44 pages • 1-hour read
Clive KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of bullying and animal death.
Lou goes fox hunting with the North Kent Foxhounds despite pouring rain, leaving Barney behind. Feeling left out, Barney remembers Stig’s spear is in the broom closet, retrieves it, and heads to the chalk pit in rain gear. He finds Stig by a fire in his den and uses charcoal drawings—a fox, hounds, horses, and a rider—to explain hunting. Stig becomes intensely excited at the human figure on horseback and eagerly grabs his bow and arrows.
In the woods, Stig’s hunting instincts conflict with Barney’s goal. He attempts to shoot a squirrel, stalks wood pigeons that Barney accidentally scares away, and kills a pheasant, making Barney uneasy about poaching. Stig is puzzled by Barney’s insistence that they should focus solely on catching the fox. Hiding under a beech tree’s roots, Barney removes stakes blocking a burrow. When a fox approaches, Stig stops Barney from spearing it, pantomiming that foxes taste bad. A foxhound tracks them to their hiding spot; when it growls, Stig growls back and then bite its ear, sending it fleeing.
Stig becomes captivated by the horses and stalks them with an arrow at the ready. Barney is horrified to find him aiming at the huntsman’s unattended white horse.
The narrative shifts to Lou waiting with other hunt followers, where a woman on a black mare makes small talk. Suddenly, a white horse bolts riderless from the woods, causing a stampede. Lou thinks she sees an arrow in the saddle and glimpses a wild, goblin-like figure, but dismisses both as her imagination.
That evening, both children return home. Over tea, Barney recounts his adventure. Lou listens with disbelief but stays silent.
On a foggy day, Barney goes to the chalk pit. He discovers the Snargets, three local brothers known for getting into trouble, building a shack. Hiding, he throws clods at them, causing confusion. The Snargets set a trap for Barney by suggesting they have treasure, and then pretending to leave.
Barney investigates and finds only conkers and a tin labeled GOLD BLOCK containing screws. The Snargets ambush him with an old air gun and sticks, introducing themselves as the Lone Ranger, Robin Hood, and William Tell. They threaten “Slow Torture.” When Barney says he’ll tell a policeman or his grandmother, they mock him, but mentioning his friend Stig gets their attention. They scoff at the idea of a “caveman” in the dump, and Barney flees to Stig’s den.
Barney finds Stig making a club embedded with sharp objects. One of the Snargets discovers the entrance and throws chalk inside, hitting Stig’s head. Stig roars and charges out. The youngest Snarget trips and gets caught in a rusty basin. Stig captures him but treats his prisoner gently.
The other Snargets return with a white flag and candy as peace offerings. They give Stig jelly babies, which he initially places in a niche like an idol until Barney shows him that they are food. After sharing the candy, the boys light cigarettes; Stig, however, eats his instead of smoking it, and the Snargets decide to accept Barney and Stig as members of their gang. They swear secrecy by decapitating and burying the last jelly baby.
Barney returns home for lunch. When his grandmother worries the Snargets are “rough,” he says, “they’re not nearly as rough as Stig” (90).
Chapter 4 introduces the motif of hunting, contrasting Stig’s prehistoric pragmatism with the formal ritual of the fox hunt to explore how different communities establish values. The fox hunt is presented as a codified, modern ritual whose logic is entirely alien to Stig. Barney attempts to explain it through drawings, but Stig’s interpretation is purely utilitarian: He hunts animals that provide food, like the pheasant, and is baffled by the pursuit of a fox, which he pantomimes as bad tasting. His decision to hunt the huntsman’s horse for meat is a logical extension of his survivalist worldview, one that clashes with the hunt’s symbolic, sport-oriented purpose. This conflict highlights the arbitrary nature of so-called civilized conventions. Stig’s perspective serves to deconstruct the hunt, revealing its lack of practical meaning when stripped of its cultural context. His actions, which cause chaos, function as a critique of a system that prioritizes sport over sustenance.
The theme of Forming Unexpected Relationships Through Empathy is advanced through actions and shared experiences that forge bonds where words fail. When Barney tries to explain the fox hunt to Stig, his drawings and gestures convey the components—fox, horse, rider—but not the complex social rules. Stig’s understanding is visceral and immediate, based on the universal language of the hunt for survival. Similarly, the resolution of the conflict with the Snargets in Chapter 5 hinges on ritual and offering rather than apologies or explanations. The Snargets bring candy as a peace treaty, and Stig’s acceptance of the jelly baby becomes a non-verbal ceremony of truce. The boys establish a pact of secrecy through a shared, imagined ritual: the decapitation and burial of the final jelly baby. This act transforms a piece of candy into a symbol of their new alliance. Through these events, the narrative demonstrates that understanding and community can be built through shared action, gesture, and symbolic exchange, rendering spoken language secondary.
The narrative structure in Chapter 4 juxtaposes Barney’s experience with Lou’s to reinforce The Divide Between Childhood Perception and Adult Skepticism. While the primary narrative follows Barney and Stig, providing a factual account of their adventures, the brief shift to Lou’s point of view during the hunt’s climax offers an external, skeptical perspective. She witnesses the pandemonium caused by Stig but processes it through a lens of rational dismissal. Despite seeing “something that looked like an arrow” (69) in a horse’s saddle and glimpsing an odd, goblin-like figure, she concludes she must have imagined it. Lou’s self-censoring logic reflects her position as Barney’s older sibling. Her reasoning that “[if] one was old enough to go hunting one was really too old to believe in goblins and things” (70) expresses her belief that she must leave the imaginative world behind as she approaches adulthood. The narrative presents Stig’s existence as a factual element within the story, accessible only to characters who have not yet adopted adult skepticism.
Through the introduction of the Snargets, the dump transforms from a private refuge into a contested territory where social dynamics are negotiated. Initially, the Snargets are presented as archetypal bullies, establishing their own shack and codes of conduct, complete with heroic nicknames. Their confrontation with Barney is a childhood turf war, governed by threats and posturing. However, Stig’s appearance disrupts their established hierarchy. His behavior represents a force beyond their comprehension, one that cannot be intimidated by their games of “Slow Torture” (80). The encounter forces a recalibration of power. The Snargets, stripped of their bravado, resort to diplomacy, and their offering of candy signifies their submission to a new social order that now includes Barney and Stig. Barney’s assertion that the Snargets “are not nearly as rough as Stig” (90) marks his own growing understanding of the difference between performed toughness and inherent wildness, solidifying Stig’s dominant position in the dump’s newly formed community.



Unlock all 44 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.