56 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death, emotional abuse, and cursing.
Thirty-six-year-old rom-com author Hazel Hart spends the day at a New York coffee shop, searching for inspiration for the novel she’s been unsuccessfully attempting to plot for a year. After yet another failed brainstorm session, she retreats to her cramped, unkempt apartment. In addition to neglecting her home care duties, she’s also been neglecting her personal hygiene and her social life. Hazel’s childhood best friend and current literary agent, Zoey Moody, visits her home to inform her of a recent meeting with Hazel’s publishers. After scolding Hazel to care for herself and her apartment, Zoey reveals that Hazel’s career might be over if she doesn’t turn something in soon. Hazel has missed the past three deadline extensions, and her publisher is beginning to lose faith in her. Zoey also points out that Hazel doesn’t interact with her readers anymore, which the publisher fears has resulted in a deteriorating fanbase. Hazel begrudgingly agrees to go to a signing event, though Zoey insists that this event alone will not be enough.
Zoey escorts Hazel to the Hoight Hotel’s Ballroom B, where a multi-author event is taking place. While there are 600 readers in attendance, Hazel’s publisher could only scrounge up 50 copies of her books for her to sign and give out during the event. While Hazel isn’t expecting a stampede, she isn’t prepared for her booth to entertain so few visitors. The unsuccessful signing event makes her feel more like a has-been than ever before. During their downtime at the event, Zoey and Hazel briefly discuss Hazel’s toxic ex-husband, Jim, who never approved of Hazel’s career and lifestyle as a writer. He despised author events and even meddled in Hazel’s business, informing Zoey on Hazel’s behalf that she didn’t want to attend events or do activities that might further progress her career.
The highlight of the event comes toward the end when a mother and her daughter visit the booth. The mother excitedly introduces herself as one of Hazel’s biggest fans. She claims that Hazel’s books got her through rough times—specifically, the death of her mother, who was in hospice when they read the entire series together. Later, she encouraged her daughter to read Hazel’s books. At their request, Hazel signs and personalizes her Spring Gate series for the mother and daughter.
After the author event disaster, Zoey gives Hazel a pep talk, reminding her that she’s always been motivated by a challenge and that she’s “a kick-ass author with amazing stories to tell” (29). Zoey receives bad news; she accidentally missed an event for another author scheduled for the same day as Hazel’s author event and has been fired by her agency. Hazel insists that she will write a great book that will vindicate Zoey and restore her career as an agent. Zoey appreciates the sentiment but doesn’t quite believe Hazel. After all, it’s been two years since she’s published anything.
That night, when Hazel returns home, she listens to her missed calls, one of which is from Rachel Larson, Jim’s attorney, calling to discuss the divorce settlement. There was an agreement that Hazel would vacate her current apartment by August 15—in five days. Hazel rushes to call Rachel back, and after insisting that her name is on the deed of the apartment that she and Jim bought together, she learns that he only put her on the mortgage—making her a half owner of the debt but not the asset.
Hazel has always lived in New York and panics at the thought of leaving the city, but after scouring the internet for affordable homes in the area, she decides that she may have to do so after all. When Hazel spills a folder of paper, she comes across her brainstorming ideas from the past. She rifles through them and discovers an old news article about a small town in Pennsylvania that banded together to save the home of an elderly resident. The articles details how Bishop Brothers Construction aided the owner, Dorothea Wilkes, in repairing her house at no charge. The article includes a picture of Dorothea and the Bishop Brothers. The caption describing the scowling brother, Campbell “Cam” Bishop, captures Hazel’s attention and gives her writing inspiration. She writes a few hundred words based on a new novel idea—about a grumpy small-town hero who develops a romance with the big-city girl who moves to town. While researching the area on the internet, Hazel discovers that the Heart House from the article is up for auction. Hazel impulsively buys the house at four o’clock in the morning and then checks her social media for the first time in nearly a year. Hazel begins a live stream that only three people attend but reintroduces herself and speaks about her forthcoming plans to move to a small town. The next morning, Hazel shows up at Zoey’s apartment and begins packing things for her hungover friend as she shares the news that she’s moving to Story Lake for inspiration and bringing Zoey with her.
