17 pages • 34-minute read
William WordsworthA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death.
The speaker, immersed in his grief, is stunned to feel joy for a moment. But the poem’s use of this word in particular to describe the speaker’s uplift is significant. Unlike happiness, pleasure, or delight, “joy” symbolizes more than casual elation.
In Protestant Christianity (Wordsworth’s religion) joy is an expression of the divine. In Platonic idealism (which Wordsworth studied), joy represents the sublime. In both cases, joy confirms that the material world has a spiritual dimension. Although the speaker feel guilt-ridden to experience this positive moment, the joy he feels connects also to hope that defies the poem’s insistence on death’s absolute nature.
While the speaker claims that “neither present time, nor years unborn / Could to my sight that heavenly face restore” (Lines 13-14), the word “heavenly” echoes the religious undercurrents of “joy” to hint at consolations to come in the afterlife. The speaker, still too deeply immersed in sorrow, sees joy as trivial and wrestles with his experience of it. However, this joy assures the speaker that the grave is not the final word.
Wordsworth was a lifelong Christian and an ardent Neo-Platonist who saw the organic universe as a kinetic field of endless energy. In contrast, the unrelenting sorrow in “Surprised by Joy” represents Wordsworth’s darkest moments of doubt about the post-material promises of his religion. The “silent Tomb” (Line 3) that now holds the loved ones that have died symbolizes the absolute boundary that forever separates the living from those they’ve lost.
The speaker is “forlorn” (Line 11) to imagine the tomb. Unlike the abstraction of death, the tomb is real—a stone reminder of his loved ones’ demise. No matter what Christianity offers about the afterlife, the tomb in which the speaker has buried his loved ones physically blocks his access to them—it bars him from ever hearing through its “silence” or seeing again the “heavenly face” (Line 14) of the one he has lost.
The speaker describes the departed as his “heart’s best treasure” (Line 12). The speaker’s heart thus symbolizes the mourner’s central conflict. Confronting the death of loved ones, we are caught between rationalization and emotional pull.
The intellect confirms for the speaker the cold reality of death, through images like the “silent Tomb” (Line 3) and through the timekeeping calculus that makes it certain “[t]hat neither present time, nor years unborn” (Line 13) will reunite him with those who have gone. The intellect is also the seat of his self-imprisoning grief: It is his “thought” (Line 9) that reminds him that he should not feel joy and should instead forever mourn.
The heart, on the other hand, consoles the speaker—though its influence is as yet too small to withstand the power of the intellect. The heart allows the speaker a moment of reprieve—the second of joy he experiences—which reconnects him with the world that he is still a part of. The heart also inserts hints at the rewards of the Christian afterlife, describing the face of the dead as “heavenly” (Line 14).
The speaker for now feels torn between these forces. But the poem’s last line, with its reference to heaven, implies the possibility of comfort.



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