Sinners Anonymous

Somme Sketcher

58 pages 1-hour read

Somme Sketcher

Sinners Anonymous

Fiction | Novel | Adult | Published in 2021

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Prologue and Chapters 1-9Chapter Summaries & Analyses

Content Warning: This section of the guide contains depictions of graphic violence, emotional abuse, suicidal ideation, death, and sexual content.

Prologue Summary: “Nine Years Earlier – Angelo”

Nine years before the main story, Angelo Visconti sits in a church during his parents’ funeral in Devil’s Dip, Washington. The competitive, theatrical mourning of Visconti women grates on him. His cousin Tor Visconti mutters dark jokes, making Angelo’s brother Rafe laugh, while their other brother, Gabe, remains stoic. Bishop Francis presides over the service.


At the cliff-top graveyard committal, Angelo recalls his mother Maria’s optimism about life’s balance. His Uncle Alfredo offers condolences, noting the resting place suits Alonso, Angelo’s father. As Maria’s coffin is lowered, Angelo kneels in the mud. Rafe throws dice onto the coffin for Lady Luck, and Gabe whispers something heartfelt. Angelo places a fortune cookie on the lid, remembering how Maria believed in fate and how such a cookie brought her to Devil’s Dip.


After Alonso’s coffin is lowered, Angelo realizes he is expected to be the new capo of Devil’s Dip. He spots locals watching disrespectfully from across the road and pulls a gun on an old man. Uncle Alberto intervenes, calling Angelo by the nickname “Vicious” and telling him the locals are there to see the new capo. As rain begins, Angelo mutters a confession while holding his father’s rosary, which he pocketed instead of placing in the grave. His cousin Dante noticed this act.


Angelo tells Rafe he doesn’t want the role of capo and is flying to London immediately, never to return. After his brothers leave, Angelo pays a gravedigger to exhume his mother’s body, stating she doesn’t belong there.

Chapter 1 Summary

Rory Carter stands alone at a cliff edge in Devil’s Dip, confessing aloud that she does bad things. She inches her foot over the edge, wondering if this is the closest she’ll ever get to freedom.


A man’s voice startles her, asking if she hopes to fall or fly. She turns to find a sharply dressed man smoking a cigarette near a sports car parked carelessly on a tombstone. He steps to the cliff’s edge with unsettling confidence. Rory freezes, morbidly curious about what she would do if he fell, before concluding she’d call to confess rather than call the Coast Guard.


When he finally steps back and turns to face her, she finds him strikingly handsome. He warns that suicide is a sin, but Devil’s Dip drives people toward it. He leaves. Shaken, Rory realizes she’s late to meet her escort, Max. She walks through the graveyard to a phone booth across the road and dials Sinners Anonymous, an anonymous voicemail service where she confesses her sins.

Chapter 2 Summary

At Friday night dinner in the Visconti mansion, Rory sits beside her elderly fiancé, Alberto Visconti, head of the Devil’s Cove Cosa Nostra. A server offers wine, but Alberto limits her to one glass after a previous incident where she got drunk and pulled down a curtain. Rory reflects on how she begged Alberto for mercy two and a half months ago and is now engaged to him as part of a deal to protect her hometown, Devil’s Dip, from Visconti influence.


Alberto’s oldest son and underboss, Dante, scowls at Rory, stating she doesn’t belong at the head of the table. His brother Tor teases her about her drinking limit before leaving with his date to smoke. Amelia Visconti, wife of Alberto’s son Donatello, the consigliere, kindly explains that Rory will soon be called Signora Aurora Visconti.


Dante deliberately provokes Rory by describing plans to destroy a near-extinct fruit dove habitat for a spa development. She passionately insists he contact the U.S. Fish and Wildlife Service, which amuses him. When Tor’s date stumbles in drunk, Dante and Tor argue about cocaine quality. Alberto silences them, but Dante insults Rory, calling her a capo chaser from a peasant town. Alberto and Dante nearly come to blows before Donatello intervenes.


A security guard interrupts, and the Visconti men draw guns and leave the room. They return laughing, bringing a guest. Rory is moved to the far end of the table next to her escort, Max, and seated near Alberto’s teenage twins, Vittoria and Leonardo. When Alberto introduces the guest as his nephew Vicious Visconti, Rory recognizes him as the man from the cliff. His gaze darkens when he sees her.

