60 pages 2-hour read

Still Me

Fiction | Novel | Adult | Published in 2018

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Chapters 22-28Chapter Summaries & Analyses

Chapter 22 Summary

The chapter opens with a letter from Will to his mother in which he expresses his disillusionment with the fast-paced and materialistic life of an expatriate in New York, and he informs her he is moving back to England.


Louisa spends her days job-hunting but is unable to find anything because of her lack of references; she meets Josh for lunch every couple of days, and he casually kisses her every time he leaves. Finding it difficult to keep sharing Nathan’s small space with him, Louisa contemplates going back home. She bitterly realizes how Agnes has “discarded [her] as comprehensively and completely as a lizard sheds its skin” (236).


One evening Louisa finds Dean Martin alone outside the building, and when she takes him back inside to Mrs. De Witt’s, she finds Mrs. De Witt lying unconscious in her living room. Louisa calls 911 and accompanies Mrs. De Witt to the hospital, who wakes up before the paramedics arrive; she requests that Louisa look after Dean Martin while she is in the hospital.


When Louisa gets back from the hospital, she explores Mrs. De Witt’s apartment and finds it is filled with racks and racks of fashion label clothes, accessories, and jewelry as well as framed clothes designs and fashion magazine covers. Louisa stays in one of the spare bedrooms and feels like she is in “Wonderland” (239).


Louisa visits Mrs. De Witt at the hospital the next day; the older woman has fractured her wrist and needs surgery. Mrs. De Witt asks Louisa to keep watching Dean Martin; when Louisa explains that she has been fired by the Gopniks and why, Mrs. De Witt believes Louisa’s innocence and asks her to stay on regardless. Louisa stays at Mrs. De Witt’s apartment for the next week taking care of Dean Martin; she even runs into Mr. Gopnik once, who passes by her without speaking when she explains why she is in the building.


Josh visits Louisa in the apartment; they kiss, but Louisa breaks away because despite her liking Josh, her recent break-up makes things feel a little complicated. Josh takes it well, and they spend the evening with him telling Louisa about himself—he comes from a Bostonian “family of doers” with two older brothers, all of whom are close but highly competitive. Josh is “shot through with the American dream” (339) and works hard with a promotion in sight and a dream of kids, early retirement, and making a million dollars before turning 30. Louisa grows more fascinated with him, drawing comparisons in her mind between him and Will; before Josh leaves that evening, she moves to kiss him, and he reciprocates.

Chapter 23 Summary

The chapter opens with an email from Louisa to her mother responding to her mother’s description of a day out she recently had and expressing sympathy about her granddad being unwell; Louisa does not reveal her change in employment status.


Mrs. De Witt returns home from the hospital after 10 days; she seems frailer and weaker than before and needs to consume a huge number of pills. Louisa stays on to care for Mrs. De Witt and take her to doctor’s appointments while she continues to job-search through the week and attend protests at the library with Meena on the weekends. Louisa eventually runs into Agnes in the corridor, who is being tailed by a new assistant; Agnes opens her mouth to say something to Louisa, then walks past without doing so.


Louisa eventually finds a minimum wage job at the vintage clothes store, which involves going through new shipments of clothes and repairing and cleaning them as needed. When Louisa tells Mrs. De Witt about the role, she gives Louisa two boxes filled with different kinds of buttons, zips, thread, needles, and sewing accessories, to use—Mrs. De Witt had been gifted the boxes when she was a teenager and has no use for them anymore.


Thrilled at now having two jobs she loves, Louisa begins to bring home clothes from the store to repair, chatting with Mrs. De Witt as she does so. Mrs. De Witt tells Louisa she used to be the fashion editor of a now-defunct women’s magazine. She married a man she loved, who died three years after the wedding; after his death, she had an affair with her boss, which led to the birth of a son out of wedlock. Mrs. De Witt’s parents brought him up in Westchester, and though Mrs. De Witt saw him often through his childhood, they had a falling out in his teens when she refused to choose her son over her work. Mrs. De Witt was not invited to her son’s wedding, and when her mother died a couple of years later she lost all contact with him. Mrs. De Witt tells Louisa that “[women] always have to make the difficult choices. But there is a great consolation in simply doing something you love” (351).