Hazel is an inexperienced driver, having never had a reason to drive in the city, but she rents a car to drive to Story Lake anyway. After a chaotic drive, they stop at a gas station near town, where Hazel rear-ends a pickup truck while struggling to pull up to a pump. She is saved by a benevolent, handsome stranger who mediates the conflict; all it costs Hazel is a $20 bill, and the man whose truck she hit drives off satisfied. The benevolent stranger, whose name she doesn’t learn, helps her by pulling her car around to the pump. Hazel pumps gas for the first time while Zoey gets sick in the convenience store bathroom, still suffering from a hangover.
Back on the road into town, a bald eagle assaults the open-top convertible, dropping a fish onto Zoey’s lap. As the women are flailing, the grumpy Cam Bishop happens to drive by and reluctantly stops to help. He treats a cut on Hazel’s forehead with a medical kit that he keeps in his truck and removes the fish from the car. He explains that Goose, the bald eagle, is up to his usual antics—even going so far as to fake an injury to mess with Hazel and Zoey. Unable to drive the battered convertible into town, Hazel and Zoey hitch a ride with Cam to Story Lake’s downtown, where Hazel plans to meet with the town mayor, whose Heart House listing online also offered the buyer a seat on the town council.
Hazel immediately recognizes Cam as the grumpy Bishop brother from the news article and is excited to observe her muse to gain inspiration for her novel. Downtown, Cam argues with a man at the general store who has climbed a ladder to do repairs. Cam eventually coaxes the man off the ladder and does the repair himself. Hazel learns that the man is Cam’s father. Cam takes them to the address of Heart House, and Hazel is shocked to find it in disarray. There are weeds in the front yard of the ramshackle mansion, which looks nothing like the listing. A school cross-country team passes by, and one kid separates from the pack to stop in front of Hazel. He introduces himself as Darius Oglethorpe, the youngest elected town mayor. He admits to blatantly lying about the house’s condition and photoshopping its online photos before giving Hazel a tour.
Though the house needs a lot of work, Hazel sees potential and endless inspiration. Darius tells Cam about Hazel’s fame as a novelist, but Cam is not impressed. Darius also offers to have Cam and Bishop Brothers Construction do the necessary repairs on Hazel’s new home. While inside the home, Cam receives text messages from his sibling group chat—including his brothers, Gage and Levi, and his sister, Laura. His siblings have already heard from Hazel’s new neighbor, Felicity, that author Hazel Hart has moved into Heart House and that Cam is currently with her.
During the tour, Zoey interrupts to ask about Hazel’s Facebook Live, which has gone semi-viral with hundreds of comments. While Hazel tours the upstairs with Darius, Zoey stays behind to lecture Cam about being on his best behavior. She warns him not to put out the creative spark that Hazel has recently reignited.
Hazel and Zoey settle into the home, opening windows to air out the dust. Zoey tells Hazel that she’s proud of her for making the best of the situation and using it as fuel for a comeback. A gruff man named Gator, who owns Gator’s Towing, tows Hazel’s unusable rental car to Heart House, but Hazel and Zoey discover that their packed belongings have been ruined. The red wine that Hazel packed has broken and spilled over all her belongings. Meanwhile, Zoey’s bags in the back seat have eagle feces all over them.
Hazel and Zoey walk to the general store, where they discover Cam working the front counter. He is unhappy to see them again and can smell the stench of alcohol on them. Hazel and Zoey buy groceries and some clothes but get impatient when Cam is slow to ring them up. The women walk behind the counter and take over scanning and bagging items while Cam fields a call on the store’s landline from his sister, Laura, who is spying from outside the shop. She scolds him for making one of her favorite authors scan and bag her own items.
Cam reluctantly offers the women a ride home when their groceries are too much to carry back by themselves. He even carries the bags inside to Hazel’s kitchen. When they suggest walking to the nearest restaurant for dinner, Cam offers them yet another reluctant ride. Though the town is safe at night, he doesn’t trust the women not to get into trouble on the five-block walk given their current track record since arriving in town.
In the opening chapters of Story of My Life, Lucy Score establishes Hazel Hart’s dissatisfaction and introduces the beginning of her transition toward The Challenges and Rewards of Personal Reinvention. Hazel describes herself as a washed-up romance novelist who lacks inspiration. Her internal conflict revolves around the stagnation that follows her divorce: Isolated in a cluttered New York apartment that mirrors her inner turmoil, Hazel describes her home as “a disastrous jumble of trash” (9), emphasizing how she has allowed her life to deteriorate after her divorce and subsequent professional failures. Through Hazel’s point of view, Score sets up a character who has stopped believing in herself and, by extension, in the happy endings she once wrote about.