Chapter 3 Summary

As dinner begins, Rory watches Angelo, fearing he will tell Alberto he saw her alone on the cliff. She tries to convince herself he doesn’t recognize her. Vittoria tells Rory that Angelo is from the defunct Devil’s Dip Visconti clan and was supposed to become capo when his father, Alonso, died, but he never did.


Rory’s fear turns to hatred as she recalls Angelo did nothing to help her on the cliff. When Alberto mentions they are both from Devil’s Dip, Angelo dismisses it as a shit hole. Rory drunkenly retorts, asking why he went back, then immediately realizes her mistake—she’s revealed she saw him there. Angelo ignores her comment and changes the subject, defusing the tension.


After dessert, as everyone moves to the basement bar, Rory breaks away for the bathroom. In a dark corridor, Alberto grabs her and warns her never to embarrass him again, threatening to take away her father’s care team and visits. He presses his aroused body against her before leaving with a warning to keep her mouth shut.


In the bathroom, Rory stares at her reflection, not recognizing the heavily made-up woman Alberto has created. She reflects on who she truly is—Rory Carter from Devil’s Dip, not the polished Aurora Visconti Alberto is forcing her to become.

Chapter 4 Summary

Rory enters the basement bar and sees Dante pacing outside the cigar room where Alberto is having a private meeting with Angelo. Dan, a bartender from her hometown working the event, expresses surprise at seeing her with the Viscontis. Tor taunts Dante for being excluded from the meeting.


Tor and Donatello tell Rory stories of Angelo’s violent past, including shooting his driver’s kneecap and killing port workers in a shipping container explosion, explaining his nickname Vicious.


Dante bursts into the cigar room, then summons Rory at Alberto’s request. Alberto pushes her into the room where Angelo waits in an armchair. Alberto pulls Rory onto his lap and crudely announces to Angelo that she is a virgin. He forces her to show Angelo her engagement ring. Angelo says it looks heavy.


After Alberto leaves, Angelo stands close to Rory and tells her the ring looks heavy enough to weigh her down if she chooses to fall—confirming he remembers her from the cliff.

Chapter 5 Summary

Shaken, Rory orders a double whiskey. She confronts Max, demanding information about Angelo. He explains that Alonso used church confessionals to blackmail Devil’s Dip residents into illegal activities, and that Angelo’s parents died within days of each other, prompting him to leave Devil’s Dip and supposedly stop committing crimes. Max mentions Angelo’s brothers: Rafe owns much of Las Vegas and plays high-stakes poker, while Gabe is mysterious and feared.


A drunken Vittoria joins them, complaining about her pearl necklace before ripping it off and leaving it on the table. After she leaves, Rory steals the necklace and hides it in her bra. Watching Donatello and Amelia bicker, Rory feels a pang of longing for the true love her parents shared.


To escape the party, Rory hides in a dark hallway and collides with Angelo, who is taking a phone call. He hangs up and confronts her, his gaze dropping brazenly to her chest. When she tells him it’s rude to stare, he reaches out and slowly pulls the stolen pearl necklace from her bra. He suggests that if she were more enthusiastic with her fiancé, Alberto might buy her one. He places the coiled necklace in her palm, closes her fist around it, and tells her that stealing is a sin before leaving.

Chapter 6 Summary

The next day, Angelo meets Dante and Tor at The Rusty Anchor bar in Devil’s Dip, a place he despises. Dante accuses Angelo of planning to return and reclaim his position as capo of Devil’s Dip. Angelo denies he’s moving back. On the back patio, they discuss the cargo operations, as Devil’s Dip has historically been the basis for their group’s smuggling. Angelo calls Rory a “gold-digging whore.” Tor notes that Rory is different from Alberto’s usual women and that he’d never seen her before. When Dante presses Angelo about why he’s in town, Angelo tells him to mind his own business.