Louisa visits Josh at his apartment. They flirt, and he tells her how much he likes her because of how different she is from the girls he has dated before: honest, and completely herself. This leads to conversation about the Gopniks, and Josh keeps insisting that Louisa sue them, but she vehemently refuses, and Josh drops the subject. Louisa sleeps with Josh that night: “I wasn’t drunk and I wasn’t vulnerable and I wasn’t breathless with need for him. I think I just wanted my life to feel normal again” (356). She falls asleep thinking that perhaps Josh is Will coming back to her.

Chapter 24 Summary

The chapter opens with an email from Louisa to Treena describing her new relationship and the cute things Josh does.


Louisa continues to stay on with Mrs. De Witt, who, although she doesn’t pay her, keeps giving Louisa beautiful pieces from her wardrobe. Having inherited the apartment from her grandfather, Mrs. De Witt doesn’t actually have a lot of money herself and is even unable to pay the increasing pile of maintenance bills. Louisa takes Mrs. De Witt to the vintage clothes store and suggests that she could sell some of her things, which would bring in thousands of dollars. However, Mrs. De Witt is extremely offended and demands to be taken home. She tells Louisa that her things may be “old clothes, potential financial assets, to you, but they are precious to me. They are my history, beautiful, prized remnants of my life” (365).


Lily and her grandmother, Mrs. Traynor, come to visit in the spring and invite Louisa and Mrs. De Witt out for lunch. Louisa discovers that Lily has been dating Jake, Sam’s dead sister’s son, so Lily occasionally runs into Sam, which discomfits Louisa. Lily asks Louisa about Josh, but Louisa refuses to show her any pictures because she doesn’t want Lily to see Josh’s resemblance to Will.


Louisa is unsettled by the new link to Sam she has via Lily. Mrs. De Witt picks up on Louisa’s general discomfort and asks her about it and divines from the story that Louisa still loves Sam. Louisa vehemently denies this and offers a long-winded justification of why and how she is happy with Josh.

Chapter 25 Summary

Louisa looks up Mrs. De Witt’s son and discovers he has a son of his own named Vincent; she messages Vincent without telling Mrs. De Witt. Josh invites Louisa to a corporate “family day” at his office and brushes aside her protests that she has to attend the library march. Louisa dresses for the event in one of Mrs. De Witt’s outfits from the eighties—a “white jumpsuit with gold lamé epaulettes” (373), and Mrs. De Witt thinks she looks very nice; however, Josh asks her to change as she looks a bit “drag queeny,” and the dress code is “smart casual.”


Josh and Louisa arrive at the elegant venue, and Louisa feels like she has “fallen into [her] other New York world again” (376). Josh introduces Louisa to his boss and colleagues and tells everyone that Louisa works in fashion and is about to begin work at the “Women’s Wear Daily” magazine. When Louisa asks him about this, Josh says it is easier to explain Louisa’s “particular…unique sensibility if they think [she’s] in fashion” (379). Furthermore, upon his request, one of Josh’s sisters-in-law, who has a contact at the magazine, is helping find entry-level vacancies for Louisa.


Louisa does not enjoy the event at all and eventually tells Josh she wants to leave and feigns a headache. Shortly after arriving back at Mrs. De Witt’s, Louisa receives a phone call from her dad with bad news about her granddad.

Chapter 26 Summary

The chapter opens with an obituary for Louisa’s granddad, who had a stroke but passed away peacefully.


