of wisdom that actively shapes their path back to one another.
The phrase “carving pumpkins” is a recurring motif that refers to the tendency to avoid difficult conversations and emotions. In Slammed, Lake asks Julia if, for the night, they can just carve pumpkins for Halloween, putting off the difficult conversation about Julia’s terminal diagnosis. Julia agrees but cautions Lake that they can’t carve pumpkins every night and that they’ll eventually have to face the hard truth. After Julia’s death, carving pumpkins becomes Will and Lake’s shorthand for postponing hard conversations. During their fight over Vaughn, Will confronts this behavior directly, pleading with Lake to “[q]uit trying to carve so many pumpkins” (84). His use of the phrase highlights it as a conscious, harmful choice, urging her to talk to him instead of shutting him out. The act of “carving pumpkins” is Lake’s defense mechanism and a way to protect herself from potential heartbreak.
The motif of slam poetry provides Hoover’s series with its title and functions as the primary medium for raw, unfiltered emotional truth, emphasizing The Necessity of Vulnerability for Overcoming Doubt. In Will and Lake’s relationship, often fraught with doubt and miscommunication, the slam stage becomes a sanctified space where they can articulate their deepest feelings without interruption and bridge emotional divides. Will’s first poem, “Point of Retreat,” is an intimate confession of his longing and patience and a tender performance of his devotion. However, it is his final slam that catalyzes the story’s emotional and thematic climax. It is not just an expression of love but a presentation of evidence, a direct rebuttal to Lake’s fear that their bond is built only on shared trauma. His performance is a deliberate act of public vulnerability designed to break through her defenses.
Following Will’s example, Caulder and Kiersten employ the medium of slam poetry to claim their authentic voices through acts of public vulnerability. Kiersten’s slam performance in the school talent show allows her to stand up to her bullies, articulating the way they’ve made her feel while also asserting her own worth. Similarly, Caulder’s poem provides him with a way to public acknowledge the sacrifices that Will has made for him and express his love and gratitude for his brother:
I let him give up his entire life just so I
could be home.
[…]
I owe a lot to you, Will
For making the sucks in my life a little less
suckier
And my sweet?
My sweet is right now (286).
Caulder’s performances catalyze an emotional moment between the brothers that validates their unconventional family.



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