The early chapters focus on Hazel’s false beliefs: that she has missed her chance at happiness, that her best work is behind her, and that she is incapable of changing these circumstances. Rather than taking action as her down-on-their-luck fictional heroines would, Hazel wallows in self-pity, allowing time to pass her by. Hazel’s struggle is made visible through her internal commentary, such as when she notes, “Old Hazel never would have let it get this bad. There were a lot of things the old me would have done differently. But she was dead and buried. RIP, me” (10). This perception reflects what will soon become a larger thematic current as Hazel lets go of the dream of “happily ever after” and begins to understand Happiness as a Lifelong Project. Hazel’s marriage to Jim—which she initially thought would be her happily ever after—has led to a cycle of disappointment. The divorce settlement, in which Hazel discovers that she is responsible for debt without ownership, serves as a material consequence of the passive role she played in her marriage. Her question, “Why would someone who claims to love someone do that?” shows both her realization of betrayal and her awakening to her need for self-advocacy (36).
In addition to Jim’s lawyer forcing Hazel to move out of their once-shared apartment within the next five days, Hazel’s career crisis adds a layer of urgency to the change that must happen to disrupt her status quo. At the book-signing event that Zoey organizes for her, Hazel experiences a harsh reminder of her fading popularity. However, a single moment shared with a mother-daughter duo, who thank Hazel for writing books that have gotten them through tough times, shows Hazel that her work has a real impact despite the belittling statements that Jim always made about the “uselessness” of her genre. Even though Hazel minimizes her own importance as a result of her toxic ex’s manipulation, this moment introduces a counterpoint to her belief that she no longer matters.
To escape the status quo, protagonists must have an inciting incident that spurs them into action. In Story of My Life, this incident occurs when Hazel comes across her old writing inspiration folder, which includes a decade-old news article about the Bishop brothers, who saved a house in their small town; a picture of surly Cam Bishop provides Hazel with story inspiration, leading her to impulsively purchase the very house they saved: Heart House. This impulsive purchase marks Hazel’s shift toward personal reinvention. Her decision is motivated by desperation, but it also brings her excitement, as it will take her toward freedoms and new beginnings: “People made mistakes all the time. They changed their minds about marriages and real estate transactions, and nothing horrible happened to them” (46). This statement marks the beginning of a crucial shift for her as she begins to let go of the notion that important life choices have to be permanent and definitive. Her marriage to Jim did not lead to a happily ever after, but that doesn’t mean her life is over. Her choice to buy the fixer-upper symbolizes a willingness to take action rather than remain paralyzed. The house, like Hazel herself, is in poor condition but holds the potential for renovation. With the proper care, it can thrive again. Score sets up the motif of the fixer-upper not only as a physical project but also as a personal one. The work that Hazel will undertake on the house parallels the work she must do to rebuild her self-confidence and career.
The introduction of small-town Story Lake allows Hazel to make a clean break from the perceived failures of her past life. Story Lake is described as open, expansive, and unconfined: “Nature wasn’t confined and penned in by penthouses and skyscrapers. It unfolded infinitely” (60). This contrast suggests that the new environment will offer Hazel new possibilities that were unavailable in her former setting. Story Lake becomes not just a backdrop but a place of opportunity, connection, and healing.
Score introduces other characters who contribute to the theme of community. Darius, the young and somewhat duplicitous mayor, and Cam, the grumpy but capable contractor, both represent parts of Story Lake’s imperfect but ultimately supportive fabric. Hazel’s interactions with Cam, though initially contentious, fit within established romance genre tropes such as the grumpy-sunshine dynamic and, with the construction job on the house, forced proximity. However, Score uses Hazel’s self-awareness as a rom-com author to acknowledge these tropes without undermining the emotional authenticity of the narrative. Hazel brainstorms various meet-cutes for her fictional female protagonists and male love interests as an author while having a decidedly not cute meet-cute with her own love interest, describing her meeting with Cam: “That was not a meet-cute. That was a meet-disaster” (73). She also relates her current situation to that of a down-on-her-luck heroine from a novel, turning it into motivation to act as her heroines do when they’re building themselves back up from their lowest lows. Score uses the techniques of metafiction, along with humor and irony, to highlight Hazel’s reluctance to view her new circumstances through a romantic lens, even as she participates in a romance plot herself.



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