Louisa makes it home in time for her granddad’s funeral. Louisa wonders whether her mother would feel freed from the responsibility of caring for granddad with his passing; however, her mother seems “bereft, permanently on the edge of tears” (387). That evening, Louisa herself goes to her granddad’s room and weeps at the thought that she never said goodbye.


Louisa’s mother wants to look for jobs immediately after the funeral; when Louisa suggests that she take some time to enjoy herself instead, she vehemently protests. Eventually she confesses that she feels useless: “I’m fifty-eight years old and I’m good for nothing. I've spent my whole life looking after someone else and now there’s nobody left who even needs me” (390). However, Louisa and her father manage to convince her mother that she is still needed. Louisa’s father suggests that they travel together instead, and her mother acquiesces.


Louisa meets Sam at the funeral, who has come to pay his respects. He reveals his house is almost ready, and he will move in next month. He responds to Louisa’s query about Katie by saying that she’s “fine.” Lily, who Sam sees often because of Jake, has already told him about Louisa getting fired but finding another job as well as a new boyfriend. Louisa tells Sam she has a gift for Jake—a baseball cap—which he thanks her for. As Sam looks away, Louisa’s face “crumples.” Sam catches sight of this, but Louisa leaves before he can say anything.


After the funeral Louisa’s mother hands her the unopened gift Sam had brought her for Christmas; inside is an ambulance-shaped pin with a note that reads “To remind you of me while we’re apart. All my love, Your Ambulance Sam. Xxx” (397).

Chapter 27 Summary

The chapter opens with an email from Vincent to Louisa in response to her message saying he would like to meet his grandmother.


Upon Louisa’s invitation and without Mrs. De Witt’s knowledge, Vincent comes to the apartment to meet Mrs. De Witt; she is surprised and delighted to meet her grandson.

Chapter 28 Summary

Josh has been invited to dinner with his boss, and it is all he can talk about. He wants Louisa to accompany him, and although she is not overly enthused, she agrees. Distracted by thoughts of the dinner, Louisa forgets to give Mrs. De Witt her handbag when she drops her off for a routine doctor’s appointment. When she rushes into the hospital to find Mrs. De Witt, she discovers the appointment is in the oncology department.


Louisa confronts Mrs. De Witt and asks her why she didn’t tell Louisa about the cancer; however, Mrs. De Witt brushes this off, and refuses to discuss her prognosis or any other details. Back home, Louisa looks up the different medications Mrs. De Witt is on and feels shaken; she realizes she “[loves] the old woman, with her sharp tongue and her sharper mind, like [she loves her] family” (405).


Louisa pulls herself together for dinner with Josh; however, when he arrives to pick her up, he is once again disapproving of her outfit, which features “bumblebee tights.” When Louisa rushes to change, Mrs. De Witt asks her why Louisa must pretend to be someone she’s not: “I think at some point, dear, you’re going to have to work out who Louisa Clark really is” (407-08). Louisa contemplates this and remembers Will, who had originally gifted her the tights, and realizes Josh is nothing like Will. She breaks up with Josh.

Chapters 22-28 Analysis

Different manners of communication continue to be significant in these chapters. Another of Will’s letters is presented, and his sentiment of disenchantment with the city and its fast-paced, materialistic life seems to echo how Louisa now feels about New York, especially owing to the manner in which she finds herself unemployed. An email also reveals news about Louisa’s granddad’s increasingly worsening health, and a later phone call delivers the news of his passing. Communication also plays a positive role when Louisa successfully gets in touch with Vincent, Mrs. De Witt’s grandson.


Mrs. De Witt and Louisa’s relationship takes center-stage in these chapters. From just another resident in the Lavery, Mrs. De Witt fast becomes one of Louisa’s closest friends in the city. Although it is the circumstances of Mrs. De Witt’s accident and frail health that initially compels Louisa to get involved, the two women quickly discover a very important shared love of fashion, which has been hinting at in earlier chapters as well. As Louisa stays on to care for Mrs. De Witt and Dean Martin, she develops a genuine fondest for the older woman. This fondness in what leads Louisa to reach out to Vincent for Mrs. De Witt’s sake, and Louisa is truly devastated when she later discovers Mrs. De Witt has cancer.


