48 pages 1-hour read

Romancing Mister Bridgerton

Fiction | Novel | Adult | Published in 2002

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Prologue-Chapter 6Chapter Summaries & Analyses

Prologue Summary

On April 6, 1812, two days before her 16th birthday, Penelope Featherington falls in love with Colin Bridgerton. She is walking in Hyde Park with her mother and Colin’s mother, the Viscountess Bridgerton, when he rides up on his horse. Penelope’s bonnet flies off her head and into his face, causing Colin to fall from his horse and onto the muddy ground. Penelope is mortified, but Colin laughs.


The next year, Penelope makes her debut into society, unsuccessfully. Penelope feels awkward, as she never knows what to say to people, and her mother chooses gowns in unflattering colors: “Deep inside, she knew who she was, and that person was smart and kind and often funny, but somehow her personality always got lost somewhere between her heart and her mouth” (5). That year, 1813, is also the year that Lady Whistledown begins publishing her Society Papers. No one knows the identity of Lady Whistledown, whose paper appears three times a week, but everyone reads it. Lady Whistledown reports in one column that Penelope’s gown made her look like an overripe citrus fruit.


Penelope becomes friends with Eloise Bridgerton, who is Colin’s younger sister and Penelope’s age. In getting to know the Bridgerton family, Penelope learns that Colin is a nice person. She is glad that she is in love with a nice man, someone she can talk to and who dances with her at every ball. Penelope spends season after season with no suitors. Seven years after she first fell for him, Penelope overhears Colin vehemently declaring to his brothers, Anthony and Benedict, that he will not marry Penelope. She is mortified but manages to calmly tell him that she never asked him to marry her. Lady Whistledown reports on the incident in her papers.


As years pass, Colin travels abroad frequently. Twenty-eight-year-old Penelope, now chaperone to her younger sister Felicity, feels resigned to her fate as a “spinster”: “Unrequited love was never easy, but [she] was used to it” (14).

Chapter 1 Summary

Lady Whistledown reports in her April 2, 1824, paper that Colin Bridgerton has returned from Greece, to the excitement of the town’s mothers, who consider him a prime catch of the season. 


Penelope’s mother, Portia, shares the news with Penelope, who has already heard it from Hyacinth, the youngest Bridgerton daughter. Penelope feels hurt and indignant when Portia muses whether Colin, who is 33, might marry Felicity. Portia imagines that Penelope will never marry and assumes that Penelope will be her support in her advancing age. Penelope feels a bit sad that her mother thinks so little of her.


Penelope is reading a history of Greece when Eloise visits. Eloise has spoken with Colin, who was actually in Cyprus. Eloise wonders how Lady Whistledown knows so much about the Bridgerton family. Eloise leaves to have tea with her mother, Violet, who lives at Number 5 Bruton Street. 


The Bridgerton House now belongs to Anthony, the eldest son and viscount, and his wife, Kate. Colin sips brandy with his brother Anthony and reflects that, as much as he occasionally needs to get away, it feels good to return to England. However, he wishes that he felt a sense of purpose and had something to do with his time or a legacy to leave, like his brother Benedict, a painter. Anthony warns Colin that their mother will be trying to marry him off, but the family just wants to see him happy.

Chapter 2 Summary

Lady Whistledown reports on a birthday celebration being held for the dowager Viscountess Bridgerton. 


Penelope reflects on the advantages of being a spinster, one of which is enjoying food. She is eating a pastry at Lady Bridgerton’s party when Colin approaches her. When the cream filling falls out of Penelope’s éclair, Colin dares her to hide the pastry shell in a potted plant, which she does. Penelope enjoys that Colin is still easy-going and funny. Colin reflects that Penelope has become surprising. When he invites her to dance, she declines and says that he doesn’t have to ask her; he is slightly annoyed that she thinks he’s only offering out of politeness. They dance the minuet.


When the sometimes-difficult Lady Danbury seeks out Colin, he jokingly offers Penelope money not to leave his side. Lady Danbury praises Colin for dancing with Penelope, whom she likes. Lady Danbury complains that the season has otherwise been boring, and Colin jokes that it was because he was away. Penelope muses that people among the “ton”—the social elite—enjoy complaining about how bored they are. To create excitement, Lady Danbury announces that she will give £1,000 to the person who can discover the identity of Lady Whistledown.

Chapter 3 Summary

Lady Whistledown, in an excerpt from her column that prefaces the chapter, challenges readers to unmask her. 


Gossip spreads throughout the ballroom concerning Lady Danbury’s challenge. Penelope teases Colin that he isn’t inscrutable like a dark, brooding hero. Eloise joins them to discuss the wager. When Penelope suggests that Lady Danbury is Lady Whistledown, Lady Danbury approves of Penelope’s mettle: “Isn’t it nice […] to discover we’re not exactly what we thought we were?” (54).


Penelope reflects on this idea that she might be something more as she walks to Number 5 to join the Bridgerton ladies for tea. As she slides across the grass of Berkeley Square, Colin spots her and teases her about dancing, and “she suddenly decide[s] she d[oes]n’t want to be the same old Penelope Featherington” (56). She tells him that they can’t dance because people will think they’re courting, which is not true. Colin feels newly protective and does not want to hurt or ridicule her, so he proposes a fresh start. He is dismayed to realize that she is walking alone and amused when she taunts him in return about being unmarried. Penelope wonders if Colin has a temper but expects that it could only be roused by someone he truly cares about.

Chapter 4 Summary

Lady Whistledown reports on the various couples who danced together at the Bridgerton ball, including Colin and Penelope. 


