How does the act of confession in the novel evolve, and how does Rory’s perception of confessing differ from the Viscontis’?

Through a feminist lens, does Rory’s evolution from a victim of Alberto’s control to a partner in Angelo’s war represent an achievement of true agency? Why or why not?

Analyze the narrative structure of Sinners Anonymous, focusing specifically on the juxtaposition of the third-person prologue centered on Angelo with the first-person narration of the main story from Rory’s perspective. How does this structural choice create dramatic irony and influence the portrayal of Angelo’s motivations?