Mrs. De Witt as a character is well fleshed out in these chapters. She is revealed to be bold and unconventional, having led an exciting life as a fashion editor in the past as well as mothered a child out of wedlock through an affair with a married man. Mrs. De Witt’s fierce independence is seen through her choices of a career over her son in her past, which is something she was compelled to do to maintain her financial freedom. The pride she takes in this is further evidenced by her strong reaction to Louisa’s suggestion that Mrs. De Witt sell some of her clothes at the vintage store to bring in more money. She is furious that Louisa is getting involved and that Louisa brings up Mrs. De Witt’s financial problems in front of the girls at the store.


A more compelling reason for Mrs. De Witt’s outburst, however, is her strong attachment to her clothes and possessions, which goes beyond simple materialism. To Mrs. De Witt, these clothes represent her history and are strongly enmeshed in her identity. Mrs. De Witt shares this with Louisa—the fact that how they dress and present themselves forms a significant part of their identity and personal expression. The importance fashion and clothing take in this set of chapters goes beyond a shared passion for these characters, however; it points to a larger theme of realizing who one truly is and what one loves to do.


Clothes and fashion become essential to who Louisa is as a person, and it plays an important role in her character’s story arc. It is the vintage clothing store that eventually offers Louisa much-needed employment, for instance, and clothes will further come to influence important events in her professional life as the story progresses. Fashion significantly influences her personal life as well when it fuels the end of Louisa and Josh’s short-lived relationship.


This relationship is something Louisa falls into, less by choice and more by circumstance after having lost both Sam and her job. Louisa thinks to herself at one point that perhaps Will has come back to her in some way through Josh; this is significant, as Louisa is caught up in how much Josh resembles Will, which is what fueled her attraction to him in the first place. This is something Louisa herself seems aware of, as she refuses to show Lily pictures of Josh in the worry that the resemblance would unsettle Lily. Despite having passed away some time ago, Will continues to occupy an important place in Louisa’s life; the fact that Josh looks like Will leads her to falsely assume the two men are similar in character as well. However, very quickly it becomes clear that, in contrast to how Will encouraged Louisa to be who she truly is, Josh would rather she conform to fit the world he inhabits. He continually nudges her to alter herself and her self-expression; the last straw is when he asks Louisa to change out of her favorite tights, which had been gifted to her by Will. This is what leads her to realize how different the two men actually are, so she breaks up with Josh.


Louisa’s relationship with Josh also seems constantly shadowed by the fact that she does still harbor feelings for Sam, though she denies this to herself. When Louisa discovers Lily is dating Sam’s nephew Jake, even this distant and tenuous link to Sam unsettles her. When she encounters Sam at her granddad’s funeral, she is further unsettled by the strength of emotion she still feels for him. This foreshadows their eventual reconciliation, which will follow in the succeeding set of chapters.


The event of Louisa’s granddad’s funeral also serves to reveal more about Louisa’s mother. A woman who spent most of her life caring for her father, she is now left bereft of a sense of purpose. Louisa’s mother explains how she no longer feels needed; the fact that she feels empty without having someone to care for points to how women in traditional roles often measure their worth in terms of service to another. With no encouragement to cater to their own needs, these women feel untethered when there is no one else to care for. Louisa’s mother’s predicament highlights this, and she stands in contrast to two other women with children in the story, Agnes and Mrs. De Witt. While Louisa’s mother constantly put the needs of others first, Agnes and Mrs. De Witt seemingly chose their own independence and financial freedom over the needs of their respective children. Irrespective of the different choices made by these women, all three of them consequently suffer in some manner. This points to Mrs. De Witt’s assertion that, despite what one may believe, society ensures women actually cannot have it all.

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