45 pages 1-hour read

Talking As Fast As I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between)

Nonfiction | Autobiography / Memoir | Adult | Published in 2016

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Symbols & Motifs

Lucy’s “The Doctor Is In” Stand

In the chapter where Graham discusses the positive and negative aspects of her dating life, she uses a pop culture symbol to humorously express her recurring confusion. When describing a string of disastrous dates, she writes, “Not for the first time, I wished there was someone to ask, or a Peanuts-style Lucy booth with a sign that said THE DOCTOR IS IN” (92). At this point in her love life, Graham felt lost and confused and wondered if she would ever find love.


The motif of the Lucy booth returns a few pages later. After Graham started dating Peter Krause, she traveled with him to visit his family. When they arrived at the airport in northern California, Graham was shocked to see the very booth that she had wished for. She says, “The Lucy booth carries mostly travel pamphlets and maps to wine country, rather than advice to actors, but I still found its existence comforting, its appearance a positive sign” (99-100). In this moment, she interprets the image of the booth as a tacit sign from the universe that her current relationship with Peter Krause was the right path for her.

The Train in the Station

Another symbol in the book, the train in the station, indicates various aspects of Graham’s love life. Initially, Graham feels as if she has metaphorically missed the train when she fears missing her chance at experiencing romance. However, she stresses the wisdom of remaining hopeful, and the symbol of the train ties into her broader focus on The Intersection of Personal Growth and Professional Success. As Graham relates, she learned that there is not one specific time in which a person will find love. She adds, “It’s hard to say exactly when it will happen, […] but someday soon a train is coming. In fact, it may already be on the way. You just don’t know it yet” (101). This statement transforms the symbol of the train in the station into a positive image; instead of having missed the train, she focuses on the idea of waiting for “trains” of opportunity that are yet to come.

Golden Age Musicals

Graham’s passion for acting is fueled by her abiding interest in Golden Age musicals, and this era serves as a motif in her book. As a child, for example, Graham would “[record] Judy Garland movies off the television with [her] red plastic Radio Shack tape recorder” (16) and stay up singing along with them. She describes how she used to watch The 4:30 Movie, which “featured mostly old films […and was] where [she] fell in love with movie musicals starring Gene Kelly and Judy Garland” (26). Throughout Graham’s childhood and beyond, she never lost her love for Old Hollywood.


Golden Age musicals eventually tie into the book’s focus on The Impact of Pop Culture. When discussing the idea that people today might regret being addicted to phones instead of remaining present in their own lives, she adopts the persona of Old Lady Jackson and invokes the famous lyrics of a Doris Day song when she states, “Que sera sera, my dears—whatever will be will be, whether we’re tracking it on our GPS devices or not” (164). The motif in this passage utilizes these lyrics to stress the idea that living in the moment will always be more rewarding than being distracted in life.

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