Driving toward Devil’s Hollow, Angelo passes the church and spots a car parked outside. He sees Rory in the phone booth, recognizable despite her curly hair and casual clothes. He watches as Max meets her, then drives away, leaving her alone. Concerned she might go to the cliff to jump, Angelo prepares to intervene. Instead, Rory walks into the Devil’s Preserve forest. Angelo waits for an hour. When Max’s car returns, he kisses Rory on the neck before they drive off together. Angelo concludes that Rory is cheating on Alberto with Max, feeling an unfamiliar bitterness at the sight.

Chapter 7 Summary

On Sunday, Greta, Alberto’s housekeeper, forces Rory into a tight dress and straightens her hair. In petty revenge, Rory scratches Greta’s watch. Searching her purse for candy, Rory finds her Sinners Anonymous card and flashes back to discovering it in the phone booth after a traumatic event at school three years ago.


Rory overhears Alberto talking to his lawyer, Moritz, about illegally altering their contract. She sneaks into Alberto’s office to find it but is caught by Angelo, who was sitting in the shadows. He accuses her of cheating with Max, revealing he saw them in Devil’s Dip. When Alberto enters, Angelo lies, saying he was asking Rory about Devil’s Dip, covering for her.


At Sunday lunch, Angelo’s brothers arrive: the charming, diamond-clad Raphael and the intimidating, scarred Gabriel. Max pressures Rory for sexual favors in exchange for continued silence about her unsupervised time in Devil’s Dip. When she tries to punch him, he grabs her hand. Angelo witnesses their tense interaction.


During the meal, Angelo stands and commands Rory to move three steps to her left. He then pulls out a gun and shoots Max between the eyes, killing him instantly. He provides the public reason that Max was selling business plans to the Russians and tells everyone to continue eating. Rory faints.


She awakens on a sofa with Amelia tending to her. Amelia dismisses the murder, saying Max was a traitor. When Rory asks how Angelo knew, Leonardo explains that the brothers from Devil’s Dip—Angelo, Rafe, and Gabriel—run Sinners Anonymous, a hotline where people confess secrets. Rory realizes with horror that Angelo has heard all of her confessions. The shock causes her to black out again.

Chapter 8 Summary

That evening, Angelo breaks into the abandoned Saint Pius Church to wait for his brothers. He reflects on how the church building has been sealed off for nine years at his insistence. Rafe arrives, nostalgic about their childhood. Angelo flashes back to their father teaching them a game as boys: they would listen to church confessions, select the worst sinner each month, and punish them. This ritual bonded the brothers deeply.


After their parents’ deaths, Rafe proposed Sinners Anonymous—a modern, global version of their childhood game using an anonymous voicemail service instead of a confessional. Angelo agreed, justifying his return to violence by believing it balanced the good in his otherwise legitimate life, honoring their mother’s belief that good cancels out bad.


Gabe arrives on his motorcycle. They begin their monthly ritual, using Gabe’s iPad to review selected callers. Rafe rolls dice to randomly choose a sinner: a man who confessed to a fatal hit-and-run of a pregnant woman. Gabe claims the task and leaves without a word.


Rafe asks why Angelo really killed Max, but Angelo refuses to explain. Before leaving, Angelo tells Rafe their father wasn’t a hero, but their mother was a saint.

Chapter 9 Summary

Two days later, Rory is sick with worry, knowing Angelo has access to all her confessions—especially one that could get her killed. Tor finds her moping and impulsively takes her to work in Devil’s Cove. During the drive, Tor spots Angelo’s private jet, a Gulfstream, and speculates Angelo is staying permanently. Rory corrects him on the aircraft model, revealing her aviation knowledge. She admits she had a place at Northwestern Aviation Academy but gives a vague reason for not attending, internally flashing to a traumatic school memory.


At a club construction site, Tor berates his crew while Rafe is also present. Tor dismisses Rory, who goes to Devil’s Ink, a tattoo shop owned by her best friend, Tayce. After dismissing her client, Tayce embraces Rory. Rory gives Tayce a bag filled with stolen Visconti jewelry and silverware, asking her to sell it to fund a care home for Rory’s father if anything happens to her. Tayce promises to protect him and get revenge if Rory is harmed. Tayce mentions Tor invited her to a Halloween club opening and asks if Rory will attend.