The two of them join the Bridgerton family for tea, and they discuss how to deduce the identity of Lady Whistledown. Penelope is surprised when Colin pays attention to her as the conversation turns to offers of marriage. Though she loves Colin, Penelope wonders if she would have accepted an offer from someone else, as she longs for a home and family of her own. Eloise jokes that Penelope is Lady Whistledown, and the group laughs.

Chapter 5 Summary

Lady Whistledown contemplates that members of the ton have very little to do with their time. 


On a visit to Eloise, who is out, Penelope sees a book lying on the parlor table. Realizing that it’s a journal of Colin’s reflections on his time in Cyprus, she begins to read. She is avid to read more, but Colin enters and is upset with her for prying. They argue until Colin injures his hand, which begins bleeding. Penelope wraps his hand with his handkerchief; she realizes that Colin is vulnerable about his writing since he doesn’t realize how good it is, so she lets him know how much she enjoyed it. Colin, remembering that Penelope is an avid reader, feels reassured by her praise. He is alarmed to realize how much he likes being around Penelope.

Chapter 6 Summary

Colin is grateful for Penelope’s praise and notices the wistfulness in her observation that it must be nice to have something purposeful to do with his time. Colin replies that, to the contrary, he feels that his life lacks purpose. Even Lady Whistledown regards him as no more than a charmer. Penelope rebukes him for feeling sorry for himself and complaining about his easy life when he has every opportunity to do what he wishes. He wonders if she has changed or if he has.

Prologue-Chapter 6 Analysis

From the opening lines of the Prologue, Quinn establishes an authorial voice that is dry, witty, and satirical and draws on the formal and grammatical conventions of late-18th- and 19th-century English. She relies on humor throughout and introduces twists on familiar romance tropes, like the meet-cute and patterns of courtship. There is little physical action within scenes; instead, her characters engage in conversations that are prolonged exchanges of wit, with frequent teasing and ripostes. This keeps the tone light-hearted, suiting the low stakes of the action and the comparative lack of drama. The prevalence of dialogue suggests that Quinn’s book is, more than anything, a comedy of manners, a genre designed to satirize and comment on a society and its customs.


The comedy of manners is often marked by caricature, a satiric style of flattening and exaggerating characterization meant to illustrate a point. While some of Quinn’s characters have dimension and backstory, they are clearly identifiable as types. Penelope is the good-hearted heroine who has many valuable qualities, including being funny, intelligent, and kind, but she is overlooked in a society that values beauty. Colin is, as Penelope jokes, the exact opposite of the brooding hero, a popular romance archetype. He is, instead, the man about town—charming, idle, and full of good humor. Quinn uses the characteristic flaws of these types to add a layer of vulnerability. Penelope would prefer not to be a spinster but is aware that her type does not attract someone like Colin. Colin looks at the accomplishments of his brothers and feels like his life is empty in comparison.


The caricature exercised for greatest humorous effect is that of Lady Danbury. A recurring character in Quinn’s series, she fits the stereotype of the aged, meddling matron whose pronouncements define social norms and who uses her disapproval to terrify and intimidate, just as she wields her cane. Quinn exaggerates these qualities to the point of ridiculousness, showing Colin so desperate for an ally that he offers to bribe Penelope to remain nearby when Lady Danbury accosts him. However, even as a caricature, Lady Danbury also shows dimension as the mentor who prompts Penelope to begin her character evolution. Lady Danbury introduces the theme of The Power of Outward Appearances when she hints to Penelope that people can be more than what they seem. Penelope will refer to this statement when she struggles to express herself throughout the book, an inner conflict that informs her character arc.


Lady Danbury also launches the external plot by placing the wager to unmask Lady Whistledown, whose identity has been a curiosity as well as a focal point, as Lady Whistledown’s quasi-narrative voice introduces the early chapters with an epigraph from her Society Papers. Penelope’s suggestion that Lady Danbury could be Lady Whistledown plays on the parallel that both women are observers who remark on action and aren’t afraid to ridicule the ridiculous but also take care to do no real harm to the vulnerable. The wager gives the characters a mystery to solve, adding an element of suspense and introducing The Allure and Danger of Secrets. However, conversations about the identity of Lady Whistledown also echo the motif that people are more than what they appear, as various characters begin to look more closely at one another in mild suspicion.


Quinn identifies her setting as April 1824 in London and gives some hint at geographical setting in descriptions of where the two families live. Berkeley Square and Bruton Street are part of Mayfair, which was at this time period a residential area for the wealthy and fashionable. While the book observes contemporary social customs around courtship rituals, there’s an anachronistically modern flavor to the dialogue, and the warm relationships among the Bridgertons are more closely aligned to how 21st-century readers imagine happy families. The book focuses on social engagements and domestic action, magnified by Lady Whistledown’s column, which shows that the attention of those among the ton is almost exclusively trained upon one another.


This focus of attention helps the romance between the leads evolve. Showing The Bonding Power of Friendship, Colin and Penelope’s relationship follows the friends-to-lovers arc, a popular trope in the romance genre, which begins with the characters having a platonic relationship and gradually developing romantic affection as attraction blossoms. In this novel, attraction is spurred as each character sees more in the other than they have before. Colin perceives Penelope in a new light, recognizing her appealing qualities and learning that her intelligence and wit are a match for his—a match exhibited in their lengthy scenes of banter. Penelope, similarly, gets a deeper view into Colin’s inner life when she discovers his journal and thus uncovers his dreams and aspirations. These parallel realizations draw them together, forming the first small steps toward love.

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