Returning to the alley, Rory finds Tor. Angelo arrives and lies to Tor, claiming he doesn’t smoke. Rory and Angelo share a tense, silent challenge over his lie. Tor encourages Angelo to consider returning to Devil’s Dip permanently. As Tor drives away, Rory sees Angelo light a cigarette in the side mirror, confirming he lied and leaving her unsettled.

Prologue and Chapters 1-9 Analysis

The narrative structure juxtaposes Angelo’s past with Rory’s present. The prologue, narrated from a third-person perspective focused on Angelo, provides a foundational understanding of his history and motivations. It frames his rejection of the capo role as a decision rooted in his personal code of ethics. This initial focus on Angelo positions him as a figure of dormant power but ambiguous motives, distinct from the majority of his mafia family. The subsequent shift to Rory’s first-person narration in Chapter 1 establishes her as the protagonist, filtering the world through her experiences of entrapment and fear. When Angelo re-enters the narrative from her perspective, he is an enigmatic and threatening force; his established backstory from the prologue creates dramatic irony and tension. This structural choice offers Angelo a sense of both mystery and power that disrupts the social dynamics and threats currently entrapping Rory.


The theme of Confession as a Mechanism for Power and Control is introduced as a corruption of a sacred act, passed down and modernized through generations. Angelo’s father, Alonso, weaponized the Catholic confessional to blackmail the residents of Devil’s Dip, transforming an institution of spiritual release into an instrument of coercion. The brothers’ childhood “game” of punishing sinners they overheard institutionalizes this practice. Their creation of the Sinners Anonymous hotline represents a significant evolution, scaling their father’s localized model of control to a global, technological enterprise. The hotline exploits the human need for catharsis while stripping the act of confession of its anonymity and sanctity. Rory’s use of the hotline for psychological release places her in jeopardy, demonstrating how a system designed for control can ensnare even those who engage with it naively. The system’s purpose is revealed when Angelo executes Max, citing a confession to the hotline as justification. This act presents confession not as a path to redemption but as a pretext for punishment, illustrating the theme of The Corrupting Nature of Power and Relativity of Morality.


These chapters establish Rory’s initial state as one of near-total subjugation, exploring the theme of The Negotiation of Agency in a Patriarchal World. Rory’s engagement is a deal in which her body and identity are transactional items used to protect her hometown. Alberto’s control is extensive, dictating her clothing, hairstyle, and social conduct in an attempt to erase “Rory Carter” and replace her with “Aurora Visconti.” In this context, Rory’s agency is expressed through small, clandestine acts of rebellion, such as stealing silverware and scratching a luxury watch. These acts are assertions of self against an oppressive force. Her appearance on the cliff, where she wonders if jumping is the “closest [she’ll] ever get to being free” (2), illustrates her lack of agency and desire for escape. Her confessions to the hotline, though they render her vulnerable, are also private acts of reclaiming her narrative in a world that seeks to control her.


Angelo is presented as a morally ambiguous antihero whose personal code of ethics exists outside conventional law. The prologue establishes his devotion to his mother, whom he considers a “saint,” and his contempt for his father’s hypocrisy. This duality—brutality coexisting with a skewed sense of justice—defines his actions. His decision to lie for Rory in Alberto’s office stands in stark contrast to his murder of Max at the dinner table. This behavior is framed not by a conflict between good and evil, but by an internal logic rooted in his mother’s belief that “The good always cancels out the bad” (ix). This philosophy serves as his justification for using violence to “balance” the scales, dispensing what he perceives as justice. His actions are governed by this personal and violent moral code, aligning him with literary archetypes who enforce their own order in a corrupt world.


The physical setting and key symbols underscore themes of power, entrapment, and identity. The cliff edge serves as a liminal space between desperation and freedom, the site of Rory’s psychological turmoil and her first encounter with Angelo. The abandoned church symbolizes decaying faith and institutional corruption, a location where the brothers continue their corrupted confessional ritual. Rory’s engagement ring is framed as a symbol of her bondage when Angelo observes that it “looks heavy enough to weigh you down if you choose to fall” (31), linking Alberto’s material claim on her to her potential death. The contrast between the working-class Devil’s Dip and the polished Devil’s Cove mirrors the conflict between Rory’s authentic self and the “Aurora” persona she is forced to perform, grounding the characters’ internal struggles in the geography of their world.

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